"They reached out and touched me as no other group has ever done," Dusty Springfield proclaimed in the original liner notes to the debut LP from Liverpool group Arrival. "They sing with joy, sadness, and wit, and as you listen, they'll reach out and touch you." Arrival touched U.K. listeners to the tune of two hit singles in 1970: a cover of Terry Reid's "Friends" (No. 8) and an original song entitled "I Will Survive" (No. 16). But that was it for Arrival's chart successes, and their two LPs
Sacred Songs: New Anthology Highights the Solo Side of Daryl Hall
Daryl Hall would have every reason to rest on his laurels when not writing, recording, or touring with John Oates in the most successful pop-rock duo of all time. But the Pennsylvania native has always pursued other outlets for his outpouring of creativity. He's collaborated with artists from Robert Fripp to Diana Ross, released five acclaimed solo studio albums between 1980's Sacred Songs and 2011's Laughing Down Crying, and launched the hugely popular Live from Daryl's House series, in which
Heartaches By The Number: Morello Reissues Four 1960s Waylon Jennings Albums on Two CDs
When Waylon Jennings passed away in 2002, he was rightfully hailed as one of country music's first true "Outlaws" alongside such artists and fellow Highwaymen as Johnny Cash, Willie Nelson, and Kris Kristofferson. But Jennings paid his dues on the Nashville scene before "crossing over" to superstardom with such landmark records as Dreaming My Dreams (1975), Are You Ready for the Country (1976), Ol' Waylon (1977), and I've Always Been Crazy (1978). Cherry Red's country-focused Morello label has
Ballad of the Garment Trade: Stage Door Expands Streisand Debut "I Can Get It For You Wholesale"
Today, Harold Rome and Jerome Weidman's 1962 Broadway musical I Can Get It for You Wholesale is best-remembered as the debut of Barbra Streisand. The then-teenaged star portrayed secretary Yetta Tessye Marmelstein, best known as "Miss Marmelstein," and stopped the show nightly with the song of that name. "The evening's find is Barbra Streisand," wrote Howard Taubman in The New York Times, "a girl with an oafish expression, a loud, irascible voice, and an arpeggiated laugh. Miss Streisand is a
The Clouseau Museum: Quartet Collects Henry Mancini's Final Three "Pink Panther" Scores in New Box
Quartet Records closed out 2021 with an impressive slate of soundtracks from some of the most legendary names in film score history, including Henry Mancini, John Barry, Ennio Morricone, and Nino Rota. Today, we're spotlighting the 3-CD box dedicated to Mancini's final Pink Panther scores. The Pink Panther: The Final Chapters Collection gave full due to the final three scores composed by Henry Mancini in writer-director Blake Edwards' long-running series of comedies. The deluxe 3-CD
I Loved You The First Time I Saw You: Run Out Groove Reissues, Expands Randy Newman's "Good Old Boys"
Randy Newman turned the notion of the singer-songwriter as a "confessional" troubadour on its ear. If his songs were confessions, they most often were confessions of characters whose initials were not R.N.; while his songs were certainly personal, they touched less on his own life than on the lives of others, all exquisitely rendered with sharp observation and scathing wit. Newman's songwriting reached a new level of maturity with 1972's gorgeous Sail Away, offering a host of disparate gems
Tears Began to Fall: New Box Set Chronicles Frank Zappa and The Mothers' 1971 Fillmore East Shows, Final London Concert
In a masterstroke of understatement, Frank Zappa and The Mothers proclaimed themselves to be Just Another Band from L.A. on a 1972 album of the same title. Of course, The Mothers were never just another band, but this particular iteration - featuring former Turtles vocalists Flo and Eddie (Mark Volman and Howard Kaylan) and bassist Jim Pons, drummer Aynsley Dunbar, keyboardist Don Preston, and multi-instrumentalist Ian Underwood - was one of the most memorable of the band's existence. This
In Memoriam: Ronnie Spector (1943-2022)
Whoa-oh, a-whoa-oh-oh-oh! Of all the great examples of rock and roll onomatopoeia, perhaps none was as sweet, alluring, and powerful as the cry with which Ronnie Spector opened "Baby, I Love You." The second single by The Ronettes on Philles Records - the first was the epochal "Be My Baby" - "Baby, I Love You" exuded youthful romance: uninhibited, unequivocal, and positively steamy! Fronting the trio she had formed with her sister Estelle Bennett and cousin Nedra Talley, Ronnie Spector
Ride Me, Easy Rider: Cherry Red, Esoteric Collect Vinegar Joe's "Island Recordings" Featuring Robert Palmer, Elkie Brooks
Today, Vinegar Joe is best remembered for launching the careers of Robert Palmer and Elkie Brooks. The band had risen from the ashes of a group called Dada intended by co-founder Pete Gage as "a combination of Mothers of Invention/Frank Zappa, Blood, Sweat & Tears, and The 5th Dimension. Power vocalists plus brass and crazy arrangements." But that heady brew was too much for Atlantic Records' Ahmet Ertegun who urged Dada to strip away the fusion elements and concentrate on blues and rock.
Review: David Bowie, "Brilliant Adventure [1992-2001]"
Putting on the black tie, cranking out the white noise... David Bowie wasn't one to look back. But when he announced Black Tie White Noise, many fans collectively breathed a sigh of relief. Might the "old" David Bowie be returning? The 1993 album was his first in six years, following three albums (two studio and one live) with his hard rock band, Tin Machine. It also reunited him with Nile Rodgers, producer of his all-time best-selling album Let's Dance, and with Ziggy Stardust-era
My Cup Runneth Over: Kritzerland Reissues More from Ben Bagley, "I Do! I Do!" Cast Album, and "Alfred the Great" Soundtrack
Kritzerland has announced its first slate of releases for 2022. Leading off the trio is the latest volume in the label's long-running reissue series from Ben Bagley's Painted Smiles Records. Harold Arlen and Vernon Duke Revisited Vol. 2, first released in 1980 and expanded in 1991, celebrated the two composers' oeuvres with a typically eclectic Bagley cast including jazz singer Blossom Dearie; stage and screen stars Sandy Duncan, Helen Gallagher, Dolores Gray, and Tammy Grimes; and
Sweet Seasons: Third Man Premieres Carole King's 1973 Central Park Concert as Part of Vault Series
Third Man Records, Sony Music, and Ode Records are proving that it's never too late, baby, with the audio and video premiere release of Carole King - Home Again, a live concert recorded in Central Park on May 26, 1973. Home Again will be exclusively released on 2-LP vinyl and DVD as part of Third Man's ongoing Vault Series (#51 in the series). Sign-up to subscribe to the Vault Series and receive this title is open through January 31 at Midnight (Central Time). King took the stage of Central
Until the End: Omnivore Reissues, Expands The Left Banke's Final Album, "Strangers on a Train"
The Left Banke burst onto the scene in 1966 with the exquisite single "Walk Away Renee." A No. 5 Pop hit, it was subsequently covered by the likes of The Four Tops, Linda Ronstadt, Eric Carmen, and Frankie Valli while remaining an oldies radio staple. Though the band only notched one more top 20 hit, the delicate "Pretty Ballerina," their two original albums on the Smash label established The Left Banke as progenitors of the baroque pop sound. Primary songwriter/keyboardist Michael Brown left
Review: The Band, "Cahoots: 50th Anniversary Edition"
From the first seconds of the opening "Life Is a Carnival," it was clear that Cahoots was no ordinary album by The Band. The quintet's first three albums had established them as major proponents of the rootsy genre that would later be called "Americana." But now, the sound blasting from the speakers was one of sheer funk: simultaneously dark and joyful, aggressive yet inviting. In what might have been considered a heretical move by some, the group was bolstered by three saxophones, two
Holiday Gift Guide Spotlight: Belinda Carlisle, "Live Your Life Be Free: 30th Anniversary Edition"
Following a well-received Go-Go's reunion in 1990, Belinda Carlisle returned to the studio to record her fourth studio album, Live Your Life Be Free. Likely the jaunt with her old bandmates inspired her, as the 1991 LP returned the singer to the sixties-inspired, girl-group milieu. Although Live Your Life failed to chart in the U.S., it hit the top ten in the U.K. and yielded four charting singles including the brisk and lusty "Do You Feel Like I Feel" which remains Carlisle's final U.S. hit
Holiday Gift Guide Review: The Doors, "L.A. Woman: 50th Anniversary Edition"
"Well, I've been down so goddamn long that it looks like up to me..." Jim Morrison knew of what he spoke. When The Doors entered Sunset Sound in November 1970 to record what would become their sixth studio album, L.A. Woman, the quartet was ready for a reboot. In September, Morrison had been convicted on profanity and indecent exposure charges related to a March 1969 concert in Miami. With an appeal in place, he was free on bail. But some radio stations had banned The Doors, and even concert
Holiday Gift Guide Review: Elvis Presley, "Back in Nashville"
When Elvis Presley entered RCA's famed Nashville Studio B in June 1970, expectations were high. His last major recording sessions - not counting those for the Universal film Change of Habit - had taken place at Memphis' American Sound Studio with producer Chips Moman, resulting in the acclaimed From Elvis in Memphis LP. Could he follow up that career triumph? Many would argue that he did. Rather than strictly repeat the formula, he and producer Felton Jarvis crafted the concept album Elvis
Holiday Gift Guide Review: Jimmie Vaughan, "The Jimmie Vaughan Story"
Blues guitarist par excellence Jimmie Vaughan turned 70 earlier this year, and The Last Music Company wasn't about to let the milestone go unnoticed. The label has released the appropriately-titled box set The Jimmie Vaughan Story, boasting 5 CDs and over six hours of music chronicling Vaughan's career up to the present day. The collection is available in two formats: a large-scale box which adds a 12-inch LP of Jimmie's 2001 album Do You Get the Blues?, two 45 RPM vinyl singles, a catalogue
In Memoriam: Michael Nesmith (1942-2021)
Less than one month ago, on November 14, Michael Nesmith and Micky Dolenz brought their final tour as The Monkees to a close on the stage of Los Angeles' Greek Theater. The show opened with Nesmith's "Good Clean Fun," released in 1969 on The Monkees Present. The wistful reflection builds to a sweetly triumphant proclamation which the duo delivered with relish: Well, the plane is finally down/And the engines stopped their sound And I look in the crowd and there you stand And the gap that
In Full Bloom: The Syn's "Flowerman" Collects Recordings of Chris Squire, Peter Banks' Pre-Yes Band
If The Syn is known today at all, it's because the band provided one of the starting points for Yes: Syn members Chris Squire and Peter Banks were two-fifths of the original 1968 Yes line-up. Now, Cherry Red's Grapefruit imprint is setting out to give The Syn its due with a new compilation. Flowerman: Rare Blooms from The Syn 1965-69 features all four of the band's single sides originally released in 1967 by Deram Records plus previously unreleased tracks and rarities. The Syn evolved from
Runnin' Wild: Run Out Groove Announces Expanded "Super Fly" as Next Release; Voting Open Now for Labelle, Randy Newman, and More
As a writer, producer, and artist - both solo and with The Impressions - Curtis Mayfield (1942-1999) was one of the foremost exponents of Chicago soul. He penned such favorites as Jan Bradley's "Mama Didn't Lie" and Major Lance's "The Monkey Time," not to mention a string of Impressions classics including "It's All Right" and "Gypsy Woman." Mayfield's deep social conscience manifested itself in such influential anthems as "Keep on Pushing" and "People Get Ready" which established him as a
If You Want to Sing Out: Cat Stevens' "Harold and Maude" Original Soundtrack Arrives in February
It took time for audiences to come around to Harold and Maude. The 1971 film, written by Colin Higgins (9 to 5, Foul Play) and directed by Hal Ashby (Shampoo, Being There), depicted the unlikely but ultimately powerful relationship between young, death-obsessed Harold (Bud Cort) and elderly, free-spirited Maude (Ruth Gordon). Its blend of dark comedy and ironic uplift initially underwhelmed most critics and moviegoers. Slowly but surely, however, it earned cult classic status. One of the
Holiday Gift Guide Review: Joni Mitchell, "Joni Mitchell Archives Vol. 2: The Reprise Years (1968-1971)"
Last evening in Washington, DC, Joni Mitchell joined the 44th class of Kennedy Center Honorees alongside Bette Midler, Berry Gordy, Lorne Michaels, and Justino Diaz. The singer-songwriter who has blurred the lines of folk, pop, rock, and jazz was celebrated by friends and admirers including Brandi Carlile, Herbie Hancock, Ellie Goulding, Norah Jones, Brittany Howard, Dan Levy, and Cameron Crowe. President Joe Biden, also in attendance, had earlier summed up the thoughts of many when he
Classical Goes Rock: Prog "Peter and the Wolf" Featuring Manfred Mann, Brian Eno, Phil Collins, Stephane Grappelli Returns to CD from Cherry Red, Esoteric
Russian composer Sergei Prokofiev wrote Peter and the Wolf in 1936 as "a symphonic fairy tale for children." As conceived, the narrator tells a story for children in which every character is musically "played" by a different instrument, i.e., the bird is a flute, the duck is an oboe, the cat is a clarinet, the grandfather is a bassoon, the Wolf is French horns, the hunters are woodwinds and trumpets, and Peter is string instruments. Prokofiev's composition earned the attention of Walt Disney
Holiday Gift Guide Review: Billy Joel, "The Vinyl Collection, Vol. 1"
By his own account, Billy Joel stumbled into the singing part of the singer-songwriter equation. He explained of his 1971 debut Cold Spring Harbor, "I wrote this album not as a singer-songwriter, but as a songwriter. I was thinking of other people doing the material on this album. But the advice I got from people in the music business was, 'Well, if you want people to hear your songs, make an album. And then you go out on the road and you do shows and you promote your album. I thought,
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