Thanks to the dedication of audiophile specialty labels like Audio Fidelity, Analogue Productions, and Mobile Fidelity Sound Lab, the high-resolution Super Audio CD (SACD) format remains alive and well. Yet most of these labels’ recent releases have featured stereo mixes only. Audio Fidelity is finally making its first major leap into the world of 5.1 multi-channel surround sound with two upcoming reissues of classic albums including one long-coveted title. On August 5, the label will premiere Al Kooper’s never-before-issued surround mix of his seminal 1968 Super Session album, a collaborative effort with…
Review: Michael Bloomfield, “From His Head to His Heart to His Hands”
“I think we’ve exploited you enough. I just want you to know I’m signing you!” With those words, spoken by John Hammond Sr. and heard on the first disc of Legacy Recordings’ new 3-CD/1-DVD box set From His Head to His Heart to His Hands, Michael Bloomfield became a Columbia Records recording artist. Though he died in 1981 at the age of 37, the blues guitarist extraordinaire left behind a substantial body of work in a variety of musical settings. Perhaps he never fulfilled the entirety of his tremendous promise, having battled…
Release Round-Up: Week of February 4
Burt Bacharach, Together? — Original Soundtrack Recording / Toomorrow: From the Harry Saltzman-Don Kirshner Film “Toomorrow” — Original Soundtrack Recording / The Mamas and the Papas, A Gathering of Flowers / Brotherhood, The Complete Recordings / Smith, A Group Called Smith/Minus-Plus / Troyka, Troyka / Jim Reeves, A Beautiful Life — Songs of Inspiration / The Grateful Dead, Dick’s Picks Vol. 20 — Capital Centre, Landover, MD 9/25/76 — Onondaga County War Memorial, Syracuse, NY 9/28/76 (Real Gone Music) What could be better than this Real Gone bounty, featuring a classic compilation by The Mamas and The Papas, an exciting compilation by Brotherhood, a post Paul Revere & The Raiders…
Sweet Blues: Guitar Legend Mike Bloomfield Celebrated On New Box, Bob Dylan Tracks Debut on Set
The time was 1965, the place was Columbia Records’ studios on Seventh Avenue in New York City between 52nd and 53rd Streets, the occasion was the recording of Bob Dylan’s Highway 61 Revisited. Al Kooper – he of the famed organ riff that propelled “Like a Rolling Stone” – recalled, “Suddenly Dylan exploded through the doorway with this bizarre-looking guy carrying a Fender Telecaster guitar without a case. It was weird, because it was storming outside and the guitar was all wet from the rain. But the guy just shuffled over into…
