It's What's Happening, Baby! That's the name of the 1965 television special hosted by influential New York disk jockey Murray Kaufman, a.k.a. Murray The K. Over the course of 90 minutes, the jocular, hep-talking Murray (who christened himself The Fifth Beatle as an early friend and supporter of the Fab Four) shared musical performances by the day's biggest pop and soul acts including The Supremes, Dionne Warwick, Ray Charles, The Righteous Brothers, The Miracles, Marvin Gaye, Johnny Rivers,
Welcome to this week's Release Round-Up! Laura Nyro, More Than a New Discovery [Limited Violet Vinyl Mono Edition] (Second Disc Records/Real Gone Music) (Amazon U.S. / Amazon U.K. / Amazon Canada) Today's the day! We're so proud to reissue, for the first time ever on vinyl (and in homage to the artist's favorite color), Laura Nyro's 1967 debut More Than a New Discovery in a violet vinyl limited edition of 1,250 copies. This edition features the original, long out-of-print (and
Here comes the night…again! Even if you don’t know the name of Bert Berns, chances are you know the songs he wrote (“Twist and Shout,” “I Want Candy,” “Hang On, Sloopy,” “Piece of My Heart”), produced (“Under the Boardwalk,” “Baby I’m Yours,” “Brown-Eyed Girl,” “Here Comes the Night”) and oversaw as head of Bang Records (“Cherry, Cherry,” “Solitary Man” and the rest of Neil Diamond’s earliest recordings). Though Berns died in the final days of 1967 at just 38 years of age, a year hasn’t gone by
In retrospect, it might be telling that Burt Bacharach’s first recorded song, “Once in a Blue Moon,” was cut in 1952 by Nat “King” Cole. From those earliest days, Bacharach and his lyrical partner Hal David saw their songs recorded by a host of African-American artists: Johnny Mathis, Gene McDaniels, Joe Williams, Lena Horne, and Etta James among them. Once the duo began to change the sound of American music with their ultra-cool, sophisticated pop-soul compositions, those songs were most
Today, 1619 Broadway in the heart of New York City’s theatre district doesn’t particularly stand out. Despite the building’s ornate façade, 1619 appears to be just another office building on a busy thoroughfare populated with every kind of attention-grabbing signage. But this building – along with its neighbor to the north, 1650 Broadway – is as much a part of rock and roll history as Sun Studios or Abbey Road. 1650 is the one and only Brill Building, incubator to some of the finest songs in
Occasionally the aisles of your local grocery or big-box store turn up releases you won’t find even in your local indie music store. Such is the case with a recent batch of holiday-themed titles from Sony Commercial Music Group. Just in time for Christmas ’13, CMG has unveiled a number of holiday compilations – and a handful of straight album reissues – for fans of classic pop (Bing Crosby, Patti Page), country (B.J. Thomas, Buck Owens, Roy Clark), rock-and-roll (Elvis Presley) and R&B
In his 85th year, Burt Bacharach has kept a pace that would wear out many a younger man. In addition to performing a number of concert engagements, the Oscar, Grammy and Gershwin Prize-winning composer has released a memoir, continued work on three musical theatre projects, co-written songs with Bernie Taupin and J.D. Souther, and even penned a melody for Japanese singer Ringo Sheena. Though Bacharach keeps moving forward, numerous releases this year have looked back on his illustrious
For the inaugural release of his new Cherry Red imprint Croydon Municipal, Saint Etienne’s Bob Stanley has curated a collection of Songs for a Central Park Picnic. Songwriter/producer Stanley’s label is an extension of his Croydon Municipal blog, in which he holds forth on subjects as diverse as Barbra Streisand and Barry Gibb’s Guilty, the evolution of Britpop, and the fortunes of HMV. Like Stanley’s blog, his new CD compilation reflects his eclectic musical passions. Saint Etienne Presents
1964 will forever be remembered on American shores as the year of Beatlemania, when those four moptops from Liverpool led the British Invasion to the top of the pop charts. That tale has been chronicled many times, but one of the most recent releases from U.K.-based label Ace tells the story of the year's American Invasion - via the American records imported to London on the London American label. This latest volume in the long-running series (which now features an entry for each year between
Born to Be Together: could a more apropos title have been devised for a collection of the songs of Barry Mann and Cynthia Weil? Married since 1961, the team both defines and defies the phrase “unsung heroes.” Without hit records as recording artists, Mann and Weil have never had the name recognition of their Brill Building-era compatriots like Carole King or Neil Sedaka, but these Grammy Award-winning Rock and Roll Hall of Famers are hardly unsung. If all they’d ever written was the most
Did any label impact the taste of record-buyers in the United Kingdom in the early rock-and-roll era than that of London? Ace Records has been chronicling the activities of the London American label on a series of definitive releases culling the best of the label's 45s from one given year. Previous volumes have covered every year between 1957 and 1963, and for the most recent addition to the series, Ace has turned the clock back to 1956. In that year, London's output included American singles
If you're a British compilation hunter or fan of imports, it's tough to go wrong with Demon Music Group's Music Club Deluxe label. The relatively inexpensive double-disc sets the label turns out might look simple or quickly assembled, but they're in fact often packed with a few rarities for your buck. In recent weeks, Music Club Deluxe has issued a half-dozen compilations, all for '80s pop/rock artists. You likely know their hits, but there are some great album cuts, B-sides and remixes to go
After a terrifically eclectic volume dedicated to the hits, misses and everything in between of 1963, Ace’s London American Label turns the clock back to the early days of rock and roll via the pioneering British imprint. The London American Label: 1958, the sixth volume of the series, similarly offers something for everyone. Unlike so many other British labels mining this period thanks to public domain law, Ace licenses each and every track from the current copyright owners and remasters them