Today, 1619 Broadway in the heart of New York City’s theatre district doesn’t particularly stand out. Despite the building’s ornate façade, 1619 appears to be just another office building on a busy thoroughfare populated with every kind of attention-grabbing signage. But this building – along with its neighbor to the north, 1650 Broadway – is as much a part of rock and roll history as Sun Studios or Abbey Road. 1650 is the one and only Brill Building, incubator to some of the finest songs in
Long before CSI, there was Dragnet. The granddaddy of the television procedural drama, Dragnet actually began on radio in 1949, moving to television in 1951, where it has remained a staple ever since in both repeats and revivals. So it’s appropriate that the ominous theme to Dragnet both opens and closes Ace’s rip-roaring new compilation, Criminal Records, subtitled “Law, Disorder and the Pursuit of Vinyl Justice.” Between Ray Anthony’s treatment of that famous theme and Stan Freberg’s