Welcome to another edition of The Weekend Stream, The Second Disc's review of notable catalogue titles (and some new ones, too!) making digital debuts. This week offers a trio of classic rockers advancing a cause through new tracks, rare covers and live material, plus a new take on Peggy Lee's "Fever" and a pair of dance albums getting greatly, unexpectedly expanded. Bruce Springsteen & The E Street Band, Land of Hope & Dreams EP (Columbia) (Apple / Amazon) The Boss has been
This is a public service announcement...with bonus tracks! Legacy Recordings will release a 2CD or 3LP expansion of The Clash's Combat Rock for its 40th anniversary. The album comes with a bonus disc of 12 rare and unreleased tracks curated by the band's surviving members. As the follow-up to the sprawling triple album Sandinista! (1980), the fifth album from "The Only Band That Matters" found the group at a creative crossroads. Guitarist Mick Jones found himself feeling estranged from his
When it comes to Joe Strummer, 001 is the number to watch. That's the name of the upcoming box set that shines a deserved light on the late Clash frontman's work outside of his famous band - solo, with former bandmate Mick Jones, and with his 101ers and The Mescaleros. 001 arrives on September 28 from Ignition Records in an array of formats, including 2CD, 2CD Deluxe, 4LP, and a 2CD/4LP/7"/Cassette Super Deluxe edition. The first CD of 001 compiles 20 eclectic, previously released sides
In 1982, The Clash has the biggest success of their career with the album Combat Rock featuring the songs "Rock The Casbah" and "Should I Stay or Should I Go." Of course, that's when things began to go wrong. It's one of the oldest story in rock: a band whose members are split in two directions between being "safe" and "commercial" or being "artistic" and "daring." The two sides of that argument for The Clash were being represented in the early 1980s by Joe Strummer and Mick Jones. Strummer
In a career spanning seven decades, there's little Gary Wright hasn't accomplished. Having earned a role on Broadway before hitting his teenage years, the musically-talented New Jersey native moved to London, formed Spooky Tooth, befriended George Harrison, played on hit records from Harrison, Ringo Starr and Harry Nilsson, and launched his own successful career with smashes like "Dreamweaver" and "Love is Alive." But one chapter of the Gary Wright story has been long lost: his 1972 album Ring