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/ News

A Swingin' Safari: El Reissues Classics From James Last, Bert Kaempfert, Bernard Herrmann

September 30, 2016 By Joe Marchese Leave a Comment

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Cherry Red's El imprint has recently turned its attention to a trio of disparate composer-conductors.  Happy Sounds Forever reissues the 1963 album from James Last, the king of "happy music," and adds selections from the catalogue of Bert Kaempfert ("Strangers in the Night") to round out the disc.  On the other end of the spectrum, the label also has The Fantasy Film World of Bernard Herrmann, a collection dedicated to film score maestro and Alfred Hitchcock's most notable musical collaborator.

James Last, born Hans Last in 1929 Germany, began his career as a jazz bassist but found his true calling as a bandleader.  Leading his orchestra, Last sold an estimated 200 million albums in his career.  He charted 65 titles in the United Kingdom, over 200 gold and platinum discs in Germany, and scored an international hit single with "Happy Heart" (best known in its renditions by Andy Williams and Petula Clark).  Last's formula remained consistent, as he would arrange popular melodies in the style of a dance band.  "Easy listening" or no, the Last treatment was beloved around the world, and particularly so in Europe.  The 1963 album Happy Sounds Forever was subtitled A Potpourri of Popular Music from the Past 50 Years, and indeed, features Last's jaunty, biergarten-ready medley arrangements (featuring orchestra and chorus, singing in German) of classic songs including "You Are My Lucky Star," "Mack the Knife" and "Never on Sunday."  Last once said, "I want to bring people relaxation after a hard day's work," and indeed, his peppy, easy-on-the-ears recordings succeeded at that aim for decades until his death in 2015 at age 86.

Happy Sounds Forever has been paired with selections from the catalogue of Bert Kaempfert (1923-1980), another German composer and bandleader with whom Last shared a friendly rivalry.  Unlike Last, Kaempfert found his breakthrough in the United States.  He charted his first hit, "Wonderland by Night," in 1959 on the U.S.' Decca label.  Its success turned Kaempfert into an international success.  Soon, top artists were recording his songs, including Al Martino ("Spanish Eyes"), Nat King Cole ("L-O-V-E") and Wayne Newton ("Danke Schoen").  In 1966, Frank Sinatra would earn Kaempfert his most enduring smash with "Strangers in the Night."   Prior to that, Kaempfert was the first to commercially record The Beatles on their recordings with Tony Sheridan.  By the dawn of the 1970s, the composer-conductor had been saluted with full-length album tributes by artists including Johnny Mathis, Al Hirt, The Anita Kerr Singers and Bobby Hackett.

The El release saluting his instrumental works includes three tracks from Kaempfert's 1961 Decca album Lights Out, Sweet Dreams, as well as seven tracks from his 1962 Polydor soundtrack to 90 Minuten Nach Mitternacht (Terror After Midnight) and nine from the same year's A Swingin' Safari album.  The title track of the latter gained fame as the theme song to the first incarnation of Mark Goodson and Bill Todman's classic game show The Match Game.

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Though best known for his groundbreaking work with Alfred Hitchcock on such motion pictures as Psycho and Vertigo, the late Bernard Herrmann's remarkable C.V. as a film composer also included such diverse classics as Jane Eyre, The Ghost and Mrs. Muir, Hangover Square, The Day the Earth Stood Still, Anna and the King of Siam, Tender is the Night and Taxi Driver.  El's new release The Fantasy Film World of Bernard Herrmann features selections from six of the great composer's film fantasies.  The films hail from 1947-1959:

  • The Ghost and Mrs. Muir (1947);
  • The Portrait of Jennie (1948);
  • Beneath the 12-Mile Reef (1953);
  • The 7th Voyage of Sinbad (1958);
  • The Day The Earth Stood Still (1959); and
  • Journey to the Center of the Earth (1959).

Though there are only a few cues from each film (original soundtracks of which have been available on CD for each except The Portrait of Jennie), the tracks give a taste of the breadth of Herrmann's talents, suited to bringing to life situations and scenarios of every color and mood.  Though Herrmann died in 1975 at the age of 64, his music continues to have a great influence over the way we hear music in cinema.

Both James Last and Bert Kaempfert's Happy Sounds Forever and The Fantasy Film World of Bernard Herrmann have been released pursuant to current U.K. public domain laws.  Both titles boast full booklets with liner notes and illustrations.  They're available now from Cherry Red/El Records!

James Last and Bert Kaempfert, Happy Sounds Forever (El ACMEM313CD, 2016) (Amazon U.S. / Amazon U.K.)

  1. Das gibt's nur einmal
  2. Wini-Wini
  3. In einer kleinen Konditorei
  4. Was eine Frau im Fruhling traumt
  5. Schoener Gigolo, armer Gigolo
  6. Kalkutta liegt am Ganges
  7. Puppchen, du bis mein Augenstern
  8. Weisse Rosen aus Athen
  9. Gemma
  10. Magnolia Blossoms
  11. Highland Dream
  12. Introduction (Love Theme to Terror After Midnight)
  13. Julie at the Mercy of a Kidnapper
  14. Let's Bowling
  15. Love Theme
  16. Mexican Road Twist
  17. Forgotten Melody
  18. Finale
  19. A Swingin' Safari
  20. That Happy Feeling
  21. Market Day
  22. Similau
  23. Zambesi
  24. Happy Trumpeter
  25. Tootie Flutie
  26. Black Beauty
  27. Skokisian

Tracks 1-8 from James Last, Happy Sounds Forever, 1963
Tracks 9-11 from Bert Kaempfert, Lights Out, Sweet Dreams, 1961
Tracks 12-18 from Bert Kaempfert, Terror After Midnight, 1962
Tracks 19-27 from Bert Kaempfert, A Swingin' Safari, 1962

Bernard Herrmann, The Fantasy Film World of Bernard Herrmann (El ACMEM312CD, 2016) (Amazon U.S. / Amazon U.K.)

The 7th Voyage of Sinbad (1958)

  1. Overture/Bagdad
  2. Night Magic/Tiny Princess/Street Music
  3. The Roc/The Nest
  4. The Skeleton/The Duel with The Skeleton/The Sword

The Day The Earth Stood Still (1959)

  1. Prelude/Outer Space/Radar 6 Solar Diamonds
  2. Nocturne/The Flashlight/The Robot/Space Control
  3. The Elevator/The Magnetic Pull/The Study/The Conference/The Jeweler
  4. 12:30
  5. Finale

The Ghost and Mrs. Muir (1947)

  1. Prelude
  2. Local Train
  3. The Ghost
  4. About Ships
  5. London
  6. Spring Sea
  7. The Home
  8. The Passing Years
  9. Late Sea
  10. Forever

Journey to the Center of the Earth (1959)

  1. Prelude
  2. Sign/Sleep/False Arrows/Grotto
  3. Salt Slides/The Pool/Dead Groom/The Gun
  4. The Lost City/Atlantis

Beneath the 12-Mile Reef (1953)

  1. Prelude
  2. Undersea
  3. Homecoming
  4. The Quiet Sea
  5. Flirtation
  6. Descending
  7. The Lagoon

The Portrait of Jennie (1948)

  1. Jennie's Song

 

Categories: News Formats: CD Genre: Pop, Popular Standards/Vocal, Soundtracks Tags: Bernard Herrmann, Bert Kaempfert, James Last

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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