Soundtrack Watch: ‘Frankenstein’ from Intrada, Barry and Bond from La-La Land and Quartet, ‘SpongeBob’ and ‘Shrek’ At Varese, and Williams’ Full ‘Disclosure’
Recent weeks have seen some incredible archival soundtrack announcements from many of our favorite labels – as well as a physical release of a new film score we’re quite excited about here. Come take a deep dive with Mike and Randy in our latest Soundtrack Watch!
INTRADA

1973’s Frankenstein: The True Story is a two-part British-American television film directed by Jack Smight and loosely adapted from Mary Shelley’s classic novel by Christopher Isherwood and Don Bachardy. Starring Michael Sarrazin as Frankenstein’s Monster, Leonard Whiting as Victor Frankenstein, David McCallum as Dr. Henry Clerval, and James Mason as Dr. Polidori, it emphasized the tragedy and moral consequences in the story. A host of famed actors filled out the cast including Agnes Moorehead (Bewitched), Tom Baker (Doctor Who), Peter Sallis (Last of the Summer Wine), Jane Seymour (Doctor Quinn, Medicine Woman), Yootha Joyce (George and Mildred), Nicola Pagett (Upstairs Downstairs) and Sirs John Gielgud and Ralph Richardson. Gil Melle contributed the score which enhances the gothic atmosphere of the production, and it’s been newly restored for this presentation by Chris Malone.
Gil Melle, Frankenstein: The True Story (Original Television Soundtrack) (Intrada ISC 535, 2026 – original TV film broadcast 1973; previously unreleased)
- The Ride
- Frankenstein: The True Story – Main Title
- Elizabeth
- If Satan Could Teach Me
- Encounter At the Church
- Brotherhood of Prometheus
- Victor and Elizabeth
- Grave Robbing
- Henry’s Mirror Speech
- Frankenstein At Work
- The Creature
- You Shall Teach Us
- The Process is Reversing
- Creature in the Park
- Death of Mrs. Blair
- Up from the Sea
- No Man Could Bind Him
- Death of Agatha
- Man in the Mask
- Creation of Prima
- Prima’s Passions
- Blood on Prima’s Hand
- Tanks a Lot
- Prima’s Dance
- Arctic Plan
- Arctic Waste
- Frankenstein: The True Story – End Titles
LA-LA LAND

Some real fun stuff has come from La-La Land in May and June – including even more James Bond and John Barry (though not always together)!
Indeed, the label’s latest CD expansion of scores from the long-running film series based on Ian Fleming’s British agent 007 comes not from the ’60s or ’70s, but the last decade. LLL has remastered their first Bond score from the Daniel Craig era in 2015’s Spectre, available as a 2CD edition featuring a generously expanded edition of Thomas Newman’s score for the picture along with some album edits and alternate material. For Craig’s fourth time in the tux, the series continued the surprisingly serial direction it had taken since 2006’s reboot Casino Royale. After the loss of M (Judi Dench) in 2012’s Skyfall, Bond once again confronts dark aspects of his past when he discovers that previous adversaries had all been agents of a larger organization of villainy, run by the son (Christoph Waltz) of the man who cared for young James after the death of his parents. Bond also allies with a beautiful psychiatrist (Léa Seydoux) whose father was a former foe in the series.
Following the critical and commercial success of Skyfall (which celebrated the 50th anniversary of Bond on film), Eon Productions retained director Sam Mendes and his pick of composer, Thomas Newman. Having collaborated on four non-Bond features of Mendes’ (including the Oscar-nominated soundtracks to American Beauty and Road to Perdition) – not to mention a member of a film scoring dynasty that includes his father Alfred, brother David, uncle Lionel and cousin Randy – Newman delivered an impressive score that conveyed action and emotion while retaining the hallmarks of the musical tapestry first woven by Monty Norman and John Barry. British soul-pop singer Sam Smith delivered a song for the opening credits, the dramatic “Writing’s on the Wall,” included on this set; while many critics noticed its thematic similarities to Adele’s theme to Skyfall, it was a U.K. No. 1 hit (the first such achievement for a Bond theme) and an Oscar winner for Best Original Song (the series’ second, after “Skyfall”). The Spectre set is limited to 5000 copies, overseen by veteran Bond reissue producer Neil S. Bulk; the package uses 24-track digital stereo mixes from the score’s engineer Simon Rhodes, all ably mastered by Doug Schwartz. Dan Goldwasser created the booklet art (utilizing a beloved teaser poster image hinting at the nature of the organization SPECTRE, in its first appearance in a Bond film in decades), and Jon Burlingame brings his authority to the set’s liner notes.

There’s even more treats for Bond fans from LLL. John Barry’s film score presentation to The Man with the Golden Gun, released in a 2CD set by the label in 2024 for the film’s 50th anniversary, will now be available as a 2LP set pressed on 180-gram, “glittering end” gold vinyl, 700 copies strong. Most of the Bond dream team is assisting this score to Roger Moore’s second film as the spy – producer Bulk, mixing from Chris Malone, mastering by Schwartz and notes from Burlingame – though Jim Titus is on hand to design this arresting gatefold package. And that’s not all for Barry, either: the label will put back into print his mostly unused work on the 1986 fantasy comedy The Golden Child. Eddie Murphy stars in the film directed by Michael Ritchie which sees Murphy as Chandler Jarrell, a social worker drawn into a supernatural quest to rescue a mystical child. Blending comedy, martial arts, and fantasy, the film became a commercial success despite mixed critical reviews. (The finished score was mostly composed by Michel Colombier, though some of Barry’s cues remain.) This release is a unique presentation to that of LLL’s 2011 3cD set which also included Colombier’s score.
QUARTET

There’s more John Barry courtesy of Quartet Records. Sidney J. Furie directed The Ipcress File, the 1965 British espionage thriller based on Len Deighton’s novel. Michael Caine plays the resourceful intelligence officer Harry Palmer in the story which tried to be more realistic than some of the other spy movies of the time, such as the James Bond films. John Barry wrote its evocative, jazz-influenced score which underlines the tense mood throughout the picture. Upon the picture’s release, Barry assembled a soundtrack album for Decca which emphasized the jazz flavor with variations on his theme. He wrote around 50 minutes of music for the film, and only 17 was heard on the album. For this new recording, Leigh Phillips and the City of Prague Philharmonic Orchestra have premiered around 35 minutes of Barry’s score while reconstructing the versions of the original score presented by Barry on the Decca album, including the edits and alterations he made. Quartet has also featured an alternate, slower version of the main theme; a version of “A Man Alone” based on the arrangement Barry crafted for a single; and the themes from the television series Vendetta and The Persuaders!, both showcasing his use of the cimbalom.
VARESE SARABANDE

Released by DreamWorks Animation in 2001 and directed by Andrew Adamson and Vicky Jenson, Shrek became a cultural phenomon and spawned an entire franchise still going strong today. The subversive take on fairy tales is based loosely on William Steig’s children’s book, and follows an ogre (Mike Myers) who embarks on a quest to rescue Princess Fiona (Cameron Diaz) while accompanied by the talkative Donkey (Eddie Murphy). The film won the first Academy Award for Best Animated Feature. While the soundtrack is famous for its popular songs (notably Neil Diamond’s “I’m A Believer” as recorded by Smash Mouth), the original orchestral score was composed by Harry Gregson-Williams and John Powell. 25th anniversary editions of Gregson-Williams and Powell’s score will arrive on August 28 in both CD and picture disc vinyl formats.
Timecop, released in 1994, is a science fiction action film directed by Peter Hyams and starring Jean-Claude Van Damme as Max Walker, a law enforcement officer who prevents criminals from altering history through time travel. Based on a Dark Horse comic, the film combines futuristic concepts with fast-paced action and became one of Van Damme’s highest-grossing movies. The atmospheric score was written by Mark Isham. This deluxe edition CD release features 27 tracks, and it’s been mastered by Chas Ferry and Melinda Hurley. Varese also celebrates over ten years of 2015’s The SpongeBob Movie: Sponge Out of Water with a generously expanded CD of John Debney’s score boasting numerous previously unreleased cues. Debney also sat down with liner notes writer Daniel Schweiger for a new interview. Ferry and Hurley have again mastered.
BACKLOT MUSIC/WAXWORK

Last up, we have something (very) contemporary. Still in theaters now, Disclosure Day marks director Steven Spielberg’s return to science fiction and specifically stories about aliens. Starring Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, and Colman Domingo, the film explores the global consequences of humanity confronting long-hidden evidence of extraterrestrial life. Spielberg has again teamed with the legendary John Williams for the score, marking their 30th collaboration together and extending one of the most influential partnerships in cinema history. And they may not be done as the 94-year old Williams has hinted Spielberg wants him for his next movie. Disclosure Day is available for pre-order on both CD and LP from Backlot Music and Waxwork.
Thomas Newman, Spectre (Music from the Motion Picture – 10th Anniversary Limited Edition) (La-La Land Records LLLCD 1677, 2026 – original film released 2015)
Disc 1
- Gun Barrel (from Spectre)
- Los Muertos Vivos Están (Film Version)
- Building Down
- Sciarra Chase
- Helicopter Fight
- Writing’s on the Wall – Sam Smith
- Courtyard/M’s Message
- Vauxhall Bridge (Extended Version)
- The Eternal City (Extended Version)
- Donna Lucia (Extended Version)
- A Place Without Mercy
- Palazzo Meeting
- Enter Hinx
- Cuckoo
- Backfire (Film Version)
- Nine Eyes Meeting
- The Pale King (Extended Version)
- Kite in a Hurricane
- Photo of Madeleine
- Crows Klinik
- I Kill People/SPECTRE Ring
- Snow Plane (Extended Version)
- Hinx Lives
- L’Americain (Extended Version)
- Secret Room (Extended Version)
- Madeleine (Extended Version)
- Hinx (Film Version)
Disc 2
- Writing’s on the Wall (Film Version Instrumental)
- Silver Wraith
- Compound Bedrooms
- A Reunion (Extended Version)
- Torture Room
- Tempus Fugit (Film Version)
- Safe House (Extended Version)
- Blindfold
- Careless (Extended Version)
- Detonation (Extended Version)
- Westminster Bridge
- Out of Bullets (Extended Version)
- The James Bond Theme (from Spectre)
- Spectre (End Title)
- Writing’s on the Wall (Instrumental)
- Los Muertos Vivos Están
- Marimba Float Drums
- Day of the Dead
- Photo of Madeleine (Alternate)
- Backfire
- Secret Room
- Madeleine
- Hinx
- Tempus Fugit
Disc 1, Tracks 8-10 (edits), 11, 17 (edit), 18, 20, 22 (edit) and 24 (edit) and Disc 2, Tracks 2, 4 (edit), 7 (edit), 8, 9-10 (edits), 11, 12 (edit), 14-16, 18 and 20-24 released as Decca 002408402, 2015
Disc 1, Track 6 released on Capitol CD single B00241033-02, 2015
John Barry, The Golden Child (Music Inspired by the Motion Picture) (La-La Land LLLCD 1690, 2026 – original film released 1985; score unused)
Disc 1
- The Child is Taken
- The Best Man in the World – Ann Wilson
- Strange Symbols
- Looking Around
- Chandler and Kee Nang
- Tin Can Man
- Follow That Bird
- Best Man
- Yellow Dragons
- “We Sold Her”
- Fight At Tommy Tong’s
- Sardo Gets His Orders
- Chandler’s Dream
- Yak Loin
- Love Theme
- To Tibet
- Kathmandu
Disc 2
- “Stay on the Path”
- Bottomless Pit
- Wisdom of the Ages
- Malibu House
- Kee Nang Gets the Arrow
- Butterflies
- The Final Act
- Happy Ending
- The Best Man in the World (Instrumental)
- Looking Around (Alternate)
- Happy Ending (Alternate)
- Coffee Shop (Source Cue)
- Dance a Little Closer – Randy Edelman
Disc 1, Track 2 and Disc 2, Track 3 released on Capitol SJ-12544, 1986
Disc 2, Track 9 released on Capitol single B-5654, 1986
All other tracks released on La-La Land Records LLLCD 1180, 2011
John Barry, The Man with the Golden Gun (Music from the Motion Picture – Limited Edition) (La-La Land Records LLLP 2013, 2026 – original film released 1974)
LP 1
Side A
- Gun Barrel/The Island
- Scaramanga’s Fun House
- Main Title: The Man with the Golden Gun – Lulu
- Getting the Bullet
- Macau/Forever Hold Your Piece
- Following Andrea
- Scaramanga Strikes
Side B
- Hip’s Trip
- Chew Me
- Quite Titillating
- Grisly Land
- Take Mr. Bond to School/Chula/Escape
- Kung Fu Fight
- 20,000 Baht
- J.W. Pepper/Bond Rides Off
- The Death of Hai Fat/New Chairman
- Moments
LP 2
Side C
- Goodnight Goodnight
- You Must Be Good/In the Boot/Car Keys
- Let’s Go Get ‘Em
- Flying Car
- In Search of Scaramanga’s Island (Film Version)
- Bond’s Arrival/The Solex Agitator/The Sun/Solar Power
Side D
- Return to Scaramanga’s Fun House
- Absolute Zero
- Retrieving the Solex Agitator
- Slow Boat from China
- End Title: The Man with the Golden Gun (Reprise) – Lulu
All tracks previously released on La-La Land Records LLLCD 1655, 2024
John Barry/Adam Klemens & The City of Prague Philharmonic Orchestra, The Ipcress File (New Recording of the 1965 Original Score) (Quartet QR630, 2026)
- The Station/The Body
- Main Title from The Ipcress File
- The MoD
- The Bureau
- The Replacement
- The Workshop
- Scotland Yard
- Meeting with Grantby
- Fight on the Steps
- Break-In
- Codename Housemartin
- Factory Raid/Ipcress
- Do You Always Wear Your Glasses?
- Friendly Fire
- The Symposium
- Radcliffe Triggered
- The Book
- The Death of Carswell
- Too Hot
- Palmer Captured
- Servitude
- The Treatment
- The Treatment Continues
- Injured Hand
- Palmer Escapes
- Palmer Chooses
- End Credits
- Main Title from The Ipcress File (Alternate)
- Meeting with Grantby and Fight (Album Version)
- The Death of Carswell (Album Version)
- If You’re Not Clean – I’ll Kill You (Album Version)
- Goodbye Harry (Album Version)
- A Man Alone (Theme from The Ipcress File)
- Theme from Vendetta
- Theme from The Persuaders!
Harry Gregson-Williams & John Powell, Shrek (Original Motion Picture Score – 25th Anniversary Edition) (originally released as Varese Sarabande 302 066 308 2, 2001 – reissued Varese Sarabande, 2026)
- Fairytale
- Ogre Hunters/Fairytale Deathcamp
- Donkey Meets Shrek
- Eating Alone
- Uninvited Guests
- March of Farquuad
- The Perfect King
- Welcome to Duloc
- Tournament Speech
- What Kind of Quest
- Dragon!/Fiona Awakens
- One of a Kind Knight
- Saving Donkey’s Ass
- Escape from the Dragon
- Helmet Hair
- Delivery Boy Shrek/Making Camp
- Friends Journey to Duloc
- Starry Night
- Singing Princess
- Better Out Than In/Sunflower/I’ll Tell Him
- Merry Men
- Fiona Kicks Ass
- Fiona’s Secret
- Why Wait to Be Wed/You Thought Wrong
- Ride the Dragon
- I Object
- Transformation/The End
Mark Isham, Timecop (Original Motion Picture Soundtrack – The Deluxe Edition) (Varese Sarabande, 2026 – original film released 1994)
- Timecop (Main Theme)
- Dorsal Fins/Premonition (Suite)
- Lovemaking
- The Beating
- Atwood Jumps/Death Sentence (Suite)
- I Never Quit/Handsome Devil (Suite)
- A Love Lost in the Past
- 50,000 Volts
- The Launch
- To the Warehouse
- Parker’s Punishment
- Warehouse Battle (Suite)
- Searching for Clues
- Manual Launch
- Ships in the Night
- Blood Test
- Menace At the Mall
- A Kiss from the Future
- It Has to End Tonight
- Sturm and Drang (Suite)
- Lousy Night to Be Out
- Justice in the Rain
- Meltdown
- A Friend of the Family
- Present Perfect
- M10
- M18A/M20 (Suite)
Portions previously released on Varese Sarabande VSD-5532, 1994
John Debney, The SpongeBob Movie: Sponge Out of Water (Music from the Motion Picture – The Deluxe Edition) (Varese Sarabande, 2026 – original film released 2015)
- Burger Beard on Island Open
- Burger Beard Starts to Read Story/Burger Beard Continues to Read Story *
- Plankton’s Plane */Plankton Attack
- Firing the Ketchup Gun */Tank Defeat/Giant Robot
- Plankton’s Wallet Sting */Trying to Steal Formula
- Torturing Plankton/Build to Squidward Opening Door */Refund!
- To The Chum Bucket */Escaping in a Bubble/Bikini Bottom Apocalypse *
- The End!
- Reporter Attacked */Book Page Lands on Sandy’s House *
- He Brings Loyalty */Get Him/Chase At a Snail’s Pace *
- Going to Sleep/Inside SpongeBob’s Brain/Rainbow! *
- Casing The Chum Bucket */Staking Out The Chum Bucket */Gimme a Boos *
- Getting the Key/Plankton Rescues Karen
- Building Time Machine */Plankton’s Sappy Goodbye to Karen *
- Intro Bubbles/Angry Bubbles *
- Stealing Formula Back/Pirate Ship and Food Truck
- My Very Own Food Truck/Who Wants Some Hot Wings */Chasing Seagulls Away *
- Sandy Proposes Sacrifice/The Sacrifice/Dawn of Time *
- Grabbing SpongeBob */Sacrifice *
- Bubbles to the Rescue/Beach Search
- Beachfront Antics/Bike Path Encounters/Home of the Krabby Patty
- Story Rewrites
- Serious Aft Kicking */Invincabubble/The Rodent *
- Chasing Burger Beard/Team Worked
- Not So Fast Burger Beard/PlankTON/Real Teamwork
* previously unreleased. All other tracks released as Varese Sarabande 302 064 224 2, 2015
John Williams, Disclosure Day (Original Motion Picture Soundtrack) (Back Lot Music/Waxwork, 2026) (CD / 2LP)
- listen…
- memory…
- dive…
- chase…
- believe…
- in vivo…
- negotiation…
- empathy…
- celestial…
- unseen…
- kcxe…
- signs…
- home…
- caught…
- disclosure…
- reprise…





