Waiting for the Man: Soundtrack for Todd Haynes’ Velvet Underground Film Due in October

Velvet Underground OST
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Director Todd Haynes has long emphasized music in his filmography.  One of his first works to garner significant attention was 1987’s controversial and unauthorized Superstar: The Karen Carpenter Story; four years later, his evocation of the glam rock era in Velvet Goldmine made more commercial waves.  More recently, he’s been attached to direct Michelle Williams in the forthcoming Peggy Lee biopic Fever.  But before Haynes tackles Peggy, he’s returning to a different Velvet: The Velvet Underground.

On October 15, The Velvet Underground: A Documentary Film by Todd Haynes will be released in theaters and to the Apple TV+ streaming service.  The same day, Republic Records/UMe will issue the film’s soundtrack on 2-CD and digital formats.  The movie secured the participation of surviving bandmates John Cale and Maureen “Mo” Tucker in chronicling the story of the groundbreaking group formed by Cale, Lou Reed, Sterling Morrison, and Angus MacLise (replaced in 1965 by Tucker).  Upon its July premiere at the Cannes Film Festival, the documentary was met with acclaim and Oscar buzz.

The album, offering 16 tracks by the Velvets and others, has been curated by Haynes and music supervisor Randall Poster.  It includes some of the band’s best-loved anthems (“I’m Waiting for the Man,” “Sweet Jane”) as well as deeper cuts (the mono version of “Heroin,” the 1969 outtake “Foggy Notion”) and live tracks (“After Hours,” a nearly 20-minute-long jam on “Sister Ray”).  Distinguishing this from the standard VU compilation, the soundtrack adds Nico’s “Chelsea Girls” and the novelty “The Ostrich” from Lou Reed and John Cale’s early band The Primitives.  Some of the Velvets’ influences are also featured via Bo Diddley’s “Road Runner,” doo-wop group The Diablos’ “The Wind,” and La Monte Young’s “17 XII 63 NYC The Fire Is a Mirror (excerpt),” performed by the avant-garde unit known as The Theatre of Eternal Music.

The Velvet Underground: A Documentary Film by Todd Haynes explores the band’s integration of the avant-garde into the burgeoning rock genre.  The soundtrack and film are due October 15.  You’ll find the album’s tracklisting and pre-order links below.

The Velvet Underground: A Documentary Film By Todd Haynes – Music From The Motion Picture Soundtrack (Republic/UMe, 2021) (Amazon U.S. / Amazon U.K. / Amazon Canada)

CD 1

  1. Venus In Furs – The Velvet Underground (5:12)
  2. The Wind – The Diablos (3:05)
  3. 17 XII 63 NYC The Fire Is a Mirror (excerpt) – The Theatre of Eternal Music (6:21)
  4. Heroin [Mono] – The Velvet Underground (7:14)
  5. Road Runner (Live) – Bo Diddley (4:14)
  6. The Ostrich – The Primitives (2:25)
  7. I’m Waiting for the Man – The Velvet Underground (4:40)
  8. Chelsea Girls – Nico (7:27)
  9. Sunday Morning – The Velvet Underground (2:56)

CD 2

  1. Sister Ray (Live) – The Velvet Underground (19:03)
  2. Pale Blue Eyes – The Velvet Underground (5:40)
  3. Foggy Notion – The Velvet Underground (6:59)
  4. After Hours (Live; Version 1) – The Velvet Underground (2:56)
  5. Sweet Jane – The Velvet Underground (4:09)
  6. Ocean – The Velvet Underground (5:14)
  7. All Tomorrow’s Parties – The Velvet Underground (5:53)
Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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