Cher's album 3614 Jackson Highway arrived midway through 1969 as the singer and her partner Sonny Bono worked furiously to re-establish themselves in a changing musical landscape and escape from mounting debt. Their first child had been born in March, a Sonny and Cher single arrived in May and was quickly followed by a Cher solo 45, and her film Chastity hit theatres in June. Sonny and Cher hadn't had a major hit single since 1967's "The Beat Goes On" and the solo Cher hadn't had a chart entry
Review: Lee Hazlewood, “400 Miles from L.A.: 1955-56”
400 Miles from L.A.: Phoenix, Arizona was the birthplace of Lee Hazlewood's professional career. The future writer of "These Boots Are Made for Walkin'" was well-acquainted with the Greyhound bus between Phoenix and Los Angeles, making frequent trips in the hopes of selling his songs. Though he was a successful DJ in Phoenix, Hazlewood wanted more, and songwriting seemed to be his means of attaining it. Lee wrote his first songs, it's believed, in 1953; the following year, his first songs
Review: James Taylor, “The Warner Bros. Albums 1970-1976”
Over six years at Warner Bros. Records, James Taylor laid the groundwork for a career that is now in its sixth decade. The Massachusetts native's records were key exponents of the early Laurel Canyon sound, not to mention the entire confessional "singer-songwriter" movement that today is synonymous with the 1970s. The six albums he released at Warner Bros. were collected over the summer in one essential CD or vinyl LP box set, The Warner Bros. Albums 1970-1976, that's perfect for the impending
Heaven Is: Belinda Carlisle’s “Runaway Horses” Turns 30, Gets Deluxe Edition; “Gold” Anthology Also Released
Thirty years ago, Belinda Carlisle released her third LP. Runaway Horses came on the heels of two successful albums: her 1986 IRS Records debut, Belinda (featuring the hit "Mad About You"), and 1987's Heaven on Earth (boasting the smash "Heaven Is a Place on Earth" as well as "I Get Weak" and "Circle in the Sand"). Runaway Horses completed the hat trick for the Go-Go-gone-solo when it reached the top five in the United Kingdom. Now, the U.K.'s Demon Music Group has revisited the album in a
Earwig Music Unearths Trove of Chicago Blues and Soul on “Cadillac Baby’s Bea & Baby Records: The Definitive Collection”
Chicago in the '50s was overflowing with skilled bluesmen, vocal groups, gospel singers, not to mention the mom-and-pop labels eager to make a hit off the artists. There are the now-famous labels - Chess, Delmark, and Vee-Jay among them. But the Windy City was so teeming with talent (and entrepreneurial hucksters trying to launch their own careers) that small, independent labels were plentiful. Earwig Music Company celebrates one such label in its ambitious new box set, Cadillac Baby's Bea
Review: The Beatles, “Abbey Road: Anniversary Edition”
I. Once There Was a Way to Get Back Home By the opening days of 1969, it was clear that John Lennon, Paul McCartney, George Harrison, and Ringo Starr were four very different people, temperamentally and artistically. Their lives were taking them in different directions and threatening to pull them apart from the group that made them internationally famous. The Beatles, a.k.a. The White Album, had made high art out of those very differences and - surprising no one - was another triumph for the
America’s Gerry Beckley Returns with New Solo Album “Five Mile Road”
Gerry Beckley has earned the right to call the opening track of his new solo album "Life Lessons." The singer-songwriter, multi-instrumentalist, and America co-founder is understandably in a reflective mood on Five Mile Road, out now from Blue Elan Records. The artist may be celebrating 50 years with America, but he still has plenty to say. For his first solo album since 2016's Carousel, Beckley has reunited with many of the same collaborators. Jeff Larson not only co-produced with Beckley but
Wake Up Everybody: Cherry Red, SoulMusic Collect Classic Philadelphia International Albums from Harold Melvin and The Blue Notes
If you don't know Harold Melvin and The Blue Notes by now, Cherry Red and SoulMusic Records have just the right collection for you. Be for Real: The PIR Recordings (1972-1975) brings together the four albums recorded by the group for Kenneth Gamble and Leon Huff's Philadelphia International Records on two CDs, plus a six-song bonus disc. Harold Melvin and The Blue Notes came to Gamble and Huff's newly-formed label in 1972 after having bounced from label to label including Landa, Arctic, and
Review: Chris Stamey and The ModRec Orchestra, “New Songs for the 20th Century”
Chris Stamey has taken many unpredictable paths in a long career, whether as a member of the dB's, a solo artist, a producer, or a sideman. But his latest project might be his most unpredictable yet. New Songs for the 20th Century, credited to Stamey and the ModRec Orchestra and newly released by Omnivore Recordings, is a sprawling double-album love letter to traditional (read: pre-rock and roll) vocal pop with a heavy jazz emphasis. Written, arranged, mixed, and produced by Stamey, these
Still Magic: Mint Audio Collects Peter Skellern’s “Complete Decca Recordings” on New 3-CD Set
Peter Skellern's 1972 hit "You're a Lady" introduced a new, original voice onto the pop scene. A No. 3 hit in his native England, the gentle ballad was covered by artists ranging from Davy Jones to Johnny Mathis. A second major hit came three years later with "Hold On to Love," and Skellern continued to make music on records, television, stages, and even churches for the rest of his life. The singer-songwriter sadly passed away in 2017 at the age of 69, but the U.K.'s Mint Audio label has
Run Back to Mama: Ace’s “Horn Rock” Anthology Features Chase, Blood Sweat and Tears, Delaney and Bonnie, More
The new collection on Ace Records' BGP imprint packs a mighty punch. That's because it's dedicated to Horn Rock (with the equally-important subtitle And Funky Guitar Grooves), that boldest and brassiest of rock subgenres. The phrase "horn rock" immediately brings to mind the sound popularized by Chicago and Blood, Sweat & Tears (only one of which is represented here) but the added colors afforded by horns were applied to recordings in the baroque-rock, art-rock, psych-rock, and jazz-rock
Review: Davy Jones, “Live in Japan”
Everyone's familiar with the initial wave of Monkeemania that swept America in the 1960s, not to mention the second wave spurred on by MTV's reruns of The Monkees' classic sitcom in the 1980s. But 7a Records - that tireless label dedicated to all things Monkee - has trained a well-deserved spotlight upon a lesser-known chapter of the Monkees phenomenon. The time was 1981 and the place was Japan. The late Davy Jones seized upon the popularity of a Kodak commercial there featuring "Daydream
When Will You Be Mine: Ace Releases Dion’s First Two Columbia Albums on CD
Dion DiMucci was just 20 years old but already a chart veteran when he went solo at the dawn of the 1960s. Enduring hits like "I Wonder Why" and "A Teenager in Love" had been recorded with his friends The Belmonts, but when Carlo Mastrangelo, Angelo D'Aleo, and Fred Milano wanted to emphasize doo-wop harmonies and Dion wanted to rock and roll, Dion and the Belmonts split. How would the Italian kid from the Bronx follow that amazing first act? The answer was "Runaround Sue," the chart-topping
Review: David Bowie, “The Mercury Demos”
David Bowie collectors with a taste for vinyl have had much for which to be grateful this year. Parlophone and Rhino recently unveiled the third in a series of vinyl box sets this year, The Mercury Demos. (The just-released fourth such box commemorated the fiftieth anniversary of "Space Oddity.") An LP rather than a collection of singles, The Mercury Demos officially premieres ten early, one-take recordings from the future superstar, recorded on a Revox reel-to-reel tape machine in Bowie's
Review: Cheryl Lynn, “Got To Be Real: The Columbia Anthology”
Last month, Cherry Red's SoulMusic imprint released an exciting new compilation of Cheryl Lynn classics. Got To Be Real: The Columbia Anthology brings together 31 of the powerhouse vocalist's most enduring tracks. The 2-CD set not only represents tracks from her classic Columbia albums Cheryl Lynn (1978), In Love (1979), In the Night (1981), Instant Love (1982), Preppie (1983) and It's Gonna Be Right (1985), but also features rare 12" remixes; dance versions; soundtrack selections; and duets
Review: Various Artists, “Motown: The Complete No. 1s”
Smokey Robinson's mama famously told the young singer-songwriter that he'd better shop around, but happily, those looking for the definitive chronicle of Smokey and Diana and Mary and Flo and Martha and Marvin and Stevie and co. need shop around no more. To mark the label's 60th anniversary, Motown: The Complete No. 1s is back in print in a slightly-expanded edition, and this 11-CD box set is, simply, one-stop shopping. Impressively housed within a sturdy replica of 2648 West Grand Boulevard
Review: Klaus Nomi, “Klaus Nomi” (Real Gone Vinyl Reissue)
With the new reissue of Klaus Nomi's self-titled debut album, Real Gone Music has presented another lost classic album on vinyl for the first time since its original release some three decades ago. It's one that is full of strangeness, starkness, and subtlety. Klaus Nomi stuns with a diverse repertoire, an over-the-top theatricality, but, more importantly, a dedication to craft that sometimes gets lost in the narrative. Yes, the NYC performance artist collaborated with David Bowie (as seen on
Review: Glen Campbell, “The Legacy [1961-2017]”
Glen Campbell's career-spanning box set is modestly titled The Legacy, fitting for the unlikely superstar from Delight, Arkansas. While The Legend might have been equally appropriate, Campbell's legacy is, truly, unlike any other. Throughout an extraordinary seven-decade career encompassing 21 Top 40 Pop hits, 27 Top 10 Country singles, six Top 20 Pop albums, and nine No. 1 Country albums in the United States alone, the artist regularly transcended genre with his honeyed vocals and virtuosic
Review: James Taylor, “One Man Band”
The One Man Band tour took James Taylor on the road for three years of unusually intimate performances, even by the standards of the guitar-wielding troubadour. In 2007, the tour culminated in a series of shows at Pittsfield, Massachusetts' small, 775-seat Colonial Theatre, a true homecoming for the famous Massachusetts native. Joined only by keyboardist Larry Goldings, Taylor treated audiences to a tour through his songbook that amounted to a master class in musical storytelling. The live
Review: Fiat Lux, “Hired History Plus: Expanded Edition”
Fiat Lux -- from the Latin for "let there be light" - were originally a synth-pop band that shone for a brief period in the '80s. Formed in 1982 and hailing from Wakefield in Yorkshire, England, they pioneered a unique sonic stamp, the influence of which is still felt today. Their pioneering blend was full of lush synthesizer textures, acoustic and electric keyboards, and studio effects - all anchored by Steve Wright's emotive vocals. Multi-instrumentalist David Crickmore provided guitar, bass,
Swinging Doors: Grateful Dead, Emmylou, Dolly, Dino, More Celebrate “The Merle Haggard Songbook”
Along with Buck Owens - with whom he shared a musical history and a wife - Merle Haggard (1937-2016) defined The Bakersfield Sound of country music: authentic, raw, rooted in honky-tonks. But unlike the Texas-born and Arizona-raised Owens, Haggard was actually born in Bakersfield and raised just across the river from that California town. "Hag," as he preferred to be known, rocketed to superstardom thanks to "Okie from Muskogee," his controversial 1969 song that was either a scathing
UPDATED: Different Drummer: Edsel Collects Michael Nesmith’s RCA and Pacific Arts Years on New Box Set
And the Hits Just Keep On Comin'. Michael Nesmith titled his 1972 RCA album ironically - when it "bubbled under" the Billboard 200 at No. 208, it actually bested its predecessor by three slots - but the LP did feature the once and future Monkee's rendition of one major favorite, "Different Drum." The 1965 tune became an enduring hit for the Stone Poneys featuring Linda Ronstadt in 1967, establishing Nesmith outside of The Monkees. Since 1968, he's released 16 studio albums. Recently, 12 of
Review: David Bowie, “Spying Through a Keyhole (Demos and Unreleased Songs)”
Can you hear me, Major Tom? In the late 1960s, David Bowie was an artist deeply hoping to be heard. A handful of singles and an album on Deram Records had failed to rocket him to the stars. But Bowie continued writing, recording, and shopping his songs around in hopes of the elusive next deal that would take him to the next level. As such, Bowie left a great many demo recordings behind. Due to current EU copyright laws, right holders have been required to release previously unissued
Step Inside Love: Cherry Red, SFE Expand Four More Cilla Black Albums in May
Cherry Red's Strike Force Entertainment imprint is continuing its series celebrating the life and legacy of Cilla Black with the May 10 arrival of another pair of remastered and expanded 2-CD, 2-album collections. First up is her debut album Cilla (1965) with In My Life (1974), the latter of which is making its premiere on CD in full; also released that day is Sher-oo! (1968) with another long-anticipated, new-to-CD title, Modern Priscilla (1978). All of the previously released digital bonus
Release Round-Up: The Second Disc’s 2019 Record Store Day Must-Haves
Looking for our usual Release Round-Up? Alas, there's not much new in the way of catalogue music this Friday (and we've already filled you in on Billy Paul and Leon Russell!), but for a very good reason: tomorrow sees releases a-plenty as part of Record Store Day! Without further ado, welcome to our annual rundown of Must-Haves for this year's RSD event! Once you're through reading, let us know what you're most looking forward to picking up tomorrow at your favorite local independent
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