It's time for another installment of our 100 Greatest Reissues list, taking Rolling Stone's list of the greatest albums of all time and investigating their many pressings and expansions as the catalogue industry has grown. Today, enjoy selections from three of the most beloved bands of all time, a pioneer in the blues field and our first selection, a singer/songwriter extraordinaire who proved that rock is not just for the guys. 30. Joni Mitchell, Blue (Reprise, 1971) To read the entries
Our look at the many reissues of the 100 greatest albums of all time, as selected by Rolling Stone in 2003, soldiers on! We look at the masterings and expansions of these classic albums on disc, letting you know which audio treasures can be found on which releases. Today's a full house of rock royalty, with a Piano Man, a King of Pop, a soul legend and two albums by Led Zeppelin! 70. Led Zeppelin, Physical Graffiti (Swan Song, 1975) Led Zeppelin's sixth album could've easily not happened had
The hits just keep on coming! The latest part of our TSD Buyers Guide, which counts the reissues of the albums in Rolling Stone's 100 greatest albums of all time (as selected in 2003), features some classic hard rock and soul and a lot of CD pressings (if not as many bonus tracks in this batch). We begin below with one of the heaviest albums of all time! 75. Led Zeppelin, Led Zeppelin II (Atlantic, 1969) Led Zeppelin II is arguably the band's heaviest and rawest work in studio, in part
Twenty-six years ago today, on two different continents, the music world came together for a worthy cause: to raise awareness of famine in Ethiopia. Live Aid, a pair of concerts organized by Bob Geldof in London and Philadelphia on July 13, 1985 and broadcasted live on the BBC, ABC and MTV, was seen in person by some 172,000 people and on television by nearly 2 billion across the globe. And, if you can believe it, none of it has ever been released on LP or CD. Granted, it's not entirely
Thank you, Cameron Crowe. You had me at "hello." You cost me plenty, but my record collection has long been grateful for the education! The integration of popular song and cinema has been around as long as the talking film itself, since the day Al Jolson prefaced his performance of "Toot, Toot, Tootsie (Goodbye)" with the epochal dialogue "Wait a minute, wait a minute, you ain't heard nothin' yet!" These lines from 1927's The Jazz Singer, the first feature-length "talkie" in which