Shimmering guitars, breezy horns, smooth keyboards, and crisp vocals on well-crafted songs with catchy choruses: all of those qualities might have once described "soft rock" or "adult-oriented rock," but more recently the genre has experienced a resurgence as "yacht rock." Though the term was originally intended in a pejorative way, it's come to be accepted by many of the progenitors of the genre including Michael McDonald and John Oates. There's an entire book on the yacht rock phenomenon, a
Cherry Red has recently unearthed another pair of seventies pop gems on their Esoteric and RPM imprints, respectively, from Hudson-Ford and Roger James. Both titles will hit stores this Friday, August 24. Daylight was the 1977 CBS Records debut of Hudson-Ford, a.k.a. Richard Hudson (guitar/vocals/sitar) and John Ford (vocals/bass/guitar), formerly of The Strawbs. Their fourth album as a duo, Daylight was produced at the label's behest by Robin Geoffrey Cable, a Trident Studios engineer who
There are songs that sound like movies/There are themes that fill the screen/There are lines I say that sound as if they're written/There are looks I wear the theatre should have seen... With those words, Rupert Holmes welcomed listeners into his singular musical world - one in which the only limits were those of the singer-songwriter's boundless imagination. In other words, there were no limits to Holmes' finely crafted, elaborately realized pop dramas. His 1974 Epic Records debut,
Welcome to this week's Release Round-Up! Various Artists, Concert for George [Various Formats] (Craft Recordings) 2CD: Amazon U.S. / Amazon U.K. / Amazon Canada 2CD/2DVD: Amazon U.S. / Amazon U.K. / Amazon Canada 2CD/2BD: Amazon U.S. / Amazon U.K. / Amazon Canada 4LP: Amazon U.S. / Amazon U.K. / Amazon Canada 2CD/2DVD/2BD/4LP Limited Online Exclusive Box Set: George Harrison Shop The star-studded 2002 concert celebration of the life of George Harrison - featuring Paul McCartney,
There are songs that sound like movies/There are themes that fill the screen/There are lines I say that sound as if they're written/There are looks I wear the theatre should have seen... With those words, Rupert Holmes welcomed listeners into his singular musical world - one in which the only limits were those of the singer-songwriter's boundless imagination. In other words, there were no limits to Holmes' finely crafted, elaborately realized pop dramas. His 1974 Epic Records debut,
Between August 1972 and May 1981, late night television was a little more rockin'. Producer Burt Sugarman's The Midnight Special followed Johnny Carson's Tonight Show on Friday evenings, welcoming viewers with Johnny Rivers' rousing rendition of the traditional tune (a Top 20 hit for Rivers in 1965). Over the course of 450 episodes, The Midnight Special presented a staggering array of music's top talent on network television with most songs performed live for the majority of its run. The
“I had been over at Barry Manilow’s house, and he said ‘you know Rupert Holmes?’ I said, ‘No,’” recalled Academy Award-winning producer Craig Zadan to author Kenneth Turan. “[Barry] played me his records, and I flipped out. I got all his records, and I made Joe [Papp] and [his wife] Gail listen to them and they fell in love with the work…at one point, Rupert came up with an idea about a show about a recording studio, but it ultimately didn’t jell. But I told him, ‘I believe you’re a great
The Second Disc Archives are open! We're reprising this look at a musical which united the talents of Stephen Schwartz, James Taylor, Mary Rodgers, Micki Grant and Craig Carnelia, while our story also features "appearances" along the way by Paul Simon, Joni Mitchell, Billy Joel, Bruce Springsteen, Jennifer Warnes and Rupert Holmes! Welcome to our Reissue Theory special: Working! On Monday, September 6, 2010, America celebrated its 128th Labor Day, all but the first 12 of them recognized as a
“If you like pina coladas, and getting caught in the rain”…Come on, you know how it goes, sing along…“If you’re not into yoga, if you have half a brain…” So goes the song that got Rupert Holmes into the record books as singer/songwriter of the last No. 1 hit of the 1970s and the first of the 1980s. While it may be the most famous song penned by the idiosyncratic artist/composer/producer (and collaborator of artists ranging from Streisand to Sparks!), it’s merely the tip of the iceberg for Rupert