If there’s a link between Kritzerland’s two new releases, it would have to be melody. I’m speaking of sheer, unadulterated, romantic melody, courtesy of two of music’s finest purveyors of such themes: John Barry and Frederick Loewe. This morning, the stage and screen specialists announced two limited edition titles of 1,000, and both are notable, indeed. From Mr. Barry comes the 1984 score to Until September, while Mr. Loewe is represented by the first-ever CD release of the 1964 Original
Stage and Screen: John Barry, Steve Lawrence Get Reissued
Kritzerland continues to mine the MGM/UA soundtrack library for its latest release, a two-for-one CD. The disc, a limited edition of 1,000, contains the score to Bryan Forbes' 1967 thriller The Whisperers composed by the legendary John Barry as well as Richard Rodney Bennett's score to Sidney Lumet's 1977 adaptation of Peter Shaffer's play Equus. (Barry's very different score to The Deep has already enjoyed a terrific reissue earlier this year, courtesy our friends at Intrada, and it's been
Labor Day Special Reissue Theory: Stephen Schwartz and James Taylor, “Working”
The Second Disc Archives are open! We're reprising this look at a musical which united the talents of Stephen Schwartz, James Taylor, Mary Rodgers, Micki Grant and Craig Carnelia, while our story also features "appearances" along the way by Paul Simon, Joni Mitchell, Billy Joel, Bruce Springsteen, Jennifer Warnes and Rupert Holmes! Welcome to our Reissue Theory special: Working! On Monday, September 6, 2010, America celebrated its 128th Labor Day, all but the first 12 of them recognized as a
Review: "Promises, Promises: Original MGM Broadway Cast Recording"
The Fourth of July isn’t usually a holiday known for gifts. But your humble reviewer felt as if he got a gift, and what a gift!, on July 3 when Kritzerland’s limited edition deluxe 2-CD reissue of the original cast album of Promises, Promises (KR 20015-9) arrived in the mail. As a result, much of the weekend was spent listening to an album I’ve known for years, but hearing it as if for the first time. For background on this release, see The Second Disc’s post of June 14 and join us after
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