Stacy Lattisaw was just twelve years old when she made her major label debut on Atlantic Records' Cotillion imprint with Young and in Love. The Washington, DC native with the pure, effervescent voice stayed at Cotillion for seven albums, maturing with each successive set. Now, her discography for the label has been collected on Cherry Red/Robinsongs' new 7-CD box set The Cotillion Years 1979-1985 featuring all seven albums plus selected bonus tracks. One of the final projects produced by
Meanwhile Back at the Ranch: Omnivore Reissues Three from Buck Owens Including "(It's A) Monster's Holiday"
Tomorrow, October 29, Omnivore Recordings will release the final three titles in its current Buck Owens reissue campaign in which nine long out-of-print Capitol albums from the late Bakersfield troubadour are making their debut on standalone CD. 1973's In the Palm of Your Hand was a comeback of sorts for Owens. While his profile was arguably higher than ever thanks to television's Hee Haw, he had failed to make the top of the Billboard Country Singles Chart since late 1969 - this, after
Flash, Bang, Wallop! Stage Door Reissues "Half a Sixpence" Studio Cast Recording featuring "Doctor Who" Veterans
The tuneful 1963 musical comedy Half a Sixpence was an instant sensation in London's West End, inspiring a subsequent Broadway production and big-screen adaptation. A musical version of H.G. Wells' novel Kipps, Half a Sixpence featured music and lyrics by David Heneker and book by Beverley Cross. It opened with Tommy Steele as Arthur Kipps, successfully transforming the pop idol into a theatrical star. In recent years, the show enjoyed a hit revival in London starring Charlie Stemp (Mary
The Beatles "Get Back" In New Hardcover Book Chronicling the "Let It Be" Sessions
A book about a film about an album? The new coffee table book from Callaway Arts and Entertainment and Apple Corps, The Beatles: Get Back, is essentially that: a hardcover, 240-page tome based on the film footage shot in the buildup to The Beatles' final album, 1970's Let It Be. Get Back was, of course, the name of the first version of Let It Be. It's also the name of director Peter Jackson's upcoming three-part, six-hour documentary (the first part of which premieres November 25 on the
High As The Mountains: Omnivore Collects Buck Owens and Susan Raye on "Together Again"
On October 29, Omnivore Recordings concludes its current reissue program of nine never-on-standalone-CD albums from Buck Owens with reissues of In the Palm of Your Hand, Ain't It Amazing, Gracie, and It's a Monster's Holiday. (Watch this space for more coverage of that trio soon!) But happily, the label is far from done with the Owens oeuvre. On December 10, Omnivore will release Buck Owens and Susan Raye's Together Again, a new 22-track compendium of duet and solo cuts originally issued
Life Is A Carnival: The Band Reissues, Remixes, Expands "Cahoots" For December Box Set Release
The Band and Capitol/UMe are in Cahoots for a deluxe 50th anniversary reissue of the group's fourth studio album. On December 10, a remixed and remastered Cahoots will arrive in various formats including a Super Deluxe 2CD/BD/LP/7-inch vinyl box set, 2CD, 180-gram half-speed-mastered black vinyl, limited edition vinyl, and digital download/streaming. All of these formats have been overseen by Robbie Robertson and feature a new mix of the original album by Bob Clearmountain from the original
The World Gets Better with Love: Cherry Red, 7Ts Collect White Plains' Discography
There have long been many misconceptions about White Plains, the British harmony-pop group most famous for "My Baby Loves Lovin'." Foremost among those misconceptions: White Plains wasn't a real band. (Truth: It was, despite its unorthodox origins, and had four consistent members between 1970 and 1974.) Another one: White Plains was a one-hit wonder. (Truth: the group scored five U.K. hits and a pair in the U.S., too.) White Plains was a vehicle for the ubiquitous voice of session singer Tony
Fly Me to the Moon: Vinyl Me, Please Chronicles "The Story of Quincy Jones" on New Anthology Box Set
Following the recent announcement of an Anthology box set for the Philadelphia International Records, record club Vinyl Me, Please has turned its attention to one of music's most famous multi-hyphenate talents: Quincy Jones. The multi-instrumentalist-composer-producer-arranger-conductor's credits are too numerous to mention, but VMP's Anthology - due in January 2022 - provides a career overview bookended by two of his most acclaimed jazz recordings. The 12-LP box set The Story of Quincy
Review: Bob Dylan, "Springtime in New York: The Bootleg Series Vol. 16 (1980-1985)"
Señor, señor/Can you tell me where we're headin'? Only Bob Dylan knew where he was headin'. In the fall of 1980, when Springtime in New York: The Bootleg Series Vol. 16 (1980-1985) opens, Dylan was two-thirds into his so-called "Christian trilogy" comprising Slow Train Coming (1979), Saved (1980), and Shot of Love (1981). He had wrapped up a fiery tour on May 21, 1980 in which he only performed his gospel material. Audiences and critics alike were divided on Dylan's immersion into
Sleigh Bells Ring: Michael Bublé's "Christmas" Gets Super Deluxe Expansion for 10th Anniversary
Just months after the February 2003 debut of Michael Bublé's first studio album for Reprise Records, the Canadian crooner released an EP of Christmas music. Let It Snow! reinforced the young artist's connection to the great vocalists who had inspired him as it featured such classics as "White Christmas," "The Christmas Song," and the Jule Styne/Sammy Cahn-penned title track. Eight years later, Bublé finally released a full-length seasonal set. 2011's simply-entitled Christmas, his fifth album
Joy to the World: "New" Nat "King" Cole Christmas Album Coming with Johnny Mathis, Gloria Estefan, John Legend Duets
Although he's one of the voices most closely associated with Christmas, Nat "King" Cole only recorded one full-length Christmas LP in his lifetime. Now, Capitol Records and UMe are out to change that with a "new" yuletide album from the legendary vocalist who died in 1965 at just 45 years of age. A Sentimental Christmas with Nat "King" Cole and Friends: Cole Classics Reimagined arrives October 29 on CD, vinyl, and digital platforms. In addition to reorchestrated solo performances, the album
Three Cheers and Dammit, C'est La Vie: Eartha Kitt's "I'm Still Here" and "Live in London" Reissued by Cherry Red
Good times and bum times, I've seen them all and my dear, I'm still here... Eartha Kitt certainly earned the right to sing those famous lyrics by Stephen Sondheim. The theatrical legend wrote the song for Yvonne DeCarlo to introduce in the 1971 Broadway production of Follies, but the seen-it-all anthem was later adopted by artists including Barbra Streisand, Carol Burnett, Elaine Stritch, Judy Collins, Dame Shirley Bassey, Cleo Laine, and Ann Miller. Kitt - a singer, dancer, actress,
You Make My Day: Omnivore Collects Trini Lopez's "Rare Reprise Singles"
Singer-guitarist Trini Lopez, Texas-born and of Mexican descent, skyrocketed to fame with his 1963 recording of Pete Seeger's "If I Had a Hammer." Lopez's bright and spirited rendition of the protest song went to No. 3 on the Billboard Hot 100 and even eclipsed Peter, Paul, and Mary's Grammy-winning top ten hit of one year earlier. It launched Lopez to a successful career as an all-around entertainer, television and film actor, and prolific recording artist. "If I Had a Hammer" came to disc
Welcome to My World: Burt Bacharach and Steven Sater's "Some Lovers" Features Jennifer Holliday, Kristin Chenoweth, Auli'i Cravalho, More
"Burt Bacharach's patented songwriting style is on luxurious display in Some Lovers, the new musical he wrote with Steven Sater, one of the creators of Spring Awakening," wrote The Los Angeles Times upon the musical's 2011 premiere at San Diego's Old Globe. "Octogenarian composer Bacharach brings youthful freshness to the project," opined Variety. "[Some Lovers] is packed with nearly 20 new songs by pop virtuoso Burt Bacharach," offered The San Diego Union-Tribune, "and in theater it doesn't
Do the Dance Now: Cherry Red, Esoteric Reissue Cult Favorites from Colin Scot, "English" Gypsy
Today, we're looking at two recent sets from the vaults of United Artists Records courtesy of Cherry Red's Esoteric Recordings imprint. Singer-songwriter Colin Scot (1941-1999) only recorded three albums in his too-short lifetime. While none of them dented the charts, all three revealed a talented singer-songwriter in the folk-rock vein. Esoteric has reissued Scot's first LP, from 1971, in an expanded edition that's actually a repress of the 2006 release on the Eclectic Discs label. In
Let Me Hear Your Body Talk: Olivia Newton-John's "Physical" Goes Deluxe For Its 40th Anniversary
For years, fans have clamored for expanded reissues from Olivia Newton-John's rich discography. Now, those wishes are about to be answered as a catalogue campaign begins for the pop queen with a 40th anniversary 2CD/DVD set of 1981's multi-platinum Physical. It arrives on October 22 from Green Hill, the label arm of publishing powerhouse Primary Wave which partnered with Newton-John in 2020 for a deal encompassing both masters and publishing rights. When Newton-John's character of Sandy
Hold On My Heart: Genesis Looks Back On Tour Companion Collection "The Last Domino?"
On November 15, Phil Collins, Tony Banks, and Mike Rutherford are planning to take the stage at Chicago's United Center as Genesis to launch the band's first North American tour since 2007. (The European leg kicked off in September.) The tour is entitled The Last Domino? (note the question mark), and four days after its debut, Rhino in the U.S. and Virgin/UMC in the U.K. will release a companion collection. The Last Domino?, the album, is due on November 19 and will offer 27 tracks, including
Sweets for My Sweet: Cherry Red, SoulMusic Collect The Sweet Inspirations' Atlantic Recordings on "Let It Be Me"
In its 1960s heyday, Atlantic Records was the destination for deeply-felt soul. Aretha Franklin, Dusty Springfield, Solomon Burke, and Wilson Pickett were just a handful of the artists there who defined the sound of soul music. Lesser-known but no less significant were The Sweet Inspirations. Today, the vocal quartet might be best-remembered as Elvis Presley's preferred onstage backup group, but The King was just one of a staggering number of artists they supported - including the
Your Turn to Drive: Two David Bowie Boxes, Including Expanded 'Toy,' Announced
Almost two weeks ago, Warner Music Group announced the agreement that will unite David Bowie's 2000-2016 recordings with the 1968-1999 catalogue already under the Warner umbrella. The same announcement confirmed the resumption of the series of career-spanning Era box sets. Now, it's been revealed that the fifth Era box, Brilliant Adventure (1992-2001), will arrive via Parlophone on November 26. In addition to five remastered studio albums, a live concert, and three discs of rarities, the
A Million Stars: Vinyl Me, Please Teams with Aloha Got Soul for Hawaiian Classics from Mackey Feary Band, Eddie Suzuki and New Hawaii
"Grin, even when you're at your lowest, grin," implores Mackey Feary on the opening track of his 1978 solo album Mackey Feary Band. "You're Young" is all sun and breeze, making it near-impossible to suppress the requested grin. It's languid yet funky, with shimmering guitars, wending saxophone, and sweet female background voices adding to the luster. As a founding member of Kalapana, Feary had been at the vanguard of Hawaiian pop in the 1970s; alongside such artists as Cecilio and Kapono and
Sweet Dream: Jethro Tull's 'Benefit' Gets 50th Anniversary Remix, Expansion
With 1970's Benefit, Jethro Tull continued to refine their sound. The blues/jazz fusion of the band's debut This Was had already ceded to a more eclectic style on Stand Up; Benefit would edge Tull towards riff-rock while still maintaining the folk and jazz touchstones that set the band apart. Benefit ultimately became a best-seller, setting the stage for 1971's Aqualung and the even greater international successes that followed. In 2013, Benefit was expanded as a 2CD/DVD set featuring new
Waiting for the Man: Soundtrack for Todd Haynes' Velvet Underground Film Due in October
Director Todd Haynes has long emphasized music in his filmography. One of his first works to garner significant attention was 1987's controversial and unauthorized Superstar: The Karen Carpenter Story; four years later, his evocation of the glam rock era in Velvet Goldmine made more commercial waves. More recently, he's been attached to direct Michelle Williams in the forthcoming Peggy Lee biopic Fever. But before Haynes tackles Peggy, he's returning to a different Velvet: The Velvet
Direct from Hollywood: Frank Zappa's "200 Motels" Turns 50, Goes Super Deluxe
1971 was a banner year for cinema with such all-time classics as The French Connection, A Clockwork Orange, Carnal Knowledge, The Last Picture Show, and Shaft. The highest-grossing film of the year in North America was United Artists' Fiddler on the Roof. But Fiddler wasn't the studio's only musical of the year. Mere days before the Broadway adaptation hit cinemas, UA opened one of the most wild, inventive, outré, and unhinged films of the year: 200 Motels. Written, co-directed, and composed
Morning Has Broken: Cat Stevens' "Teaser and the Firecat" Goes Super Deluxe in November
In 1971, Cat Stevens, a.k.a. Yusuf Islam, built upon the success of his first two albums for Island Records (U.K.) and A&M Records (U.S.) with Teaser and the Firecat. Featuring three of the singer-songwriter's most beloved songs - "Peace Train," "Moonshadow," and an adaptation of the hymn "Morning Has Broken" - Teaser became his first U.K. and U.S. top five chart entry, reaching No. 2 on both charts. Following last year's 50th anniversary deluxe reissues of Mona Bone Jakon and Tea for the
Stop Your Sobbing: Rhino Expands First Two Pretenders Albums for 40th Anniversary
They may have called themselves The Pretenders, but Chrissie Hynde, James Honeyman-Scott, Pete Farndon, and Martin Chambers were as authentic as they come. The four-piece rock combo fused American and British styles (Hynde was the American émigré; the other three were British), bringing the swagger of punk to the craft of classic rock. The Pretenders' hip, seemingly effortless sound was crystallized on the band's first two records (not incidentally, the only two records with the original
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