It is with great pleasure that The Second Disc can divulge a few more details on the forthcoming Bon Jovi reissues due on May 11 from Island Records and Universal Music Enterprises. To the best of our knowledge, this is the first time any of this information is coming out - something of an exclusive! Some of these details are more on the technical side, but anyone wondering for more Bon Jovi tidbits (including how much of the promised live content is unreleased) will be in for a nice surprise.
Back Tracks: Cheap Trick
In reading about Cheap Trick on Web sites like the All Music Guide, one keeps finding aspects of the band's work described as "perverse." That's a weird way of defining it - not in the sexual sense, mind you, but as a means of describing how unusual they are - but I guess it fits well enough, for a number of reasons. In the Rockford, Ill.-based band are, visually, one of the most arresting bands ever; vocalist Robin Zander and basist Tom Petersson look like your typical gorgeous rockers, while
Review: Chicago - "Chicago Transit Authority" Quadradisc
What is Quadio? That's the question currently being posed by the fine folks over at Rhino.com. For an answer and some fun interactivity, click here. But in short, Quadio describes the new series of four-channel audio DVDs (or "Quadradiscs") being introduced by Rhino with the reissue of 1969's Chicago Transit Authority, the first album by the band later known simply as Chicago. This release is a landmark in a number of ways. For one thing, it signals a new attempt to court the dedicated
Tommy and Gina Redux
If you're from New Jersey, chances are you are (or know someone who is) a Bon Jovi fan. They were perhaps the best of the big-haired arena-rockers in the late '80s and '90s, and still know how to pack 'em in to this day. And now, it looks like they're reaching the rarified ranks of solid catalogue artists, thanks to a pretty wide series of reissues from Island and Universal Music Enterprises. Amazon is listing reissues of ten Bon Jovi albums - everything from 1984's self-titled debut to 2007's
News Roundup: Back from Hiatus Edition, Part 1
Well! After a fun weekend of sun and Easter candy, it's back to tracking the catalogue world at The Second Disc. A hearty thank-you to Joe for his contributions over the weekend, and a welcome back to our loyal readers. A few release nuggets came through the pipeline over the weekend, so let's clean house by getting some of them out of the way. More to come before the end of the day, so stick around! NME reported that a new Oasis compilation would see a U.K. release on June 14. Time Flies
The (Original) Sound of Philadelphia
Long before the triumvirate of Kenneth Gamble, Leon Huff and Thom Bell immortalized "The Sound of Philadelphia" as silky, smooth soul, Cameo-Parkway Records supplied the soundtrack to the City of Brotherly Love. The label may be best known for dances like the 81, the Twist, the Hully Gully, the Wah-Watusi and the Mashed Potato, or for teenage icons like Bobby Rydell. But Cameo-Parkway's roster was in fact much more diverse, from garage rockers ? and the Mysterians to doo-wop legend Johnny
You've Still Got A Friend: "The Essential Carole King"
The Second Disc is pleased to introduce our first contributor, Joe Marchese. Joe is a NY/NJ-based writer, theatre director and music enthusiast, and is thrilled to be on board. For many of her fans, Carole King's career begins and ends with Tapestry. It's not hard to see why; the seminal 1971 album spent fifteen weeks perched at No. 1 on Billboard’s album chart, remained on the chart for six years, spawned two chart-topping pop singles, and influenced an entire generation of introspective
The Not-So-Finer Things
The announcement of Revelutions: The Very Best of Steve Winwood - a new compilation from Island available as either a single-disc compilation or a four-disc box set - should be exciting. Winwood is a hell of a musician whose illustrious career has seen him work with Blind Faith, Traffic and The Spencer Davis Group, not to mention his own successful solo work. But this set is boring, not just for its lack of vault content but because it's essentially been released before. The Finer Things was a
News Round-Up: Broken Wings, Hendrix Rocks, Phish in Exile and Film Score Tidbits
A big reissue is coming from indie reissue label Friday Music: a 25th anniversary reissue of Welcome to the Real World, the 1985 sophomore LP by Mr. Mister. This record, which spawned the Top 10 hits "Broken Wings," "Kyrie" and "Is It Love," is remastered direct from RCA's original master tapes and comes in a digipak. (No bonus tracks, but outside of a dance mix and dub for "Is It Love," there were none, really.) Amazon has this one listed for an April 20 release. (Thanks to Pause & Play for
Broken Promises, Broken Habits
This is getting ridiculous. Duran Duran's EMI reissues have suffered yet another delay - the third or fourth this year. The deluxe editions of Duran Duran and Seven and the Ragged Tiger, previously set for March 30 and April 20, have now been bumped to May 18. This complements the recent news that the next wave of reissues - covering Notorious and Big Thing - will hit stores on July 6 instead of the planned June date. (The deluxe reissue of side-project Arcadia's So Red the Rose is still set for
Back Tracks: Squeeze
If The Second Disc has any European readers, allow me to express my intense jealousy that Squeeze, one of the best British pop bands I can name, is embarking on a tour in your neck of the woods later in the year. It pleases me that Squeeze is not an unknown entity in the United States (the first Squeeze concert I partook in, at Radio CityMusic Hall in 2008, looked pretty sold out), but ask any casual or younger music fan and you'll likely get blank stares. This may change if you sing a few bars
Back Tracks: Alex Chilton
A potentially embarassing confession: it took the death of Big Star frontman Alex Chilton for me to realize just what I knew about him. I knew his name was the title of a Replacements song (thanks, Rock Band), I'd known of Big Star thanks to the justifiable hype over last year's box set from Rhino and I'd known a handful of his most famous, very solid compositions that he either wrote or popularized ("Thirteen," "The Letter," "In the Street") through inevitable cultural osmosis (thanks, That
Back Tracks: U2
Is it inherently lazy to do a U2 post on a music blog for St. Patrick's Day? Whether it is or not, it's done for two reasons. First, since The Second Disc is all about reissues, it's worth tipping a hat to Universal's ongoing series of U2 reissues. They have been some of the best on the market in recent years. The packaging is nice, the content is comprehensive and groundbreaking (in other words, the fan gets all those hard-to-find tracks he or she is looking for plus a score of vault material)
Back Tracks: ABBA
Continuing the Rock and Rall Hall of Fame coverage leading up to Monday night's induction, here is another catalogue retrospective for one of the artist inductees. In his latest book, 2009's Eating the Dinosaur, Chuck Klosterman includes an essay praising ABBA for their intriguing critical status (contending that, like AC/DC, ABBA's work never operated near relevance or irrelevance, thereby guaranteeing that it will have a more lasting impact) as well as their somewhat unusual commercial
Rock Hall: Fame or Shame?
From now until Monday, The Second Disc will be bringing out some features and opinions on Monday's upcoming Rock and Roll Hall of Fame inductions. Let's start with a column that ultimately addresses what a mixed blessing the Hall can be. Few music-oriented entities draw so much criticism and debate as the Rock and Roll Hall of Fame. In its 25-year history, it has inducted 165 artists into its ranks (with another five to be inducted on Monday), spurring decades-long debates about which of them
Back Tracks: James Horner
As this post is being written, the Oscars have wrapped up. Exciting, right? Of course not. The Oscars are perhaps as ridiculous as the Grammys, and usually don't have a heck of a lot to offer fans of any music in general. Perhaps this year was a bit of an exception - it was very exciting to see Michael Giacchino score his first Oscar for the excellent score to Up - but for someone raised on ultra-thematic scores such as John Williams' work for Star Wars, Jaws and others, there's usually not much
Order in the Court
The artist-specific compilation almost seems like a useless gesture in the digital age. Now that anyone can buy a song for around a dollar, there's seemingly no need to buy a CD full of singles for more than pocket change. That's simply not true, though; such discs represent more than just songs everyone loves. It's ideally the chronicle of hard-earned success within a lengthy body of work. It's sometimes a chance to visit a catalogue unified by certain musical or lyrical themes. And for
That's Why They've Done It Again (UPDATED 3/4)
A break from the usual weekend radio silence to report on a very exciting story over at Slicing Up Eyeballs: EMI's Dutch Web site has added reissues of Duran Duran's Notorious and Big Thing to their catalogue schedule. Both titles have a release date of June 7, and will ostensibly serve as companion pieces to the great, recent deluxe editions of the Duran discography (Rio and a vintage live show, Hammersmith '82, were released last fall, and 2 CD/1 DVD versions of Duran Duran, Seven and the
Reissue Theory: Novelty Edition
One of the potential hazards of being a music collector is that sometimes, if you're feeling adventurous, you spring for an all-too-dangerous impulse buy. I'm guilty of this all the time, especially when the music in question is cheap. Put me within 25 yards of a garage sale or a cutout bin at a supermarket and I'm probably going to walk away having bought at least one disc. Sometimes this strategy works out in my favor: a random purchase of Squeeze's Singles 45 and Under from my local ShopRite
Reissue Theory: Was (Not Was), "What Up Dog?"
I've got to be the only twentysomething I know that's this excited over Pick of the Litter 1980-2010, the new compilation by pop-funk band Was (Not Was). Quirky aficionados may know them for left-field, late-'80s hits like "Walk the Dinosaur" and "Spy in the House of Love." Others may know them as the band that put producers Don Was and David Was on the map (they would, either separately or together, work on such albums as Cosmic Thing by The B-52's, Nick of Time by Bonnie Raitt and Bob Dylan's
And Don't It Feel Good
Some news is coming through the pipeline that a good chunk of the Katrina and The Waves discography is being reissued in honor of the 25th anniversary of "Walking on Sunshine," their biggest U.S. hit and one of those inescapable summer anthems. There's a lot of confusion surrounding these reissues (more on that in a minute), but these look pretty interesting, especially because of the material that's being released themselves. You see, before the smash success of Katrina and the Waves, the
Reissue Theory: Terence Trent D'Arby - "Introducing the Hardline According To..."
For many, one of the most salient points of reissuing and compiling popular music is to help listeners rediscover lost gems that may have fallen into the cracks. Ordinarily, one would not consider a debut record that sold 12 million copies, spun off three Top 40 hits and won a Grammy a "lost gem." And yet, it seems that at least one record, 1987's Introducing the Hardline According to Terence Trent D'Arby, has earned such a strange distinction. Terence Trent D'Arby has always been something of
Back Tracks: The Knack
Rock fans have had some sad news to cope with today: Doug Fieger, the unmistakable lead singer for The Knack, died today after a lengthy battle with cancer. While The Knack may be seen by some as a semi-sleazy one-hit wonder (or two-hit, if you count "Good Girls Don't"), their brand of power pop was emblematic of everything the genre should be: fun, catchy and not the least bit serious. In honor of Fieger's band and their contributions to the pop-rock scene, here's a special look back at the
Back Tracks: Marvin Gaye
Our Valentine's Day weekend preparation continues with a look back at the reissue prospects of Marvin Gaye, one of the finest soul voices of the century (and, in my opinion, one of the most heartbreaking losses in popular music). It's quite interesting that Gaye's catalogue, split about 90/10 between labels (Motown and Columbia), has been well-serviced by both. Chalk it up to the fact that one of his biggest hits, "Sexual Healing," was released on the latter label in 1983. Take a look at the
The (Aggravating) Sound of The Smiths
Today was the day that U.K. fans, elated from the grassroots success of making Rage Against the Machine's "Killing in the Name" the 2009 Christmas No. 1 single, attempted to make lightning strike twice with a campaign for The Smiths' immortal "How Soon is Now?" Call me a spoilsport, but I have my doubts that the campaign is going to make the same kind of headway. The "Killing in the Name" incident was just right-place, right-time and had suitable fire underneath it (people will buy a single so