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/ News

The Beat Goes On: Ace Collects Rock and Soul of "1967: The Year Pop Divided"

June 6, 2017 By Joe Marchese 2 Comments

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Late in 2015, Ace Records released the compilation Jon Savage's 1966: The Year The Decade Exploded to coincide with the publication of the author-historian's book of the same name.  Now, Ace and Savage have followed that CD release with another volume - 1967: The Year Pop Divided.  The 2-CD collection's mission statement is clearly set out: "MOR ballads were rife in the U.K. charts in 1967, but thankfully not on this dynamic collection of rock, soul, pop, and incipient funk and psych the teenage Jon Savage thrilled to on pirate radio this year."  So while 1967 is in no way a full representation of both sides of that pop divide - don't go looking for Engelbert Humperdinck's chart-topping "Release Me" here, or any tunes from The Seekers, Frank and Nancy Sinatra, or even Petula Clark - the set is nonetheless a crackling good look, in Savage's words, of "the real news: the mix of West Coast, Motown, soul, brassy, soul-inflected white pop, ska and incipient psychedelia."

In his copious liner notes filling the colorful 24-page booklet, Savage notes that 1967 was the first year that albums outsold singles in the United Kingdom, as well as the year that the pirate radio stations almost all went off the air.  But there was still a vivacity in many singles releases even as albums, and concept albums, rose in popularity, and rock-and-roll ceded to just plain rock.  Many of the 48 songs here are American, even if the sensibility in compiling them is decidedly British, or that of a young British listener looking for sounds beyond Vince Hill, Long John Baldry, and Engelbert.

Both discs take in a variety of these inspirational sounds.  Motown is represented by Diana Ross and the Supremes' epochal, psych-tinged "Reflections," Gladys Knight and the Pips' "Take Me in Your Arms and Love Me," and The Four Tops' dramatic "You Keep Running Away" - all showing how the changes in popular music had impacted the sounds of the Motor City and indeed, The Sound of Young America.  In a similarly soulful vein, 1967 offers Aretha Franklin's "Respect" and "Chain of Fools," as well as Joe Tex's "Show Me," and a couple of Stax favorites: The Bar-Kays' Stax instrumental "Soul Finger" and Booker T. and the MG's "Slim Jenkins' Place."  James Brown appears not once, but twice, to ladle on the funk with "Cold Sweat Pt. 1" and "I Can't Stand Myself (When You Touch Me)."

Psych-rock is plentiful here, with such standouts from both sides of the Atlantic as The Thirteenth Floor Elevators' "Levitation," The Soft Machine's Kim Fowley-produced "Feelin' Reelin' Squeelin'," The Move's "I Can Hear the Grass Grow," The Troggs' "Night of the Long Grass," The Mickey Finn's "Garden of My Mind," and Captain Beefheart and His Magic Band's avant opus "Yellow Brick Road."  Even lesser-known nuggets like Rex Garvin and the Mighty Cravers' "Believe It or Not," The Blossom Toes' "Look at Me, I'm You," and The Third Bardo's punk-ish "I'm Five Years Ahead of My Time" (okay, maybe it was more than five years, but they were onto something...!) all stand tall.

Pure pop isn't completely absent from this set, either.  Sonny and Cher are represented with "The Beat Goes On," adapted the following year into heavy psychedelia by Vanilla Fudge.  The Young Rascals' "Groovin'" remains as infectiously breezy today as upon its initial release.  The Searchers are heard with their faithful cover of The Five Americans' "Western Union."  The Monkees rock out on Micky Dolenz's "Randy Scouse Git," a.k.a. "Alternate Title," and The Fortunes tell of the life of "The Idol" in their slice-of-life outing.  Australia's Easybeats merged pop and psychedelia on their own "The Music Goes Round My Head."

The Byrds successfully merged pop and folk-rock throughout their career (also pioneering country-rock and psychedelia along the way), as heard on the withering "So You Want to be a Rock and Roll Star." 1967 also makes room for Gene Clark's "So You Say You Lost Your Baby," produced like "Rock and Roll Star" by Brian Wilson pal Gary Usher.  No less an eminence than future Sir George Martin helmed The Action's pop-psych "Never Ever" in the same year that he produced The Beatles' Sgt. Pepper's Lonely Hearts Club Band.  The Kinks merged numerous sounds throughout the '60s, from music hall to R&B, helping the trajectory of punk and metal along the way.  Dave Davies gets an airing here with his solo hit "Suzanah's Still Alive."

Aided and abetted by Savage's liner notes in the booklet well-designed by Neil Dell, 1967: The Year Pop Divided - remastered by Duncan Cowell - paints a full picture of the fresh, youthful and often edgy music reverberating throughout the world and beaming brightly on pirate radio.  The creatively fertile, imaginative, and envelope-pushing music of 1967 is still a wonder to behold.

Various Artists, Jon Savage's 1967: The Year Pop Divided (Ace CDTOP2 1495, 2017) (Amazon U.S. / Amazon U.K. / Amazon Canada)

CD 1

  1. So You Want to Be a Rock 'n' Roll Star - The Byrds
  2. I'm a Man - The Spencer Davis Group
  3. The Beat Goes On - Sonny & Cher
  4. Try It - The Attack
  5. Levitation - The Thirteenth Floor Elevators
  6. The Behemoth - The Shadows of Knight
  7. Never Ever - The Action
  8. Take Me in Your Arms and Love Me - Gladys Knight and the Pips
  9. Believe It or Not - Rex Garvin and the Mighty Cravers
  10. Feelin' Reelin' Squeelin' - The Soft Machine
  11. I Can Hear the Grass Grow - The Move
  12. Show Me - Joe Tex
  13. Groovin' - The Young Rascals
  14. So You Say You Lost Your Baby - Gene Clark
  15. Western Union - The Searchers
  16. Soul Finger - The Bar-Kays
  17. Respect - Aretha Franklin
  18. The Hand Don't Fit the Glove - Terry Reid with Peter Jay's Jaywalkers
  19. Night of the Long Grass -The Troggs
  20. I'm Five Years Ahead of My Time - The Third Bardo
  21. So Sharp - Dyke and the Blazers
  22. Cold Sweat, Pt. 1 - James Brown and The Famous Flames
  23. Mr. Soul - The Buffalo Springfield
  24. Alternate Title (Randy Scouse Git) - The Monkees

CD 2

  1. At the Third Stroke - The Picadilly Line
  2. Hold On - Sharon Tandy
  3. Lazy Life - William E
  4. Reflections - Diana Ross and The Supremes
  5. The Idol - The Fortunes
  6. Dream Magazine - Svensk
  7. I See the Rain - The Marmalade
  8. You Keep Running Away - The Four Tops
  9. Yellow Brick Road - Captain Beefheart and His Magic Band
  10. Slim Jenkins' Place - Booker T. & The MG's
  11. Revolution - Tomorrow
  12. Stop and Listen - The Shag
  13. Psyche Rock - Les Yper Sound
  14. Look at Me I'm You - The Blossom Toes
  15. Love Power - The Sandpebbles
  16. The Wind Blows Your Hair - The Seeds
  17. Suzanah's Still Alive - Dave Davies
  18. The One I Love - Ken Boothe
  19. I Can't Stand Myself (When You Touch Me) - James Brown & The Famous Flames
  20. Chain of Fools - Aretha Franklin
  21. Garden of My Mind - The Mickey Finn
  22. Vacuum Cleaner - Tintern Abbey
  23. It's Been a Long Time - Andy Ellison
  24. The Music Goes Round My Head - The Easybeats

All tracks c. 1967.  All tracks mono.

Categories: News Formats: CD Genre: Classic Rock, Pop, R&B/Soul Tags: Aretha Franklin, Diana Ross and The Supremes, James Brown, The Four Tops, The Monkees, Various Artists

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Comments

  1. Phil O. says

    June 6, 2017 at 10:58 am

    I have this, and 1966. Both are beautiful sets - great music, good reading in the liners, too.

    Reply
  2. Shaun says

    June 6, 2017 at 8:16 pm

    Now THIS is more what that Rhino collection mentioned here a couple of weeks ago ahould be like. There's some big hits and classic album tracks here, but plenty of obscure, interesting "Nuggets" here too. And nothing that seems as out of place as some of the artists on the Rhino set (Which, to be fair, has its share of gems too).

    At the very least, this one went for a cool, Monkees album track that hasn't been done to death (In other words, not "Pleasant Valley Sunday" yet again).

    Reply

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