He's humbly suggested he's doing his part to save the music business, but Gerry Galipault is doing something even more important: keeping it fun. On this date 15 years ago, Galipault started Pauseandplay, a simple-but-effective online resource for just about any music release - physical or digital; brand-new or catalogue; vinyl or DVD - that you could dream of. Coupling a tireless work ethic (the result of years of work in the journalism field) with a unique, positive voice, Pauseandplay -
A Second Disc Interview: Talking Matt Monro, Mastering and Mixing with RICHARD MOORE
A remarkable treasure trove of Matt Monro rarities has just been released by EMI Gold, a timely reminder of the artist’s life and career. He was sometimes known as the “Cockney Como” or the “English Sinatra,” but both descriptions fail to adequately capture the essence of the beloved singer’s unique and enduring style. Fortunately, Matt Uncovered: The Rarer Monro offers that singular sound in abundance as it traces the arc of his entire career, via almost entirely unheard material. We welcomed
A Second Disc Interview: Talking "Matt Uncovered: The Rarer Monro" with MICHELE MONRO
A remarkable treasure trove of Matt Monro rarities has just been released by EMI Gold, a timely reminder of the artist’s life and career. He was sometimes known as the “Cockney Como” or the “English Sinatra,” but both descriptions fail to adequately capture the essence of the beloved singer’s unique and enduring style. Fortunately, Matt Uncovered: The Rarer Monro offers that singular sound in abundance as it traces the arc of his entire career, via almost entirely unheard material. Click here if
Hey, Mr. Producer: A Second Disc Interview! Talking Remastered, Remixed Edition of Stephen Sondheim's "Follies" with Bruce Kimmel
Hats off, here it comes: the Kritzerland label is unveiling a new edition of the Original Broadway Cast Recording of Stephen Sondheim and James Goldman’s Follies, but the Broadway babies and girls upstairs will likely have never sounded better. Following similar releases for Promises, Promises and Sugar, Kritzerland has completely remixed and remastered Capitol Records’ 1971 Follies, affording listeners the opportunity to hear a Sondheim masterwork anew. The label began accepting pre-orders
A Star Beyond Time: Talking "Trek" with Mike Matessino, Part 2
Captain's log, Stardate 2012.614. When last we left the crew of the starship Second Disc, they were interviewing renowned soundtrack producer Mike Matessino, whose work on La-La Land's triple-disc expansion of Jerry Goldsmith's score to Star Trek: The Motion Picture may be the most vivacious and definitive single soundtrack presentation in a career brimming with many projects. Our interview with Matessino was lengthy, and the two-hour interview was bound to take up more than one post. Why the
There is No Comparison: Talking "Star Trek: The Motion Picture" with Mike Matessino, Part 1
If you're a catalogue soundtrack fan, you doubtlessly know the name and work of Mike Matessino. For decades, Matessino has been among film score elite, serving ably as a producer, editor, mixer and writer for some of the best soundtrack catalogue titles. The New York University graduate first rose to prominence restoring the music of The Sound of Music and The King and I for 20th Century-Fox, then assembled with Nick Redman the most definitive CD releases of John Williams' scores to the Star
A Fantasmagorical Second Disc Interview! Bruce Kimmel Talks New, Expanded 2-CD "Chitty Chitty Bang Bang"
When Richard M. Sherman introduces his Academy Award-nominated song “Chitty Chitty Bang Bang” in concert, he often has to remind his audience that the film of the same name wasn’t a Walt Disney production. Producer Albert R. Broccoli, best-known for the James Bond series of films, signed Richard and his brother Robert M. Sherman for their very first film score outside of the Disney sphere. Like the Bond films, United Artists’ Chitty was based on the writing of Ian Fleming. For Fleming’s story
The Second Disc Interview: Talking with Ben Folds
Leave it to Todd Rundgren to spot The Difference. Hosting a 1995 episode of the late Philadelphia-based radio program of that name, Rundgren interviewed Ben Folds, “fronting his trio, The Ben Folds Five. Go figure,” the pop icon dryly noted. Reflecting on the experience sixteen years later, Folds recalled with typical candor the moment when Rundgren spotted the difference in the young musician. It was “fucking surreal…He said ‘you have a distinct voice.’ And I thought, ‘really? I think I
Make Me Wanna Holler: A Chat with Harry Weinger on "What's Going On" (Part 2)
The wait is over. We continue our discussion of Marvin Gaye's classic What's Going On, to be released as a super-deluxe edition on June 7, with reissue producer Harry Weinger. In this portion of the discussion, Weinger touches on the always-hot topic of remastering the source material, a thought on super-deluxe box sets, and future projects to honor both Gaye's legacy and other Motown greats. Read on after the jump!
"I Just Wanna Ask a Question": Harry Weinger on the "What's Going On" Box Set
For most music producers, there's a kind of strangeness to working on multiple reissues of the same classic album over time. Not so for Harry Weinger, vice-president of A&R at Universal Music Enterprises and, as one of UMe's resident Motown gurus, the producer of several deluxe editions of Marvin Gaye's classic LPs, including What's Going On. "You learn between anniversaries," Weinger said. "And luckily, I was there for both of them." When What's Going On became one of Universal's first in
The Second Disc Interview #4: Talking Soundtracks with MV Gerhard of La La Land Records
The wide berth of reissues, box sets and compilations across major and independent labels the world over, means some releases can fall through the cracks at times. At The Second Disc, it was always an early mission to make sure the labels handling catalogue soundtrack reissues did not suffer this fate. Intrada, Film Score Monthly, Kritzerland, Varese Sarabande - all are essentials for the catalogue music fan with a taste for soundtracks, and their work is hard to ignore. La La Land Records,
The Second Disc Artist Interview #1: Mr. Richard Page on "Pull"
By any standards, Richard Page would have a lot to be thankful for as the frontman of Mr. Mister, the band behind chart-topping smash hits "Broken Wings" and "Kyrie." This year, however, there's another part of his career to celebrate: after two decades, Pull, the intended fourth album from the band, is coming out of hiding thanks to the fine folks at Legacy Recordings. Granted, Page wears more than just the face of Mr. Mister. As a noted songwriter for Madonna ("I'll Remember," her 1994 hit
The Second Disc Interview #3: What's Happening "Now" with Steve Stanley!
The music may be then, but the place to be is undoubtedly Now. By that, of course, I mean Now Sounds. Launched in 2007 by Steve Stanley, the producer of over 50 titles for the Rev-Ola label, Now Sounds celebrates the rich and varied melodies created between 1964 and 1972, though the label isn't limited to that period. A labor of love for its founder, Now Sounds has established itself as the go-to label for fans of this golden era of both songwriting and record production. We've seen a career
Coming Tomorrow: Now That's What We Call Now Sounds!
If you've been enjoying Joe Marchese's very stellar contributions to The Second Disc (and who hasn't, really?) you're going to want to pull up a chair tomorrow. Joe's got what promises to be a great interview with Steve Stanley of the Now Sounds label. The Cherry Red-owned label has got a jam-packed reissue of Paul Williams' Someday Man (1970) due out this week, and they've had a lot of killer product this year, including the great compilation Book a Trip: The Psych Pop Sounds of Capitol
The Second Disc Interview #2: From Hollywood, It's Bruce Kimmel!
Producer, director, writer, actor, composer, lyricist, raconteur – any and all of those words could be used to describe Bruce Kimmel. After helping to launch the Varese Sarabande label over thirty years ago and christening its still-ongoing soundtrack series with his score to The First Nudie Musical (which he also wrote, co-directed and acted in), Kimmel founded the Bay Cities label. Between 1989 and 1993, he and his Bay Cities colleagues were among the very first to reissue classic film
Coming Tomorrow: Adventures in Kritzerland!
A most excellent heads-up to readers of The Second Disc: at noon tomorrow we'll be posting our second interview. This one's done by our very own Joe Marchese, and will feature a dialogue with Bruce Kimmel. The longtime record producer/writer/director known in some circles for his catalogue work through the Kritzerland label (and in others for cult classics like The First Nudie Musical!) will chat with us about his work, past, present and future. It should be a good read, and it'll be here in
The Second Disc Interview #1: A Soulful Chat with Harry Weinger
It is with the greatest pride that The Second Disc presents its first-ever interview, bringing you closer to the catalogue music world we all love so much. Our first interviewee is one of the most notable names from the world of reissues. Harry Weinger, vice-president of A&R for Universal Music Enterprises, has been part of the music business for more than 30 years, writing for publications like Rolling Stone, Vibe, Billboard and Cashbox before becoming a staff writer for PolyGram's