Edsel’s In a Bobby Darin Bag With “Shadow” and “Broadway” Reissues
We’re proud to have kicked off the Bobby Darin 80th birthday celebration earlier this month with Second Disc Records/Real Gone Music’s release of Another Song on My Mind: The Motown Years. The Bobby festivities will continue next month from Edsel Records with the re-reissue of a pair of currently out-of-print titles previously released as a two-fer. The Demon Music Group imprint has new standalone editions of Darin’s 1966 albums The Shadow of Your Smile and In a Broadway Bag arriving on June 10 to mark both albums’ 50th anniversary.
The March 1966 release of Sings The Shadow of Your Smile marked Darin’s return to Atlantic Records. Though he had enjoyed his first successes (including “Splish Splash,” “Beyond the Sea” and “Mack the Knife”) at the label’s Atco imprint, he departed for the greener pastures of Capitol Records in 1962. At Capitol, Bobby broadened his already-versatile range to incorporate folk and country songs, and scored hits such as “You’re the Reason I’m Living” and “18 Yellow Roses.” The Shadow of Your Smile was titled after the Oscar- and Grammy-winning Johnny Mandel/Paul Francis Webster tune from the 1965 film The Sandpiper. Joining “The Shadow” were its four fellow nominees for Best Original Song: Johnny Mercer and Henry Mancini’s “The Sweetheart Tree” (The Great Race), Burt Bacharach and Hal David’s “What’s New Pussycat” (from the film of the same name), Michel Legrand, Jacques Demy and Norman Gimbel’s “I Will Wait for You” (The Umbrellas of Cherbourg) and Hal’s brother Mack David and Jerry Livingston’s “The Ballad of Cat Ballou” (Cat Ballou).
Those five songs alone showcase Darin’s singular stylistic variety, but that wasn’t all. The movie themes, all arranged by Shorty Rogers, were joined by six more tracks under the musical direction of Richard Wess, the arranger of “Mack the Knife.” Bobby contributed his own “Rainin’,” tapped composer Neal Hefti for “Cute” (originally a Count Basie instrumental) and looked back to the American songbook for four more standards including “Lover Come Back to Me” and “After You’ve Gone.” As on its previous editions of the title, Edsel has added four bonus tracks, all non-LP singles from 1966: “We Didn’t Ask to Be Brought Here,” “Funny What Love Can Do,” “The Breaking Point” and “Silver Dollar.”
For his sophomore Atlantic LP, Bobby turned his attentions east – from Hollywood to Broadway. In a Broadway Bag, released in June ’66, returned the singer to the theatrical milieu of “Mack” – but with a decidedly contemporary bent. Two ebullient tracks, “Mame” and “It’s Today,” were culled from Jerry Herman’s score of the musical which had just opened on May 24 on Broadway. (Surely the celebratory sentiment of “It’s Today” appealed to Bobby, who lived every day to the fullest!) Both soulful ballads and brassily upbeat showstoppers filled out the LP.
More wonderful selections arranged by Shorty Rogers and Perry Botkin, Jr. were drawn from Charles Strouse and Lee Adams’ Golden Boy (the moving “Night Song,” introduced by Sammy Davis Jr.), Sammy Cahn and Jimmy Van Heusen’s Skyscraper (“Everybody’s Got the Right to Be Wrong” and “I’ll Only Miss Her When I Think of Her,” introduced by Peter Marshall onstage but famously recorded by the songwriters’ pally, Frank Sinatra), Frank Loesser’s How to Succeed in Business Without Really Trying (“I Believe in You”) and Jule Styne and Bob Merrill’s Funny Girl (“Don’t Rain on My Parade”). Darin’s bravura performance of the latter, arranged by Rogers, is one of his all-time greatest, and gained memorable new life in the 1999 film American Beauty. In a Broadway Bag is rightly hailed as one of Darin’s most triumphant LPs. Three bonuses have been appended: the “Mame” B-side “Walking in the Shadow of Love,” and both sides of the non-LP 45 “Who’s Afraid of Virginia Woolf” b/w “Merci, Cherie.”
Both of Edsel’s upcoming 50th anniversary releases celebrating the remarkable life and legacy of Bobby Darin are housed in digipaks, and feature liner notes (as on previous editions) by Fred Dellar. They’re due on June 10, and can be pre-ordered at the links below!
Bobby Darin, Sings The Shadow of Your Smile..Plus (Atlantic SD 8121, 1966 – reissued Edsel EDSA 5052, 2016) (Amazon U.S. / Amazon U.K. / Amazon Canada)
- The Shadow of Your Smile
- The Sweetheart Tree
- I Will Wait for You
- The Ballad of Cat Ballou
- What’s New Pussycat?
- Rainin’
- Lover Come Back to Me
- Cute
- After You’ve Gone
- It’s Only a Paper Moon
- Liza (All the Clouds’ll Roll Away)
- We Didn’t Ask to Be Brought Here (Atlantic 2305, 1966)
- Funny What Love Can Do (Atlantic 2305, 1966)
- The Breaking Point (Atlantic 2317, 1966)
- Silver Dollar (Atlantic 2317, 1966)
Bobby Darin, In a Broadway Bag…Plus (Atlantic SD 8125, 1966 – reissued Edsel EDSA 5053, 2016) (Amazon U.S. / Amazon U.K. / Amazon Canada)
- Mame
- I Believe in You
- It’s Today
- Everybody Has the Right to Be Wrong
- Feeling Good
- Don’t Rain on My Parade
- The Other Half of Me
- Once Upon a Time
- Try to Remember
- I’ll Only Miss Her When I Think of Her
- Night Song
- Walking in the Shadows of Love (Atlantic 2329, 1966)
- Who’s Afraid of Virginia Woolf? (Atlantic 2341, 1966)
- Merci, Cherie (Atlantic 2341, 1966)
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14 thoughts on “Edsel’s In a Bobby Darin Bag With “Shadow” and “Broadway” Reissues”
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Let me give a giant yawn, his period of this MOR crap almost destroyed his career, All my musician friends know that these songs are boooring. Just because it’s Darin doesn’t mean that it as good as his great stuff. Give me a break.
Different strokes! I’ve always felt that “Don’t Rain on My Parade” is one of Darin’s most incredible performances – and most of the songs on BROADWAY BAG are at that high level. (“Night Song” is another personal favorite!) But the great thing about Darin is that even if you don’t dig one particular genre, there’s always another!
Beware of Edsel… Just saying.
Don’t say I didn’t tell you!
I beg to differ. Edsel does great work on their reissues. The Belinda Carlisle catalog is stellar. I also agree with Joe about the Bobby Darin reissues. I am pretty sure there are a lot of Darin fans out there excited for these releases. Nothing wrong with having his entire career represented. My parents had the Shadow Of Your Smile LP when I was a little kid so it will bring back very fond memories for me. While I have not heard the Broadway LP, his voice certainly would have lent itself well to that material. Looking forward to both reissues.
well, what I’m talking about is the sound – don’t know about Belinda Carlisle – unfortunately that’s not the rule for Edsel. By their own admission, Edsel most of the times can’t/don’t work on the original tapes, which is a complicated thing to do if you don’t own them, so they just go with whatever digital audio file they are handed. Ask any fan (I mean, ANY fan) about the sound quality on the Pretenders or Robert Palmer’s reissues. Two of my favourite artists… they butchered the sound. The Pretenders’ DVD had faulty audio. I’d rather not think about it, my heart is still bleeding. Please don’t mention Edsel again…
Edsel
Are these remastered?
The mastering will be essentially identical to the previous Edsel reissue.
Mono? Really? By 1966, Atlantic was almost ten years into stereo recording. These should be in stereo.
Hi Mark, I’ve reached out to the label and can confirm that the album IS in stereo. Amazon (both in the U.S. and U.K.) has incorrect mono artwork up. I have replaced the image here with the stereo album so there’s no confusion. Thanks!
All righty then!
The ‘In a Broadway Bag’ links to Amazon shows a cover which states mono. But the cover shown here says stereo.
Surely both releases will be stereo?
Hi there, yes – I’ve confirmed with the label that the release is in stereo; the Amazon artwork is incorrect. Thanks!
I really wish Shadow of Your Smile were the mono version. The stereo mix of that album is one of those awful mixes that you saw a lot around 1966 where all the instruments are in one channel and the vocal is on the other. Drives me crazy, especially when listening through headphones. The stereo version of Nancy Sinatra’s second album is another example of that. But I haven’t heard this Edsel release yet. Maybe they remixed the stereo to improve it?