And now...here they are...The Beatles! The summers of 1964 and 1965 are now more than fifty years in the rearview mirror, yet the music made by four lads from Liverpool over three evenings at Los Angeles' famous Hollywood Bowl now sounds so fresh and so immediate, you could believe it was recorded yesterday. Such is the work of the sonic wizards on Capitol/Apple/UMe's first-time-on-CD, retitled, remixed and expanded reissue of The Beatles' Live at the Hollywood Bowl (B0025451-02,
Review: Judy Henske and Jerry Yester, "Farewell Aldebaran"
Hello, Aldebaran...or more accurately, welcome back! Farewell Aldebaran first arrived in 1969 on Frank Zappa's Straight Records label from the duo of Judy Henske and Jerry Yester. Henske was the onetime "Queen of the Beatniks" whose distinctive, bluesy and big voice earned her legions of fans on the folk circuit. In 1963, Henske married Jerry Yester, a member of The Modern Folk Quartet and veteran of The New Christy Minstrels. When the MFQ broke up, Yester busied himself as a producer,
Review: The Beach Boys, "Becoming The Beach Boys: The Complete Hite and Dorinda Morgan Sessions"
Just shy of fifty years after the release of the single of the same name, the good vibrations of The Beach Boys continue to resonate far outside of the band's native Southern California - in fact, they can be felt around the world. Mike Love, currently leading the group for another endless summer of touring with Bruce Johnston and longtime sideman Jeffrey Foskett, is about to release his autobiography on September 13. One month later, on October 11, I Am Brian Wilson: A Memoir arrives in
Steppin' Out: Intervention Records Reissues Two From Joe Jackson
Look Sharp! Joe Jackson certainly did as nattily attired on his debut release of that name. Joined by Graham Maby on bass, Gary Sanford on guitar and Dave Houghton on drums, pianist-singer Jackson delivered a record for the ages. Both Look Sharp! and Night and Day, Jackson's fifth album for A&M Records, have recently been reissued as deluxe audiophile vinyl editions by the team at Intervention Records. Happily, they're sonically every bit the equal of the label's stellar reissue earlier
Where The Good Times Are: Ace Collects "Beat Girls"
We recently filled you in on the ninth volume of Ace Records' long-running series, Where the Girls Are. Today, we spotlight two companion volumes dedicated to Beat Girls of the 1960s! Pye Records, home of Petula Clark and The Kinks, practically defined the British "big beat" sound of girl-pop with its urbane, sophisticated productions. Scratch My Back! Pye Beat Girls 1963-1968 offers a cross section of the label's brashest sounds with 24 well-selected nuggets from artists both familiar and
Review: The Turtles, "Complete Original Album Collection" and "All the Singles"
Prepare to be shell-shocked! Manifesto Records and FloEdCo have, at long last, given fans of The Turtles deluxe sets befitting the band's happy (and happily subversive!) musical legacy. The 6-CD Complete Original Album Collection and 2-CD All the Singles round up, in truly definitive fashion, the original band's recordings between 1965 and 1970 as first released on White Whale Records. Though The Turtles have long been recognized as top-flight purveyors of classic 45s, a journey through their
You Remind Me Of The Sun: New Collections Arrive from Jeff Larson, Jeffrey Foskett
More than fifty years have passed since John Phillips so vividly encapsulated the California myth with The Mamas and the Papas' "California Dreamin'," but the Golden State continues to inspire artists with its promise of eternally sunny days. The strains of "California music" are as varied as the state's regions, from surf to punk to psychedelia to country to metal. Despite changing times and changing tastes, however, richly melodic pop-rock has never gone out of fashion in California. Two
When A Girl's In Love: Ace Goes "Where The Girls Are"
Nine volumes in, and Ace's Where the Girls Are series is still turning up hidden-gems from the girl group era! As is often the case with this series, the names behind-the-scenes are often more familiar than those headlining the record. Where the Girls Are Volume 9 , released earlier this year, features 25 more tracks from America in the 1960s - the golden age of girl groups and "girl pop" - in their original mono versions. Future Philly soul architect Leon Huff penned The Sweet Three's
Review: "The Monkees: The Complete Series"
2016 marks the 50th anniversary of The Monkees, yes - but it also marks the same milestone for The Monkees. Whether on the original NBC broadcasts, twenty years later on MTV or since then on home video, fans have fallen in love with The Monkees. The television sitcom launched Davy Jones, Micky Dolenz, Peter Tork and Michael Nesmith as household names (and faces!) and inspired some of the finest pop music to arrive from any group in the 1960s. Rhino first released The Monkees as
Review: Rhonda Ross, "In Case You Didn't Know"
In Case You Didn't Know: Rhonda Ross has dropped a new release. The album of that title showcases the singer-songwriter on a set of fourteen potent, original tracks. Ross, a gifted vocalist with an expressive instrument, has written or co-written every song on the album, and though the CD's exclusive retailer CD Baby categorizes the record as "Jazz Fusion" - calling to mind the liquid soundscapes of Return to Forever or Weather Report - that term only tells part of the artist's story. The
Above and Beyond: Varese Brings Papa John Phillips, Wynn Stewart to Vinyl
For his first solo album - and lone solo LP released during his lifetime - John Phillips was careful not to repeat himself. With The Mamas and the Papas in the rearview mirror at that moment in time, Papa John reinvented himself as John, The Wolfking of L.A. and surrounded himself with the day's top musicians to craft a beguiling, mellow portrait of Los Angeles circa 1970. Varese Vintage expanded this one-of-a-kind record on CD in 2006, and has recently issued it on a new 180-gram vinyl
It's All Happening: "Charlie Faye and The Fayettes" Captures The Girl Group Sound
Summer is at last here, and leave it to New York native and Austin music mainstay Charlie Faye to have provided us with one of the first must-have, window-down soundtracks for the season! In shaping Charlie Faye and The Fayettes, her tribute to the girl-group sound, the singer-songwriter has clearly done her homework. This brisk and breezily enjoyable listen places Faye's voice up front over sweet, honeyed group harmonies on eleven, new hook-filled tunes. Faye wrote or co-wrote every
Review: Chicago, "Quadio"
Surround yourself with Chicago! With the recent release of Rhino's immense - and immensely enjoyable - new box set Quadio, it's possible to enjoy the Rock and Roll Hall of Fame-honored band's classic 1969-1976 albums with added dimension: that of 4.0-channel quadraphonic sound. The nine Blu-ray Audio discs on Quadio (playable on all Blu-ray players) present every one of Chicago's studio albums from Chicago Transit Authority through Chicago X, plus IX: Chicago's Greatest Hits, in remastered
Cash, Robbins, Jones, Arnold Feature On Ace's "More Country Hits"
Ace Records has recently continued its Golden Age of American Popular Music Series with another volume dedicated to the sounds of country-and-western. More Country Hits follows The Country Hits, released in 2008, and like that volume, presents a collection of country classics that crossed over to the pop side on the Billboard Hot 100. Many familiar names from the first collection show up here, too, including Johnny Horton, Johnny Cash, Faron Young, Ray Price, George Jones, Skeeter Davis, Marty
It's Her Party: Ace Reissues Lesley Gore's "Boys, Boys, Boys"
The teenaged Lesley Gore sure knew about boys. Among the titles in her era-defining catalogue include "Wonder Boy," "Yeh, Yeh, Yeh (That Boy of Mine)," "Boys," "Sometimes I Wish I Were a Boy," and, of course, "That's the Way Boys Are." The latter opened the teen queen's 1964 album Boys, Boys, Boys - a loose concept album of a sort dedicated to the precocious, talented singer's most-visited theme of young love. The late artist's third LP, it's recently been reissued by Ace Records in a
Review: The Beach Boys, "Pet Sounds 50"
50 years have passed since the original release of The Beach Boys' Pet Sounds, yet it still stands alone in the rock canon. The talents of Brian Wilson, Tony Asher, Mike Love, Al Jardine, Carl Wilson, Dennis Wilson and Bruce Johnston coalesced in one unforgettable place and time to create music's most exquisite realization of both the exultant joy and beautiful melancholy of adolescence. It took until the compact disc era for Pet Sounds to be fully appreciated; the album wasn't certified
Review: The Monkees, "Good Times!"
Here they come...again! The Monkees have just released their first new album in twenty years, and all is right with the world. That much is evident from the opening track which gives the LP its title. "Good Times" was demoed by Harry Nilsson for The Monkees, never recorded by the group, and later released by Harry (and "The New Salvation Singers," natch) on Capitol's Tower imprint. Now, the late Nilsson's happily un-ironic, churning pop nugget gains new life as a duet with his
Fill Your Heart: Now Sounds Collects Tiny Tim's "Complete Singles (1966-1970)"
Now Sounds clearly can't resist another tip-toe thru the tulips. Following the 2013 reissue of Tiny Tim's debut God Bless Tiny Tim (1968) as an expanded mono edition, the Cherry Red imprint has recently returned to the catalogue of the late "Human Canary" for his Complete Singles Collection (1965-1970). Twenty years after Tiny Tim's passing at the age of 64, his music remains equally beguiling and bewildering. These tracks, culled from his recordings at Blue Cat, Reprise and Scepter, find
Hear The Grass Grow: Esoteric Expands Two From The Move
The Move has seen no shortage of reissues over the years, but collectors can now finally embrace the definitive editions of the Birmingham band's classic self-titled album and follow-up Shazam! from Cherry Red's Esoteric Recordings imprint. Esoteric has just reissued The Move in a 3-CD edition and Shazam! in a 2-CD expansion, both of which add copious previously unreleased material. ("Highlights" versions are also available.) These two titles kick off the Move campaign from Esoteric which
Joe Jackson's "I'm the Man" Returns On Vinyl From Intervention Records
Joe Jackson appears on the cover of his 1979 sophomore album, I'm the Man, as a "spiv": a British term for a peculiar kind of petty criminal "always trying to sell you a watch or something like that, real cheap," in the artist's words. But Jackson didn't have to resort to any cheap come-ons to hawk I'm the Man, a solid follow-up to his impressive debut Look Sharp! which arrived just months after that seminal release. Despite the quick turnaround, I'm the Man hailed from the same inspired
Cherry Pop Goes Plus One on Double-Disc Haircut One Hundred Reissue
Fans of the sumptuous '80s pop of British outfit Haircut One Hundred are in for a treat with Cherry Pop Records' exhaustive double-disc edition of the band's 1982 debut album, Pelican West. Fronted by singer/songwriter Nick Heyward, Haircut One Hundred blended New Wave, jazz and funk into a dazzling sonic package, all biting guitar chords and propulsive bass lines chased with expressive saxophone lines and horn charts for a little cosmopolitan extra. In the band's home country, they logged
Bang The Drum All Day: Edsel Reissues Todd Rundgren's "For Lack of Honest Work"
The new 3-CD, 43-song set of live Todd Rundgren performances from Edsel is entitled For Lack of Honest Work: A Live History 1971-2006, after Todd's song "Honest Work." But all of his joking with the title aside, Rundgren's career has been all honest work - as he's doubtless remained true to himself through various musical incarnations over the past near-50 years. This set, the latest fine Rundgren release from the Edsel label, chronicles all of those "Rundgren variations" as captured between
Not Like Everybody Else: "Kinked!" Kollects Kinks Kovers (And Sessions, Too!)
When it comes to songwriting, Ray Davies is doubtless one well-respected man. Yet, unbelievably, Ace Records' recent Kinked! Kinks Songs and Sessions 1964-1971 marks the first collection to explore in comprehensive fashion the early body of work created by Davies outside of his famous band. Its 26 tracks encompass songs not recorded by The Kinks, or first released by artists other than The Kinks, as well as a handful of contemporary cover versions, sessions featuring The Kinks on backup, and
Some Velvet Morning: Ace Salutes Lee Hazlewood on "Shazam!"
The title of Ace's new entry in its Songwriter Series - Shazam! - doesn't refer to Captain Marvel's magic word or Gomer Pyle's favorite expression. Rather, the new compilation CD is titled after Duane Eddy's (naturally) twangy western gallop "Shazam!" penned by Eddy and maverick producer Lee Hazlewood and released in 1960. (Okay, Duane and Lee likely did take its name from C.C. Beck and Bill Parker's popular comic book superhero!) Shazam! and Other Instrumentals Written by Lee Hazlewood is
Finder Of Lost "Love": Dionne Warwick Releases "Tropical Love" From The Vaults
Dionne Warwick joined Arista Records in 1978, inaugurating a sixteen-year tenure at the label which would see many of her greatest triumphs including the Grammy-winning hits "I'll Never Love This Way Again," "Déjà Vu" and "That's What Friends are For." At Arista, Dionne teamed with Barry Manilow, Luther Vandross, and Barry Gibb; reunited with Burt Bacharach and Hal David; released one Platinum and two Gold albums; and earned her first No. 1 on the Hot 100 in over a decade. Her final album for
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