Welcome to this week's Release Round-Up! Bob Dylan, Springtime in New York: The Bootleg Series Vol. 16 (1980-1985) (Columbia/Legacy) 5CD: Amazon U.S. / Amazon U.K. / Amazon Canada 2CD: Amazon U.S. / Amazon U.K. / Amazon Canada 2LP: Amazon U.S. / Amazon U.K. / Amazon Canada The latest volume of Bob Dylan's long-running archival series, Springtime in New York: The Bootleg Series Vol. 16 (1980-1985) covers the period in which Dylan recorded the albums Shot of Love (the final LP in
"Nothing could convince me that any show that has sold two and one-half million copies of its album before the opening night is anything like all bad," wrote The New York Times' Clive Barnes on October 13, 1971 upon the New York debut of Andrew Lloyd Webber and Tim Rice's Jesus Christ Superstar. Indeed, the original Jesus Christ Superstar album was a sensation long before it ever hit Broadway's Mark Hellinger Theatre. A true hybrid of rock and theater, it was introduced as a record but
Few artists have bridged the worlds of rock and theatre as successfully as Murray Head. Singing the music of others, actor-singer Head scored two major hits on both sides of the Atlantic with 1973's "Superstar" from Jesus Christ Superstar and 1984's "One Night in Bangkok" from Chess. Far lesser known, however, is his discography as a singer-songwriter. Head imbued his own compositions with the same vibrant life as those famous songs by Andrew Lloyd Webber, Tim Rice, Bjorn Ulvaeus and Benny
Few artists have bridged the worlds of rock and theatre as successfully as Murray Head. Singing the music of others, actor-singer Head scored two major hits on both sides of the Atlantic with 1973's "Superstar" from Jesus Christ Superstar and 1984's "One Night in Bangkok" from Chess. Far lesser known, however, is his discography as a singer-songwriter. Head imbued his own compositions with the same vibrant life as those famous songs by Andrew Lloyd Webber, Tim Rice, Bjorn Ulvaeus and Benny
Tim Rice had been thinking about writing a musical about the Cold War for some time in the late 1970s. Fascinated by the Soviet-U.S. chess rivalry of the time, the lyricist-librettist approached his longtime collaborator Andrew Lloyd Webber with the idea. Lloyd Webber, however, was not available, as he was too busy developing a little show known as Cats. A suggestion from a producer put Rice in touch with songwriters Benny Andersson and Bjorn Ulvaeus of ABBA. Looking to pursue some projects
"Nothing could convince me that any show that has sold two and one-half million copies of its album before the opening night is anything like all bad," wrote The New York Times' Clive Barnes on October 13, 1971 upon the Broadway debut of Andrew Lloyd Webber and Tim Rice's Jesus Christ Superstar. Indeed, the original Jesus Christ Superstar was a bit of a revelation, a true hybrid of rock and theater, introduced as a record but destined for the world's stages. And it's returning in a new,