Omnivore Recordings' celebration of '80s indie band Game Theory continues on March 20 with Across The Barrier of Sound: Postscript. The critically acclaimed group gained legions of fans over the years with '60s and '70s pop influences and a post-punk edge. Their classic 1982-1988 albums have already been given the Omnivore treatment, and now the label is turning the spotlight toward a clutch of sessions recorded in 1989-90 by a revamped Game Theory lineup. For that short time, bandleader
CONGRATULATIONS! The following five entrants have won the brand-new red vinyl LP Real Nighttime, and also an original vintage 1980s flexidisc from GAME THEORY and OMNIVORE RECORDINGS! If you entered our contest and your name is on the list below, please drop us a line at theseconddisc-at-gmail-dot-com or a Private Message on Facebook: Jeffrey Rosen Mark Nielsen Cole Smith Tim Vogt Randall Paske If you didn't win, this amazing, extremely limited bundle is still available to purchase
Here at Second Disc HQ, spring can’t come fast enough – but leave it to our friends at Omnivore Recordings to help us beat the winter blues with a giveaway you won’t want to miss! Today, Omnivore continues its celebration of the late Scott Miller’s band Game Theory with a 30th anniversary reissue of Real Nighttime, produced by Mitch Easter (R.E.M.) on expanded CD and a limited edition red vinyl LP of the original album with a download card of the entire expanded CD program! To make it even
This week's Release Round-Up has box sets and deluxe editions a-plenty... The Pretty Things, Bouquets from a Cloudy Sky (Snapper) (Amazon U.S. / Amazon U.K.) This box set is much in the style of last year's Small Faces set Here Come the Nice, and contains 11 studio albums on CD with 42 bonus tracks, two rarities CDs with 45 previously unreleased tracks, 2 DVDs including a new documentary by Reelin' in the Years Productions, a 10-inch replica acetate disc, posters, an art print, and a
There’s something about power pop. In this era of EDM and songwriting-by-committee (not that there’s anything wrong with that – is there?), there’s still something about a couple of guys armed with little but guitars, harmonies, and their own imaginations, driven to create a joyful noise. In this era when radio is dominated by music that can’t be duplicated onstage without benefit of technology, there’s something about the thought of musicians just plugging in and getting