In the spring of 2004, my junior year of high school, I enrolled in an elective that was split between Theatre Arts one semester and Analyzing Cinema the next. One of the more polarizing films shown in class was Sergio Leone's epic Western The Good, The Bad and The Ugly - the class of 16 and 17-year-olds didn't entirely jibe with the lengthy takes, surreal logic (complete with characters surprised by events that couldn't be seen within the frame), or the score, which was firmly Western in terms
A new remaster of a classic soundtrack album and two new expansions are on display in our latest soundtrack-round-up. For the first time in nearly 40 years, Quartet Records is remastering Ennio Morricone's score to John Carpenter's sci-fi classic The Thing. An adaptation of the John W. Campbell Jr. short story Who Goes There? (first filmed as 1951's The Thing From Another World), The Thing features an ensemble cast portraying researchers at an Antarctic outpost who encounter an alien creature
Following La-La Land Records' recently-announced mega-slate of Black Friday releases, Spain's Quartet Records label has revealed its own impressive line-up of end-of-the-year reissues. The label has brought out the heavy hitters - including Jerry Goldsmith, Henry Mancini, Ennio Morricone, and Quincy Jones - for an exciting group of limited edition soundtracks. Below, you'll find Quartet's own write-ups for each title, with pre-order links to the label as well as to Screen Archives
On Friday, Universal Pictures announced plans to preserve and restore its classic library of movie music as well as the birth of a new imprint to release those scores on compact disc. The Universal Pictures Film Music Heritage Collection will launch this week as a joint venture with La-La Land Records with the premiere release of Michel Colombier's 1970 score to the sci-fi thriller Colossus: The Forbin Project. In August, Henry Mancini's score to the 1979 Peter Sellers remake of The Prisoner
Cherry Red's Él Records label is going 'round the world with a pair of recent releases. Morricone Pops focuses on an oft-overlooked part of Italian composer Ennio Morricone's ouevre: that of his early sixties arrangements not just for film, but also for pop singers. Él also turns its attention to a favorite country, Brazil, for Sambou, Sambou, a collection of two albums of tunes by composer-pianist Joao Donato. With a staggering body of work including more than 500 films and television