Though John Barry crafted a lushly exquisite score for First Love in 1977 - the same year the film titan also lent his talent to The Deep and The White Buffalo - his name appeared nowhere in the credits to the romantic drama directed by Joan Darling. The director had enlisted Barry when she thought twice about the initial concept of using songs written by Cat Stevens and Paul Williams, but in the end, brief fragments of Barry's score remained, uncredited, alongside songs from Stevens and
His name is Barry...John Barry. And the famed film composer's score to the 1966 spy thriller The Quiller Memorandum is one of the two latest soundtrack reissues from Intrada. The film score specialists have also just released a 2-CD set of four scores drawn from the legendary films of George Pal. War of the Worlds/When Worlds Collide includes, as bonuses, The Naked Jungle and Conquest of Space. These four soundtracks are the work of Leith Stevens (War of the Worlds, When Worlds Collide),
When John Barry won two 1967 Academy Awards for his work on Born Free, the trophies were a vindication. Over the initial objections of his director, Barry envisioned his score to reflect a "Disneyesque kind of movie, lovely family entertainment" and fought for the dramatic integrity of that sound. Twelve years later, Barry actually got his chance to score a Walt Disney Productions motion picture. One of many science-fiction epics produced in the wake of Star Wars, Disney's The Black Hole was
John Barry may have passed away in January, but the film score titan has hardly been forgotten. Kritzerland just scored a quick sell-out on its new edition of Barry's score to Until September, while Quartet Records has reissued The Knack...and How to Get It on CD. The Classic Brit Awards has announced that Barry will be the first-ever posthumous recipient of an award, while a June 20 concert at London's Royal Albert Hall will celebrate his legacy with performances and remembrances from Sir
It is with a heavy heart that I pass along to you the news that film composer John Barry died on Sunday. Barry, a five-time Oscar winner, is of course best known for his work on 12 of the 22 James Bond films. Though his authorship of the iconic theme is under dispute even after a U.K. court ruled that it was Dr. No composer Monty Norman's work alone, Barry is still the name most synonymous with Bond music, and crafted some of the series' best themes. The timing of Barry's passing comes at an
Kritzerland continues to mine the MGM/UA soundtrack library for its latest release, a two-for-one CD. The disc, a limited edition of 1,000, contains the score to Bryan Forbes' 1967 thriller The Whisperers composed by the legendary John Barry as well as Richard Rodney Bennett's score to Sidney Lumet's 1977 adaptation of Peter Shaffer's play Equus. (Barry's very different score to The Deep has already enjoyed a terrific reissue earlier this year, courtesy our friends at Intrada, and it's been