Ode To A Kudu: CTI Masterworks Series Continues In October With Kudu Titles

Tuesday, August 9 brought the most recent quartet of CTI jazz titles to CD from Sony’s Masterworks Jazz division.  For the next batch, due October 4, the label has turned its attention to CTI’s offshoot label, Kudu.  Named after the long-horned African mammal, Kudu was launched by CTI’s Creed Taylor in 1971.  Taylor described his new endeavor as “a black awareness label, more commercial oriented than CTI and indigenous to the black popular music of the United States.”  Even the logo’s familiar Afro-centric colors would be a calling card to Kudu’s mission.  If the Kudu albums were designed in a much less lavish fashion than their CTI counterparts, the music within the grooves could be just as incendiary.

Four Kudu titles are arriving in new, remastered editions housed in soft-pack digipaks: Lonnie Smith’s Mama Wailer; Esther Phillips’ Performance; Hank Crawford’s Don’t You Worry ‘Bout a Thing; and Johnny Hammond’s Wild Horses/Rock Steady.    While the other titles have been available as expensive imports, Don’t You Worry ‘Bout a Thing is making its first appearance on CD.  Although Sony no longer controls the Kudu catalogue of Grover Washington, Jr. (which was sold by Taylor to Motown as part of the deal to dissolve Kudu’s distribution deal with the Motor City giant), these four titles prove without a doubt that Kudu had much to offer.

Lonnie Smith’s 1971 Mama Wailer was only the second Kudu release, after Johnny Hammond’s Breakout.   Smith, on organ, clavinet and vocals, contributed two original songs alongside two well-selected contemporary pop covers: Sly and the Family Stone’s powerfully-charged “Stand!” (stretched to a monumental 17+ minutes!) and Carole King’s “I Feel the Earth Move.”  CTI family members like Ron Carter and Airto Moreira contributed to the album, as did Kudu labelmate Grover Washington, Jr., whose Inner City Blues would follow as Kudu’s third release.

Continuing chronologically, Hammond’s Wild Horses/Rock Steady was originally issued in 1972 as the fourth Kudu album.  Electric pianist/organist Hammond, who had covered Carole King’s “It’s Too Late” and the Jackson 5’s Clifton Davis-penned “Never Can Say Goodbye” on his debut Breakout, continued to demonstrate his good taste in cover material.  On Wild Horses/Rock Steady, he tackles not only those Rolling Stones and Aretha Franklin songs, respectively, but Cat Stevens’ “Peace Train” and two songs from rock musicals: Andrew Lloyd Webber and Tim Rice’s “I Don’t Know How to Love Him” from Jesus Christ Superstar, and Galt MacDermot and John Guare’s “Who is Sylvia?” from Two Gentlemen of Verona.  Bob James arranged and conducted the album’s orchestration, while Washington, Moreira, Carter and George Benson all guested.  This album epitomizes producer Creed Taylor’s crossover style, with equal appeal to jazz fans and rock/pop fans alike.  After the jump we’ll fill you in on what’s coming from Esther Phillips and Hank Crawford, as well as full track listings for all four titles!

The series then jumps ahead to 1974 for the former Little Esther Phillips’ album Performance.  Esther Phillips was a titanic vocalist who channeled her offstage demons into anguished, powerful, and dramatic music.  Pee Wee Ellis was the arranger and conductor for Phillips, and Performance includes her dynamic and altogether distinct renditions of Allen Toussaint’s “Performance,” Isaac Hayes and David Porter’s “Can’t Trust Your Neighbor with Your Baby,” Dr. John’s “Such a Night” and Jerry Jeff Walker’s modern standard “Mr. Bojangles.”

Hank Crawford’s Don’t You Worry ‘Bout a Thing was the very next Kudu release following Performance.  It’s a five-song affair, kicking off with the title song and another also by Stevie Wonder, “All in Love is Fair.”  Alto saxophonist Crawford wrote the album’s remaining three songs himself, one in collaboration with arranger and conductor Bob James.  Ron Carter, Idris Muhammad, Randy Brecker and  Hugh McCracken all appear on the set.

CTI Masterworks releases these four classic titles on October 4.  Pre-order links and track listings with discographical annotation follow!

Lonnie Smith, Mama Wailer (Kudu KU-02, 1971 – reissued Masterworks Jazz, 2011)

  1. Mama Wailer
  2. Hola Muncea
  3. Stand!
  4. I Feel the Earth Move

Johnny Hammond, Wild Horses/Rock Steady (Kudu KU-04, 1972 – reissued Masterworks Jazz, 2011)

  1. Who is Sylvia?
  2. Peace Train
  3. I Don’t Know How to Love Him
  4. It’s Impossible
  5. Wild Horses
  6. Rock Steady

Esther Phillips, Performance (Kudu KU-18, 1974 – reissued Masterworks Jazz, 2011)

  1. I Feel the Same
  2. Performance
  3. Doing Our Thing
  4. Can’t Trust Your Neighbor with Your Baby
  5. Such a Night
  6. Disposable Society
  7. Living Alone (We’re Gonna Make It)
  8. Mr. Bojangles

Hank Crawford, Don’t You Worry ‘Bout a Thing (Kudu KU-19, 1974 – reissued Masterworks Jazz, 2011)

  1. Don’t You Worry ‘Bout a Thing
  2. All in Love is Fair
  3. Jana
  4. Sho is Funky
  5. Groove Junction
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Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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