"I'm not kidding myself. My voice alone is just an ordinary voice. What people come to see is how I use it. If I stand still while I'm singing, I'm dead, man. I might as well go back to driving a truck." Though Elvis Aron Presley's vocal instrument was one of the greatest in the entirety of American popular music, the singer wasn't simply being modest. Whether threatening staid fifties culture in a pair of tight pants, shaking his famed pelvis, or taking to the Las Vegas concert stage in
Holiday Gift Guide Review: The Comedy and Music of Ernie Kovacs and Edie Adams
Welcome to 2012's Second Disc Holiday Gift Guide! We'll use these special reviews to highlight not only seasonally-themed releases, but box sets, deluxe reissues and other special titles that might make the perfect gifts under your tree this holiday season! Groucho Marx once observed that "marriage is a wonderful institution," before adding, "but who wants to live in an institution?" A few lucky couples have not only thrived in that institution, however, but also in the world of comedy:
T.S.O.P., The Early Years: BBR Collects The Three Degrees on Roulette
Big Break Records, an imprint of the U.K.'s Cherry Red Group, doesn't have an office in Philadelphia, Pennsylvania. But it might as well. Much of the remarkable music that emanated from ZIP Code 19107 has been revisited of late by BBR, and the latest title is one of the most fully loaded in the label's catalogue. The Three Degrees' Maybe actually combines two early albums from that "When Will I See You Again" trio, both from the catalogue of Roulette Records: 1970's Maybe and 1975's So Much
Rip It Up! "The London American Label: 1956" Spotlights Rock and Roll from Little Richard, Carl Perkins, Chuck Berry, More
Did any label impact the taste of record-buyers in the United Kingdom in the early rock-and-roll era than that of London? Ace Records has been chronicling the activities of the London American label on a series of definitive releases culling the best of the label's 45s from one given year. Previous volumes have covered every year between 1957 and 1963, and for the most recent addition to the series, Ace has turned the clock back to 1956. In that year, London's output included American singles
Reviews: Dion's "Complete Laurie Singles," David Cassidy's "Romance"
Today, we're taking a look at two recent releases from Real Gone Music! Dion DiMucci greeted the 1960s on his own, just 20 years old but already a chart veteran with soon-to-be-classics like “I Wonder Why” and “A Teenager in Love” under his belt. Those songs, though, were recorded with his friends The Belmonts. When Carlo Mastrangelo, Angelo D’Aleo and Fred Milano wanted to emphasize doo-wop harmonies and Dion wanted to rock and roll, Dion and the Belmonts split. How would the Italian kid
Review: Five from The Steve Miller Band (1968-1970), Reissued on Edsel
The 1968 debut of the Steve Miller Band begins with a shattering cacophony, followed by an acoustic strum emerging like a beacon of light amidst the darkness and clatter. The album's title track "Children of the Future" is far removed from the ironic detachment of "The Joker" or the sleek majesty of "Fly Like an Eagle," later hits that proved the group could go "pop" while still showing off their versatility and impeccable musicianship. Edsel Records has just afforded listeners the opportunity
From Manhattan to Memphis: Ace, Kent Collect Classic Soulful Sides on Three New Releases
Though they're located across the pond, the team at Ace Records literally has the entire map of the U.S. covered when it comes to celebrating classic soul sounds. Among the numerous titles recently issued by the Ace family are three geographically-attuned sets sure to pique your ears and interest. Ace's journey begins in the American northeast, and specifically in New York City, with a second volume of Manhattan Soul. Like the first volume in the series, it's drawn from the considerable
Compilation Watch: Best-Ofs Planned for Whitney Houston, Kelly Clarkson
Next month - the all-important Christmas shopping season - sees two compilations from two immensely popular singers from the RCA roster with unmistakable voices. The label will release new compilations in the same week for departed R&B legend Whitney Houston and American Idol winner Kelly Clarkson - the latter of whom definitely owes more than a little of her style to the former. I Will Always Love You: The Best of Whitney Houston marks a few firsts in Whitney's catalogue: it's her
Review: The Beach Boys Remasters, Part Two: The Album-by-Album Guide
It’s about time now! Don’t you know now? It’s about time we get together to be out front and love one another… - Dennis Wilson, Carl Wilson, Bob Burchman and Al Jardine (1970) Isn’t it time we danced the night away? How about doing it just like yesterday? - Brian Wilson, Joe Thomas, Jim Peterik, Larry Millas and Mike Love (2012) No, Mike Love didn’t fire Brian Wilson from The Beach Boys. But that didn’t stop the Beach Boys’ leader, producer and chief songwriter from telling The Los
Omnivore's Black Friday Schedule: Capitol Rarities on Vinyl, Jellyfish Instrumentals on CD
We're close to that most wonderful time of the year, folks! No, not Christmas, but - well, yeah, I guess Christmas is closer than we'd all wish it would be. But ANYWAY, the wonderful time I was alluding to is Record Store Day's Black Friday event. The day after Thanksgiving, our beloved local independent record stores join forces with major and independent labels alike to release special exclusive treats as a way of thanking us for patronizing their businesses. While a full list of RSD
Do The (Salsoul) Hustle: Big Break Celebrates Salsoul Records Legacy with Four Reissues
By 1975, Philadelphia soul had become too big even for the City of Brotherly Love. In the first half of the decade, Kenneth Gamble and Leon Huff had, along with the third member of their Mighty Three, Thom Bell, reinvented the sound of soul music. The Pennsylvania city had become synonymous with sweeping strings, punchy horns and the hi-hat cymbal of drummer Earl Young, offering up music that could be dramatic, sweet and funky, sometimes all within the same three-minute song! Bell had long
Review: Glen Campbell and Jimmy Webb, "In Session"
What drew together the son of a sharecropper from Delight, Arkansas and the minister’s boy from Eld City, Oklahoma? They were separated by a decade; one conservative, one liberal; one singer, one songwriter; one an establishment country star, the other a long-haired pop wunderkind – the paths of Glen Campbell and Jimmy Webb first crossed when Campbell chose to record Webb’s “By the Time I Get to Phoenix” in 1967. The Oklahoma kid had written the song as a young staff songwriter at Motown’s
Review: Vince Guaraldi Trio, "A Charlie Brown Christmas (2012 Remaster)"
Who buys a reissue? It's a question many of us catalogue enthusiasts probably struggle with at one point or another. When I was a younger, more naive music fan in the New Jersey suburbs, my logic was unique but relatively sound: I could pay $13 or so for a classic album I wanted on CD, or I could save up what I earned mowing the family lawn and spend $30 on a version with more material, nicer packaging, all of that. More was always better, in my mind. Of course, it's that mindset that's
Review: The Beach Boys Remasters, Part One: "50 Big Ones: Greatest Hits"
We’re continuing our series of in-depth features dedicated to America’s band, The Beach Boys, and the various projects that have kept the group occupied throughout 2012! Today, as the Boys launch a new series of album reissues and compilation titles, we explore Greatest Hits, 50 Big Ones and more! It was the headline heard the world (wide web) over: Mike Love Fires Brian Wilson from the Beach Boys. Of course, it wasn’t true. No matter, though: suddenly, good, good, good vibrations were
7Ts Wakes Up in Love This Morning with David Cassidy Reissues; Beach Boys Among Guests
David Cassidy sure is getting a lot of love on both sides of the Atlantic. Almost simultaneously, reissue campaigns for the singer, actor and former teen idol were launched in the U.S. by Real Gone Music and in the U.K. by Cherry Red's 7Ts imprint. The former label has already reissued 1974's Cassidy Live!, 1976's Gettin' It in the Street, and 1985's Romance. 7Ts began its own campaign with a two-fer of Cherish and Rock Me Baby (both from 1972) and is continuing chronologically with four
It's The Falling In Love: Raven Reissues The Complete Carole Bayer Sager Albums; Bacharach, Jackson, Diamond, Midler Guest
Carole Bayer Sager knew "that's what friends are for" long before she wrote the song of the same name. The former Carole Bayer was already a hitmaking lyricist before graduating high school, thanks to the Mindbenders' No. 2 hit "A Groovy Kind of Love." The song was written by Bayer and Toni Wine before both women hit the ripe old age of 18. Following more hit tunes with the likes of the Monkees and Neil Sedaka, and even a Broadway musical (1970's Georgy, with music by George Fischoff), she
Fings Ain't Wot They Used T'Be: Archival Releases Set from Judy Garland, Anthony Newley, Lionel Bart
Now that’s entertainment. Thanks to the efforts of some dedicated reissue specialists in the U.K., some legendary artists – one performer (the performer?), one performing songwriter, and one songwriter – are soon receiving deluxe sets truly capturing an era gone by. On October 9, Sepia Records will release The Genius of Lionel Bart, a 3-CD set authorized by the Lionel Bart Foundation consisting of hits, misses and everything in between from the Oliver! creator (including unreleased material
All the Love in the World: Dionne, Aretha Classics Are Remastered by BBR
The eighties aren't traditionally remembered as a halcyon period for classic soul. R&B eventually took on new meaning as it splintered into hip-hop, rap and urban genres that were as integral to their day as street-corner doo-wop and soul were to their own. Big Break Records, a Cherry Red imprint, has long been committed to rediscovering perhaps-neglected works by some of the biggest names in soul and R&B, and a particularly fascinating series of recent reissues has turned its
King Crimson, Jethro Tull Prepare Super Deluxe Box Sets For "Larks' Tongues" and "Thick as a Brick"
The Super Deluxe stakes continue to be raised with the announcement of two more mega-boxes due before 2012 is out: (greatly!) expanded editions of King Crimson’s 1973 Larks’ Tongues in Aspic, and Jethro Tull’s 1972 Thick as a Brick. Both albums were the fifth studio effort of their respective bands, both are landmarks of the progressive rock genre, and both are being revisited with new 5.1 surround mixes crafted by Steven Wilson. The Porcupine Tree founder was also behind the recent remixes of
Always Something There: Dionne Warwick Celebrates 50 Years with Bacharach, David, Ramone on "Now"
Were there a competition to crown Most Striking Album Cover of 2012, Dionne Warwick might win it hands-down for the image adorning Now, the singer's new album due on October 30 internationally and November 6 in North America. Now is a celebration of Warwick's 50 years in music, looking back on a solo career that began in 1962 with Burt Bacharach and Hal David's "Don't Make Me Over." That song soared to No. 21 Pop/No. 5 R&B, setting Warwick on a course that would see her place more than 50
Cast Your Fate to the Wind with New "Very Best of Jazz" Collections From Brubeck, Evans, Guaraldi, More
What makes a legend most? When it comes to the legends of jazz, Concord Music Group has that answer for you. Earlier this year, Concord launched The Very Best Of, a new series of "Jazz 101" collections designed at an affordable price point. These compact sets might introduce new fans to daunting catalogues, or offer longtime fans a compact sampler of a favorite artist. The first wave of titles arrived for Miles Davis (trumpet), John Coltrane (tenor saxophone), Sonny Rollins (tenor
Getting the Knack (No, Not That Knack!) From Now Sounds
When The Knack burst onto the scene in 1979 with the album Get the Knack, allegedly the fastest-selling debut LP since Meet the Beatles, was it a case of déjà vu for Dink Kaplan, Larry Gould, Pug Baker and Michael Chain? The "My Sharona" group was a quartet that came to prominence in Los Angeles, played the Sunset Strip, signed to Capitol Records, and was lauded for a Beatlesque pop style via a massive promotional campaign. But Kaplan, Gould, Baker and Chain had been through it all before.
He and Mrs. Jones: Billy Paul and Big Break Records Have a Thing Going On with "360 Degrees" Reissue
Philadelphia International Records turns 40 this year, and Big Break Records keeps adding more candles to the birthday cake! The label's latest release from the PIR catalogue is one of the mightiest albums ever produced by Kenneth Gamble and Leon Huff: 1972's 360 Degrees of Billy Paul, the long-player which introduced the world to the steamy soul epic "Me and Mrs. Jones." This expanded and remastered edition follows BBR's reissue earlier this year of Paul's more jazz-oriented Ebony Woman, from
Lean On Him: Bill Withers' "Complete Sussex and Columbia Masters" Box Coming in October
Bill Withers announced himself to the world in 1971 in typically understated fashion. He stood beside a plain brick wall, holding a lunch pail on the front cover photograph of Just as I Am. It offered no indication as to the fiery music contained within its grooves, from the plain-spoken, gut-wrenching "Ain't No Sunshine" to the tender and moving "Grandma's Hands." Withers was clearly a singer/songwriter with whom to be reckoned. But did stardom suit Bill Withers? His follow-up album was
Déjà Vu: Expanded Reissue of Dionne Warwick's 1979 "Dionne," Produced by Barry Manilow, Arrives on CD
Dionne Warwick recently announced a new album, produced by Phil Ramone. Entitled Now, the projected October release will reflect on a storied career that’s lasted 50 years. But Warwick was in a very different place then, meaning in 1979. The sophisticated soul singer was at a crossroads. Her unprecedented string of pop and R&B hits written and produced by Burt Bacharach and Hal David at Scepter Records were far in the rearview mirror. Bacharach and David had bitterly split after just
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