It's always a cause for celebration when a label gets some long-lost piece of music out to the public for consumption. And Intrada's special mid-week batch of archival film scores is no different, offering two premiere horror scores, one of which was presumed lost for years. First up is the score to Fright Night, the 1985 horror classic (recently remade this past summer) about a teen who has to stop his next-door neighbor, a bloodthirsty vampire, from feeding on the innocent. The score is the
Review: Matt Monro, "The Man Behind The Voice"
In Michele Monro’s The Man Behind the Voice, the author sums up the career of her subject, who also happened to be her father: “Matt never acquired the ‘superstar’ tag, but quality was his code, and he earned the reputation for being a class act with a superlative gift.” Though Matt Monro died in 1985 aged just 54, his music continues to flourish today. Monro’s voice is as vibrant now as when he first recorded “Born Free,” “To Russia with Love” or any of the countless other songs, both
Review: Johnny Cash, "Bootleg Vol. III: Live Around the World"
The legend of Johnny Cash has been told and retold since the man’s passing in 2003, and so much is often made of his demons over the years. But as the old folk song goes, “the old account was settled long ago.” Intrinsic though those troubles are to Cash’s mythos, his devotion to family and God were both just as deeply ingrained. Whatever may have lurked beneath the surface is largely absent from the 53 joyous songs that make up Bootleg Vol. III: Live Around the World (Columbia/Legacy 88697
Williams, Herrmann, Conti Join Varese Club
The sleeping giant that is Varese Sarabande's CD Club awoke for the second time yesterday, announcing four killer soundtracks from the film score vaults for your perusal. Chief among the surprises in this week's batch was the announcement of a John Williams score from the Universal Pictures film Midway (1976) - a major coup for fans of the Maestro. A gripping World War II drama starring Charlton Heston, Henry Fonda, Robert Mitchum, Toshiro Mifune and a host of A-list actors, Midway sees
Friday Feature: "An American Werewolf in London"
In 1941, the werewolf mythology gained an iconic set of lines in the Universal horror classic The Wolf Man: "Even a man who is pure at heart/and says his prayers by night/May become a wolf when the wolfsbane blooms/and the autumn moon is bright." Forty years later, from the same studio, a less delicate line was added to the lycanthrope canon: "I will not be threatened by a walking meat loaf!" Such is the tone of An American Werewolf in London, one of the best horror-comedies of the past few
Stay Awhile: Dusty Springfield Box Set Packed With Rarities, Due This Month In Two Editions
UPDATE 10/6: We're just a few short weeks away from the release of Goin' Back: The Definitive Dusty Springfield, a super deluxe box set by any standards. With its four CDs, three DVDs and two hardback books, Goin' Back may be the ultimate holiday gift for the Dusty diehard. Of its 92 audio tracks, 22 are previously unreleased, 10 are making their U.K. debut and five are appearing for the very first time on CD. Of its 98 video performances, a full 32 are premiering on DVD. But if Goin' Back
What's in Ben's Vault?
As if getting a set of Ben Folds Five rarities on disc with next week's Best Imitation of Myself: A Retrospective wasn't enough, Folds, along with Legacy Recordings, vowed to open the vaults even further with the Ben Folds Fifty-Five Vault, a 55-track digital companion, five tracks of which would be given away free with purchase of the new compilation. Today, all the tracks were announced from the vault, and while not all of it is entirely unreleased, there's more than enough to satisfy the
Review: Pink Floyd, "The Dark Side of the Moon: Immersion Box Set"
At what point in a super deluxe - or Immersion - box set does the music itself become, if not irrelevant, an afterthought? It's hard not to wonder, sifting through the treasure chest - or toy chest, perhaps - that's the Immersion Box Set of Pink Floyd's landmark 1973 rock opus The Dark Side of the Moon (EMI 50999 029431 2, 2011). It's not hard to imagine many Floyd devotees finding themselves over the rainbow with this package, and of course that famous rainbow is everywhere in this box
Even Better Than the Real Thing? U2 Uber-Box Details Unveiled (UPDATED WITH TRACK LISTS)
Well. U2 have finally unveiled the preliminary details for the Achtung Baby box set, and it's particularly insane. Of the five formats available for this set, most of them could be predicted. You have your single-disc remaster, a two-disc edition featuring B-sides and remixes and a quadruple-vinyl set featuring Achtung Baby and its remixes and B-sides. Fine enough. Then we have the big box set. Well, two versions of the big box set. At the heart of each is 10 discs - six CDs and four DVDs -
Back Tracks: Paul McCartney, Working Classical - From "Liverpool Oratorio" to "Ocean's Kingdom"
Tucked between album opener “Taxman” and “I’m Only Sleeping” on Side One of The Beatles’ 1966 LP Revolver, “Eleanor Rigby” heralded an explicit attempt by the pop giants at pushing the musical envelope, both with its despairing lyrics and classical-inspired arrangement for a string octet. Primarily the composition of Paul McCartney, “Eleanor Rigby” defied the odds to hit the top spot on the British charts (a double A-side single with “Yellow Submarine”) and hit the No. 11 spot in the United
These Are the Good Times: U.K. Gets New CHIC Compilation, Too
As if the revelation of a new U.K. compilation for today's birthday boy Johnny Mathis (with an unreleased track from the CHIC-produced I Love My Lady, no less) wasn't exciting enough, Edsel's Music Club Deluxe imprint has also announced a similar set for CHIC themselves - and rarity-seekers are going to be excited. Magnifique! The Very Best of CHIC captures the greatest hits and album cuts from the inimitable disco band, spanning not only through their biggest period of success from 1977 to
Review: Buck Owens, "Bound For Bakersfield: The Complete Pre-Capitol Collection 1953-1956"
Though Buck Owens made his name in Bakersfield, California, his adopted hometown from the age of 21, he was a familiar face to audiences across America as co-host of Hee Haw, the country music variety show that launched in 1969 and lasted until 1992. (Owens remained with the show until 1986.) Despite the silliness of the television show, Owens was serious about his music, which was a direct answer to the “countrypolitan” sound storming Nashville in the 1960s. Owens and his Buckaroos, along
Johnny Mathis "Ultimate Collection" Coming to the U.K. with Unheard CHIC Production
How to encapsulate the career of Johnny Mathis into one compilation? John Royce Mathis of Gilmer, Texas began his recording career at Columbia Records in 1956, nearly 21 years of age, and with the exception of a 1963-1966 stint at Mercury, he’s remained at the label ever since. Mathis has embraced jazz, traditional pop, so-called MOR, soul, R&B, disco, dance, gospel, and most recently, country. In each genre, however, Mathis has brought his romantic vocals and gut instincts as to what
Review: Elvis Presley, "Young Man with the Big Beat: The Complete '56 Elvis Presley Masters"
Well, it's one for the money, two for the show, three to get ready, now go, cat, go! With such words was a revolution born! Those simple lyrics were the first sung by Elvis Presley on his 1956 RCA Victor debut, accompanied by the blasts of Scotty Moore's guitar, then the frantic beats of D.J. Fontana's drums. It's unlikely that Presley ever anticipated that his recording of Carl Perkins' "Blue Suede Shoes" would provide the soundtrack to a country's coming of age, or for that matter, lead
To Hollywood...and Glory! "1941" Score Locked and Loaded from La-La Land
The War for Soundtracks rages on, and La-La Land Records' latest volley is the long-awaited expanded edition of the score to 1941, the 1979 World War II comedy scored by legendary composer John Williams for longtime collaborator, director Steven Spielberg. Take some of the most talented young comedians of the '70s, put them in a picture written by two of the brightest upstarts in Hollywood and put the world's hottest young director in charge. Sounds like a formula for success, right? Maybe most
Reissue Theory: R.E.M., "Dead Letter Office: 25th Anniversary Edition"
Welcome to another installment of Reissue Theory, where we reflect on notable albums and the reissues they may someday see. As we mourn the passing of one of the most beloved American rock bands of the last few decades, we look at their all-too-often ignored early B-sides, compiled only once on disc - and how those rarities could make for a nice deluxe package down the line. R.E.M. is dead. Long live R.E.M. The Athens, Georgia-based band announced their split Wednesday, after just over 30
Come to the Pop Market, Part Two: Box Sets Planned For Brubeck, Holiday, Weather Report and Mahavishnu Orchestra
Yesterday we reported on eight new box sets drawn from the Columbia and RCA Victor archives and available through Sony’s PopMarket site. While those titles dedicated to Earth Wind & Fire, Electric Light Orchestra, Leonard Cohen, Paul Desmond, Dexter Gordon, Wynton Marsalis, Woody Shaw and Nina Simone are all currently available or due for release shortly, another batch is already on the schedule for November. On November 11, Legacy Recordings opens the vaults to the rich legacy of jazz at
Come to the Pop Market: Complete Collections Due From ELO, EWF, Cohen, Simone, Desmond and More
And the (complete) hits just keep on comin’. Sony’s PopMarket site has become a must-visit destination for many music fans, not only due to daily deals on existing box sets and back catalogue titles but also due to a line of new boxes under the Complete Albums Collection umbrella. Initial recipients of this treatment were Sam Cooke, The Byrds. Stan Getz and Return to Forever. A second wave offered collections from John Denver, Grover Washington Jr., Kansas and Wayne Shorter. Another eight
Review: Rufus Thomas, Shirley Brown and The Dramatics, "Stax Remasters" Series
When Stax Records severed its distribution deal with Atlantic in 1968, it was time to rebuild from the ground up. The entire back catalogue went to Atlantic, as did Sam and Dave’s contract. Gone was the “Stax o’wax” label logo; in its place was a new, finger-snapping Stax. The stewards of the Stax legacy at Concord Music Group have recently launched a series branded as Stax Remasters, and the three latest additions to the reissue program have arrived from Rufus Thomas, Shirley Brown and The
Review: Miles Davis Quintet, "The Bootleg Series Vol. 1: Live in Europe 1967"
Reflecting on Miles Davis’ so-called Second Great Quintet to director Mark Obenhaus, Herbie Hancock recalled that “when people were hearing us, they were hearing the avant-garde on one hand, and they were hearing the history of jazz that led up to it on the other hand - because Miles was that history. He was that link. We were sort of walking a tightrope with the kind of experimenting we were doing in music, not total experimentation, but we used to call it ‘controlled freedom.’” What exactly
Singular Genius, Revisited: Ray Charles' "Complete ABC Singles" Coming In November, Plus Live DVD
For Ray Charles, creative freedom was as easy as ABC. After a successful tenure at Atlantic spanning the years 1952 and 1959, the Genius was ready to move on, or hit the road, as a later album title would proclaim. Under the auspices of Atlantic producer Ahmet Ertegun, Charles recorded a seminal series of history-making recordings in both the jazz and R&B fields, the latter a particular Atlantic specialty. With the 1959 single “What’d I Say,” Charles crossed over to the burgeoning teen
Soundtrack Round-Up: Intrada Loads "Guns," Kritzerland Goes "Nudie" and FSM Goes to Space
Even in the wake of some heartbreaking news in the soundtrack catalogue business, there's a lot of excellent goings on with some of your favorite soundtrack labels: First up, Intrada announced yesterday just one new CD release, but it's a big one: the world premiere of Alan Silvestri's score to 1990's Young Guns II. The Generation X-friendly Western series, which starred Kiefer Sutherland, Lou Diamond Phillips and Emilio Estevez as notorious outlaw Billy the Kid, had a strong pedigree for the
The Grateful Dead, Cameo-Parkway Christmas, ? and the Mysterians, Ed Ames On Deck From Real Gone
Real Gone Music, the label founded by Gordon Anderson and Gabby Castellana, has announced its debut slate for November, and it’s no surprise that the founders of Collectors’ Choice Music and Hep Cat Records, respectively, are launching their new venture with a broadly eclectic line-up of releases crossing all genre lines. With distribution from Razor and Tie, Real Gone’s slate includes releases from The Grateful Dead, a contingent of sixties girls, legendary garage group ? and the Mysterians,
Still They Ride: Journey's "Greatest Hits Vol. 2" Coming On CD and Remastered Double Vinyl
The singer/songwriter Peter Allen once commented in song, “Everything old is new again.” And that adage certainly applies to the case of Journey. Thanks to the one-two punch of television shows The Sopranos and Glee, the band’s “Don’t Stop Believin’” has become ubiquitous. Though the band’s heyday was undoubtedly the 1980s (“Don’t Stop Believin’,” reportedly the top-selling catalogue track of all time on iTunes, dates from 1981), the music of Journey is in the public eye now more than ever.
The Second Disc Interview: Talking with Ben Folds
Leave it to Todd Rundgren to spot The Difference. Hosting a 1995 episode of the late Philadelphia-based radio program of that name, Rundgren interviewed Ben Folds, “fronting his trio, The Ben Folds Five. Go figure,” the pop icon dryly noted. Reflecting on the experience sixteen years later, Folds recalled with typical candor the moment when Rundgren spotted the difference in the young musician. It was “fucking surreal…He said ‘you have a distinct voice.’ And I thought, ‘really? I think I
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