Fate works in mysterious ways. Dionne Warwick was home one evening, half-asleep while the 1982 film Night Shift played on her television set. “I didn’t really pay attention to the names that were going up on the credits,” Warwick recounted, “but I knew that was Burt Bacharach’s melody. There was no way in the world it could be anybody else’s.” She was speaking of “That’s What Friends Are For,” an all-but-forgotten song written for the 1982 film Night Shift, Ron Howard’s major big screen