Thirty-six years ago, principal photography began on Steven Spielberg's masterpiece E.T. The Extra-Terrestrial. It's incredibly fitting, then, that The Second Disc can exclusively share details on La-La Land Records' definitive new expansion of John Williams' timeless, award-winning score to the film, prepared in honor of the film's 35th anniversary. "He is afraid. He is totally alone. He is 3,000,000 light years from home." So announced the first posters for E.T., Spielberg's seventh feature
A Second Disc Encore: July 4 Special Reissue Theory: "1776: Original Motion Picture Soundtrack"
Happy 4th of July! Welcome to another installment of Reissue Theory, where we take a look back at notable albums and the reissues they could someday see. In 1969, a Broadway musical about a most unlikely subject became the toast of New York. Three years later, a movie mogul in the twilight of his years shepherded it to the big screen, and while the film has lived on, its soundtrack album has all but disappeared. Today's Reissue Theory, pulled from The Second Disc archives, imagines a
Real Gone "Goes Crazy" With December Releases From The Dictators, Nat King Cole, King Curtis, More
Real Gone Music has just announced its December release slate, and the label is closing out 2015 with as dizzyingly eclectic a line-up as ever - from the proto-punk clamor of The Dictators to the velvet vocals of Nat "King" Cole. Real Gone previews its December 4 offerings on Record Store Day - Black Friday, November 27, with a special 10" EP from The Dictators featuring previously unreleased tracks unavailable anywhere else! Then, the following week comes an expanded edition of the band's The
Real Gone's July Features Complete Ronny and the Daytonas Plus New Riders, Fanny, Grateful Dead, More
Summer is just around the corner, but Real Gone Music isn't taking a vacation! The label has just announced its June 30 - July 10 slate of releases! If you just can't wait to roll down the windows and crank the car stereo up, you'd be hard-pressed to find more appropriate music than the complete recordings of Ronny and the Daytonas ("G.T.O.") ! And to coincide with the summer's most in-demand concert ticket, Real Gone has another volume of live rarities from Grateful Dead. The Dead has been
Holiday Gift Guide Review: The Who, "Tommy: Super Deluxe Edition"
The opening chords of The Who’s Tommy may be among the most famous in all of rock. By the time the horns kicked in, around the forty-second mark, it was already clear that this double-album wasn’t business as usual for the heavy mod-rockers. In fact, the melodic, thunderous, commanding piece of music that opened the 1969 album sounded a bit like the overture to a Broadway musical, weaving together themes that would follow. Thirty-four years later, it would become one. By the time The Who’s
INTERVIEW: Excavating Jem with Marty Scott
The list of American cities tied to record labels is small, but certainly notable. Memphis has Stax and Sun, Detroit is defined by Motown, Sub Pop defined the Seattle sound...and then there's Jem Records, which made its home in the middle-class borough of South Plainfield, New Jersey. Jem, as well as its sub-labels like Passport (a joint venture with Seymour Stein of Sire Records) and PVC, became something of a cratedigger's dream in the 1970s and 1980s, licensing content from all over the
A Star Beyond Time: Talking "Trek" with Mike Matessino, Part 2
Captain's log, Stardate 2012.614. When last we left the crew of the starship Second Disc, they were interviewing renowned soundtrack producer Mike Matessino, whose work on La-La Land's triple-disc expansion of Jerry Goldsmith's score to Star Trek: The Motion Picture may be the most vivacious and definitive single soundtrack presentation in a career brimming with many projects. Our interview with Matessino was lengthy, and the two-hour interview was bound to take up more than one post. Why the
Pink Floyd, Beatles, Nirvana, Doors Lead Off Record Store Day Exclusives On "Black Friday"
For those of us who still savor the experience of shopping in a physical environment, Record Store Day has become a yearly tradition. It’s sometimes frustrating and sometimes exciting, but few could argue with an event that spotlights the hard-working independent music retailers out there who believe that brick-and-mortar retail can still thrive in the iTunes era. (Amen to that!) A more recent offshoot of Record Store Day has been the mini-event held each Black Friday, or the day after
July 4 Special Reissue Theory: "1776: Original Motion Picture Soundtrack"
Happy 4th of July! Welcome to another installment of Reissue Theory, where we take a look back at notable albums and the reissues they could someday see. In 1969, a Broadway musical about a most unlikely subject became the toast of New York. Three years later, a movie mogul in the twilight of his years shepherded it to the big screen, and while the film has lived on, its soundtrack album has all but disappeared. Today's Reissue Theory, pulled from The Second Disc archives, imagines a
The Box is Out There: "X-Files" Compilation Due Today from La-La Land
UPDATE: This set's now ready to ship. Order here and hit the jump for the track list. ORIGINAL POST: Just a quick reminder that today, after months and months of anticipation from the soundtrack community, La-La Land Records will release the first-ever box set of music from the popular sci-fi series The X-Files. From 1993 to 2002, composer Mark Snow was the go-to composer for the hit FOX series starring Gillian Anderson and David Duchovny as two FBI agents following a myriad of paranormal
Friday Feature: "Casino Royale" (1967, 2006)
"The dry riffle of the cards and the soft whirr of the roulette wheel, the sharp call of the croupiers and the feverish mutter of a crowded casino hide the thick voice at Bond's ear which says, 'I will count up to ten.'" So read the blurb on the jacket of the original printing of Ian Fleming's 1953 novel Casino Royale, which introduced Agent 007 to the world. Fleming's novel set the tone for those that followed, introducing the "Bond girl" (Vesper Lynd), the larger-than-life villain (Le Chiffre,
La La Land's Year-End Releases Are a Really Big Deal
It's not Hook, but La La Land Records has another title of John Williams' from the same part of the alphabet in their last batch, as well as several other hotly-requested titles from some of the most beloved composers of the modern age. A full rundown is after the jump!
The Second Disc Interview #3: What's Happening "Now" with Steve Stanley!
The music may be then, but the place to be is undoubtedly Now. By that, of course, I mean Now Sounds. Launched in 2007 by Steve Stanley, the producer of over 50 titles for the Rev-Ola label, Now Sounds celebrates the rich and varied melodies created between 1964 and 1972, though the label isn't limited to that period. A labor of love for its founder, Now Sounds has established itself as the go-to label for fans of this golden era of both songwriting and record production. We've seen a career
Back Tracks: Michael Jackson's Video HIStory
It pains me to report on unsubstantiated news from the reissue world, but this one needs to be addressed in some way: TMZ reported last weekend that Sony was prepping a compilation of Michael Jackson's music videos (allegedly titled Vision) for the Christmas rush. Yeah, it's TMZ, not a known source of catalogue info, but they did prove their mettle in covering Michael Jackson's death (for better or for worse), so let's at least serve the news to you with more than a dash of salt. But let's say,
Back Tracks: Barry Manilow, Part 1 (1973-1984)
Where Barry Manilow is concerned, it's best to let the facts speak for themselves. A Grammy, Emmy and Tony Award winner, Manilow scored his first Billboard No. 1 album in 1977, his most recent in 2006. His string of hit singles extended from 1974's chart-topping "Mandy" to 1983's Top 20 "Read 'Em and Weep," with 38 songs hitting the Top 40. He's recorded over 25 studio albums and released countless more live discs, compilations and soundtracks, and regularly plays to sell-out houses after over
Reissue Theory: More Novelties
It's almost the weekend, which hopefully means for you, the reader, a few days of fun and frolic. To that end, let's get the fun started early with a few particularly goofy Reissue Theory novelties. One is a one-hit wonder who managed to combine New Wave and a slightly older generation of music, and the other is an inexplicably house-oriented companion piece to a popular video game. Bet you won't find that combination anywhere else on the Internet today! Hit the jump to see which red-letter
Back Tracks: Squeeze
If The Second Disc has any European readers, allow me to express my intense jealousy that Squeeze, one of the best British pop bands I can name, is embarking on a tour in your neck of the woods later in the year. It pleases me that Squeeze is not an unknown entity in the United States (the first Squeeze concert I partook in, at Radio CityMusic Hall in 2008, looked pretty sold out), but ask any casual or younger music fan and you'll likely get blank stares. This may change if you sing a few bars
They Were the World
In the near-25 years since Live Aid made music history on two continents, it's safe to argue that charity rock music has never quite been the same. (Of course, others -Morrissey, for instance - have never liked charity rock from the outset.) But critics, audiences and especially performers have changed since those fateful concerts. Nowadays, the efforts seem a bit more forced, whether they're high-profile (Live 8, Live Earth), or relatively obscure (Band Aid II, Band Aid 20, Hear 'N Aid). As a