Universal's Mike Oldfield expanded remaster campaign begins with reissues of two of his more pop-friendly records: 1982's Five Miles Out and 1983's Crises, both of which will come packed with extras in September. While both albums featured their share of ambitious and complex pieces like "Taurus II" and Crises' title track, there was an increasing presence of keyboards on both albums, notably the Fairlight CMI and Oberheim OBX synthesizers. On Five Miles Out, Oldfield made rare vocal
Mary Wells, Ben E. King, Johnnie Taylor Join Kent's Celebration of "The Phillip Mitchell Songbook"
“Prince” Phillip Mitchell is in some mighty good company. The Kentucky-born singer and songwriter, who rose to prominence composing songs for deeply soulful artists including Millie Jackson and Bobby Womack, is the latest to receive a career retrospective from Ace Records’ Songwriters and Producers series. With the Ace/Kent release of Something New to Do: The Phillip Mitchell Songbook (CDKEND 394), he joins such illustrious talents as Dan Penn, Burt Bacharach, Randy Newman, Jerry Leiber and
Another Expanded "Star Trek" Score Immortalized on CD
Engage! Another film score from the Star Trek universe has been expanded on CD; this time, it's the score to 1998's Star Trek: Insurrection. The third Trek film to feature the crew of the USS Enterprise-D as featured in Star Trek: The Next Generation (although this film, like its predecessor First Contact, finds the crew manning the Enterprise-E), First Contact finds Picard, Riker and crew openly rebelling against a Starfleet plot: to help one alien race, the Son'a, steal a planet away from the
Review: Hackamore Brick, "One Kiss Leads to Another"
For the title of their 1970 album on the Kama Sutra label, the members of Hackamore Brick opined that One Kiss Leads to Another. One album clearly didn’t lead to another, though, as the four-man Brooklyn band didn’t release more music until 2009 – and even then, with only two of the founding members. Yet Hackamore Brick’s one and only record has grown in stature over the years, well-regarded in cult circles for its proto-punk, Velvet Underground-like mood. Real Gone has just reissued One Kiss
"You Came," You Saw, You Conquered: Universal U.K. Gets "Close" to Kim Wilde Classic for Its 25th Anniversary
Universal's U.K. arm will expand Kim Wilde's Close (1988) for its 25th anniversary with a two-disc set full of rare and unreleased remixes on September 2. Wilde's sixth album was her biggest success to date, a U.K. Top 10 album with four huge hits to its name in "Hey Mister Heartache" and Top 10 singles "You Came," "Never Trust a Stranger" and "Four Letter Word." (The record was a Top 20 album in the U.S., though only "You Came" charted Stateside, landing at No. 41.) Close remains one of
Wherever He Lays His Hat: Cherry Pop Collects Paul Young's "Remixes and Rarities"
For Daryl Hall, "Every Time You Go Away" might have been "the one that got away." Hall recorded his song on Hall and Oates' 1980 album Voices, where it languished as an album track in the shadow of hit singles "Kiss on My List," "You Make My Dreams," "How Does It Feel to Be Back," and "You've Lost That Lovin' Feelin'." But you can't keep a great blue-eyed soul ballad down. In 1985, Hall's composition became the centerpiece of British-born Paul Young's sophomore album The Secret of
Heart and Salsoul: BBR Reissues First Choice, Loleatta Holloway, Baker-Harris-Young and Love Committee
One could call bassist Ronnie Baker, guitarist Norman Harris and drummer Earl Young unsung heroes, but it’s not quite accurate to describe the triumvirate of musicians, songwriters, producers and arrangers as unsung. Individually or collectively, Baker, Harris and Young helmed productions by Blue Magic, The Trammps, First Choice, Ben E. King, Eddie Kendricks, The Whispers, The Persuaders, and so many more. As part of its ongoing series restoring the Salsoul Records catalogue to R&B
Review: Merry Clayton, "The Best of Merry Clayton"
Say “yes” to Merry Clayton! It takes a certain kind of talent to exercise restraint, to be able to generously support another artist while maintaining your own high standard of art, expression and individuality. That’s the story of the background singer, and the story told by director Morgan Neville in his new film 20 Feet from Stardom. Merry Clayton is seen in the film, both savoring and gently ribbing her role as the “diva” of the background singing clique – as the “lead background singer,”
Release Round-Up: Week of July 9
Merry Clayton, The Best of Merry Clayton (Ode/Legacy) Tell all the people: the singer who gave The Rolling Stones' "Gimme Shelter" its soulful grit recorded several LPs for Lou Adler's Ode label. In honor of her belated star turn in the new documentary Twenty Feet from Stardom, Legacy has released the first-ever compilation of selections from these works, including many impressive covers of the likes of The Doors, James Taylor and Neil Young. (Amazon U.S. / Amazon U.K.) Brainstorm, Journey
Have a Cuppa "Muswell Hillbillies": Deluxe Reissue of Kinks Klassic Slated for October
For The Kinks’ first album with RCA Records, Ray Davies didn’t stray too far from the style which he had perfected. Muswell Hillbillies, the band’s ninth studio album, was named after Muswell Hill, the area of North London that Davies and brother Dave once called home. Like The Kinks’ classic Village Green Preservation Society before it, Muswell concerned itself with themes relevant to British life, wryly addressing working-class conditions and the changes affecting the populace. Sanctuary
It's Good For The Soul! The Salsoul Orchestra's "Nice 'n' Naasty" Arrives In Expanded Edition
The third song on the first side of The Salsoul Orchestra's second album proclaims "It Don't Have to Be Funky (To Be a Groove)." But under the leadership of vibraphonist Vince Montana, Jr., the grooves were most certainly funky...as well as soulful, jazzy, and above all, danceable. 1976's Nice 'n' Naasty, just reissued in an expanded edition by Big Break Records, is an even more eclectic collection than its predecessor. It continues Big Break's top-flight program celebrating all aspects of
Ring Ring! ABBA's Debut Album Gets the CD/DVD Treatment This Fall
It's been four decades since Agnetha Fälksog, Benny Andersson, Björn Ulvaeus and Anni-Frid Lyngstad came together to change the face of pop music. This fall, the first album by the group the world now knows as ABBA is getting an expanded CD/DVD treatment - and those who are interested as to how the quartet came together will have a lot of bonus tracks to discover and enjoy. When the single "People Need Love" was released in 1972, it was intended as a one-off collaboration between three
Review: Big Star, "Nothing Can Hurt Me: Original Soundtrack"
The feature-length documentary Big Star: Nothing Can Hurt Me opens today at New York’s IFC Center and on Friday at Los Angeles’ Nuart Theatre. In conjunction with its release, Omnivore Recordings has recently unveiled a soundtrack album collecting 21 previously unissued songs from the legendary Memphis band. Rare is the cult band that actually lives up to its legend. Yet, with each listen - time after time, year after year - Big Star not only meets the hype, but surpasses it. Chances are, if
Trip on the Sunset Strip: Kim Fowley's "Complete Imperial Recordings" Arrive From Tune In Records
It’s never been easy to describe Kim Fowley in just a word or two. Fowley is a producer, a songwriter, an actor, a manager, a publisher, a raconteur, and a promoter – both of himself and of various other acts. Gray Newell, writing the liner notes for Tune In Records’ new Fowley anthology, adds a few more words: “musical maverick, Svengali of Sunset Strip, Son of Frankenstein, Lord of Garbage, King of the Creeps, Underground animal, rock ‘n’ roll survivor, Living Legend.” Fowley’s career has
Move It On Over: Rounder to Reissue First Two Albums by George Thorogood and The Destroyers
Even before "Bad to the Bone" solidified his place in the pop culture canon, George Thorogood was a journeyman rocker with a distinctive voice and a knack for good old-fashioned blues. This month, fans will have a chance to rediscover the earliest part of his career, when Rounder Records remasters and reissues the first two albums by George Thorogood and The Destroyers. When the Destroyers' self-titled album was released by Rounder in 1977, Thorogood was a Delaware-born guitarist making a name
Release Round-Up: Week of July 2
CHIC and Various Artists, Nile Rodgers Presents The CHIC Organization: Up All Night - The Greatest Hits (Rhino U.K.) This new double-disc compilation, featuring hits from CHIC, Sister Sledge, Debbie Harry and more, might be the best Nile Rodgers-centric compilation in its price range. (Amazon U.K. / Amazon U.S.) Blood Sweat & Tears, Rare, Rarer & Rarest / Joe Farrell Quartet, Joe Farrell Quartet / Herbie Hancock, Treasure Chest / Sha Na Na, The Night is Still Young (Wounded Bird) A
If Music Be The Food Of Love: Fleetwood Mac's "Then Play On" Joins "1969-1972" Box Set In August
For many, the story of Fleetwood Mac begins with 1975’s self-titled album. But that album, which introduced Lindsey Buckingham and Stevie Nicks to the group’s line-up, was in fact the band’s tenth. Long before locking into the L.A. pop-rock sound epitomized by “Say You Love Me” or “Over My Head,” the Mac had already experienced a number of transformations, from its blues-based roots to folk, rock and even a retro rockabilly style. On August 20, Reprise Records will revisit that early period
John Williams Welcomed to Kritzerland with Complete "Missouri Breaks" Soundtrack
In 1976, John Williams was between Oscars – for Jaws and Star Wars, to be exact. The year was filled with great film scores from the future legend – among them, Family Plot, Black Sunday and Midway. Another of his fine works during America’s bicentennial year was for Arthur Penn’s western The Missouri Breaks, headlined by Marlon Brando and Jack Nicholson. The actual score tracks heard in the United Artists picture have never been released, either on LP or CD; Williams re-recorded his
Isn't It Rich: Masterworks Broadway Reissues Sondheim's "A Little Night Music" Soundtrack, Plus Rare Monk, Coward
Where are the clowns? Following the release last month of Clownaround, one of the rarest cast recordings of all time, Masterworks Broadway is again sending in the clowns. In August, the label will deliver the long-awaited reissue of the film soundtrack to Stephen Sondheim’s A Little Night Music with Elizabeth Taylor following in the footsteps of Glynis Johns, Frank Sinatra and Judy Collins and singing “Send in the Clowns.” A Little Night Music will be expanded with previously unreleased
Intrada Readies Silvestri's "Fandango," Rare Warner TV Efforts
This week's latest releases from Intrada showcase a forgotten TV show of the '60s and an early highlight for a then-little-known 20th century composer. Fandango was, in its own way, one of the more impressive films of 1985. Directed by a first-timer (Kevin Reynolds) from the basis of his thesis film at the University of Southern California (the original of which found a fan in Steven Spielberg, whose Amblin Entertainment produced the film), the film revolved around a group of college friends
Fire In Her Heart: Madleen Kane's Disco Classic Returns From Gold Legion
Madleen Kane’s 1978 debut albums played on words for its title, Rough Diamond. But there was nothing too rough about the album’s sleek disco grooves or about the fashion model-turned-singer at its center. In 2011, the Gold Legion label reissued Rough Diamond on CD with three bonus tracks. Its follow-up, 1979’s Cheri, has just recently been given the Gold Legion treatment with one bonus cut of its own. Born in Sweden to a Swedish mother and American father, Madleen Kane found her first
Echo & The Bunnymen's Deluxe Debut Making Its Way to Vinyl
Fans of Echo & The Bunnymen might want to check out a new release from the independent Weatherbox label: a new, expanded double-vinyl pressing of the post-punk legends' debut LP Crocodiles. Met enthusiastically by critics on both sides of the Atlantic upon release, Crocodiles set the framework for what would be considered the classic sound of Echo & The Bunnymen: dark lyrics and brooding vocals from frontman Ian McCulloch, jagged string work from guitarist Will Sergeant and bassist Les
Stax, Motown, Chess Go Country with Second Volume of "Where Country Meets Soul"
Ace’s first volume of Where Country Meets Soul arrived late last year, proving that those two venerable genres intersect more often than one might think. After all, many of the most enduring records in both styles revolve around the vagaries of heartbreak, so the fine folks at Ace’s Kent imprint brought together 23 tracks from artists well-versed in the torrid ways of love: Solomon Burke (“He’ll Have to Go”), Percy Sledge (“Take Time to Know Her”), Clarence Carter (“Set Me Free”), Esther
Review: The Three O'Clock, "The Hidden World Revealed"
Could it be time, once again, for The Three O’Clock? The California group took its place alongside the likes of The Bangles and Dream Syndicate as part of the “Paisley Underground” movement of eighties rockers who looked to the sixties’ psychedelic pop and folk-rock scenes for inspiration. In fact, the band’s bassist/lead vocalist Michael Quercio is said to have even coined that evocative name. Between 1982 and 1988, The Three O’Clock recorded one LP for Frontier Records, two for I.R.S., and
"Windy: A Ruthann Friedman Songbook" Explores The Solo Side of The Songwriter
A look at the intense visage of Ruthann Friedman on the cover photograph of Now Sounds’ Windy: A Ruthann Friedman Songbook reveals those “stormy eyes that flash at the sound of lies,” but a listen to the sounds within shows the artist spreading her “wings to fly above the clouds.” For here is an entire disc’s worth of never-before-heard pop nuggets, crafted with a delicacy and beauty to match that photo. Windy, of course, is so named, of course, for The Association’s 1967 No. 1 hit penned by
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