A cadre of titles from the discography of the late Quincy Jones - spanning nearly 25 years of his storied career - are coming back into print on physical formats thanks to the shared efforts of Universal' Music Group's teams in America and Japan. Coming June 6 are new SHM-CD pressings of seven of Jones' LPs: This is How I Feel About Jazz (1957), The Quintessence (1962), Big Band Bossa Nova (1962), Walking in Space (1969), Body Heat (1974), Mellow Madness (1975), Sounds...and Stuff Like
Fans of John Barry have double the delight coming their way this week, with two hugely expanded scores from the late British composer. First up is one of the weirdest films Barry's got his name on: the critically-maligned, George Lucas-produced adaptation of Marvel Comics' Howard The Duck. The film, co-starring Lea Thompson as Howard's...uh...human love interest, was scored by Barry and re-scored in part by composer Sylvester LeVay. Part of Barry's score ended up on the second side of a
On Friday, Universal Pictures announced plans to preserve and restore its classic library of movie music as well as the birth of a new imprint to release those scores on compact disc. The Universal Pictures Film Music Heritage Collection will launch this week as a joint venture with La-La Land Records with the premiere release of Michel Colombier's 1970 score to the sci-fi thriller Colossus: The Forbin Project. In August, Henry Mancini's score to the 1979 Peter Sellers remake of The Prisoner
Welcome to this week's Release Round-Up! The Rolling Stones, The Rolling Stones in Mono (ABKCO) CD: Amazon U.S. / Amazon U.K. / Amazon Canada LP: Amazon U.S. / Amazon U.K. / Amazon Canada The Rolling Stones in Mono captures, on 15 CDs or 16 LPs, the original mono albums released on both sides of the Atlantic between 1964 and 1969 including the exceptionally rare mono editions of Their Satanic Majesties Request (1967), Beggars Banquet (1968) and Let It Bleed (1969). Exclusive to
In a career now in its seventh decade, there's little that Lalo Schifrin hasn't accomplished. The four-time Grammy-winning Argentinean composer-arranger-conductor created one of the most memorable television themes of all time with his "Mission: Impossible," worked with Count Basie, Cannonball Adderley and Sarah Vaughan, scored innumerable films (racking up six Oscar nominations in the process) and released a variety of solo albums for labels including Verve, Tabu and CTI. Two of his LPs for
It’s never been easy to pigeonhole Lalo Schifrin. The four-time Grammy-winning Argentinian composer created one of the most memorable television themes of all time with his “Mission: Impossible,” recorded jazz albums for labels including Verve and Creed Taylor’s CTI, worked with Count Basie, Cannonball Adderley and Sarah Vaughan, and scored innumerable films, racking up six Oscar nominations in the process. Now, Demon Music Group has reissued two lost gems of the Schifrin oeuvre, both originally