The building on New York’s East 60th Street might between 5th and Madison Avenues might not have looked like much from the outside. But within the walls of 10 E. 60th, it was a different story altogether, as that address housed the fabled Copacabana. Lyricist Fred Ebb asserted of New York City itself, “If you can make it there, you’ll make it anywhere,” but he could have been writing of The Copacabana. And Berry Gordy wanted to make it there. More accurately, the Motown Records chief wanted
Review: The Association, "The Complete Warner Bros. and Valiant Singles Collection"
“Everyone knows” the answer to the musical question of Who’s trippin’ down the streets of the city / Smilin’ at everybody she sees? But here’s another one: what’s the record label reaching out to capture a moment, bendin’ down to give us a rainbow? Everyone (at least everyone reading The Second Disc!) knows it’s Now Sounds. The Cherry Red-affiliated label has recently released the latest in its ongoing series of deluxe reissues of The Association’s catalogue, and it’s the most impressive
Reviews: Three From Real Gone - Mick Fleetwood's Zoo, Jerry Reed and Durocs
Real Gone Music has become known for its wide-ranging and eclectic releases, and today we’re looking at three of the most recent, from the countrypolitan stylings of Jerry Reed to the rock animals of Mick Fleetwood’s Zoo and the pure pop of The Dūrocs! Dūrocs, Dūrocs (Real Gone Music RGM-0058, 2012) Are you ready to hear one of the best albums you’ve never heard? Then head straight to the pig pen for the first-ever CD release of Dūrocs. Primarily written and produced by the team of Ron
Review: Paul Simon, "Graceland: 25th Anniversary"
When Paul Simon travelled to Graceland, he was aware of the mighty contradictions: “And I may be obliged to defend every love, every ending/Or maybe there’s no obligations now…” Those days of miracle and wonder took place in 1986, and now some 25 years later, the restless artist is still defending Graceland. The path to Graceland was a circuitous one, with stops in New York, Los Angeles, London, Louisiana and most crucially, Johannesburg. Though the multi-platinum record picked up Grammy
Review: Heart, "Strange Euphoria"
You’ve gotta have Heart. For over forty years, sisters Ann and Nancy Wilson have been rocking and rolling, singing and strumming, and did I mention rocking? Often considered the female answer to Led Zeppelin, Heart has outlived that famous band, incorporating Zeppelin’s furious attack into music also influenced by pop and folk. The new 3-CD/1-DVD set Strange Euphoria (Epic/Legacy 88691 93736 2, 2012) is the first collection of Heart’s catalogue selected by the Wilsons and the band’s first
Catch A Wave! Special Review: The Beach Boys' "That's Why God Made The Radio"
In Part One of our special two-part series, we recalled the ups and downs of The Beach Boys and the band’s chief musical architect, Brian Wilson. Today, in Part Two, we turn the spotlight over to That’s Why God Made the Radio, the new album in stores today from America’s Band! Brian Wilson is still a cork on the ocean floating over the raging sea. But is that a whiff of contentment I hear running through The Beach Boys’ “reunion” album, That’s Why God Made the Radio? Despite the ups and
Review: Albert King, "I'll Play The Blues For You"
It wasn’t that Albert King couldn’t play music other than the blues…but even when crooning in his most velvety-rich style, there was just something inherently lived-in, worldly, and commanding about that voice…in other words, something bluesy. And though that underrated voice would be enough for a lesser artist, King’s greatest gift was as a guitarist. Perhaps the best display of both of those titanic talents was the 1972 Stax album with the apt title of I’ll Play the Blues for You, just
Reviews: First Family of Soul - Rare Albums From Dionne and Dee Dee Warwick, Cissy Houston Reissued and Expanded
If there's such a thing as a First Family of Soul, it might as well be the combined Houston/Warwick clan. Born in Newark, New Jersey in 1933, Emily "Cissy" Drinkard sang gospel with her family as part of The Drinkard Singers, which counted Cissy's sister Lee Warrick among its members. Marie Dionne Warrick was born in 1940 to Lee and her husband Mancel; Delia Mae "Dee Dee" Warrick followed in 1942. Though The Drinkard Singers remain an important part of the history of gospel music, said to
Review: The Critters, "Younger Girl: The Complete Kapp and Musicor Recordings"
In those heady, pre-American Idol days, the route to success had many paths. For New Jersey’s Critters, the path was local, with the band making a name for itself in the tree-lined suburbs of Westfield, Scotch Plains and Princeton, gigging at high schools, colleges, and Knights of Columbus halls. Though they were proficient at covering the days’ hits, The Critters also boasted some formidable songwriters at a time when recording one’s own songs was becoming de rigeur. Before long, The
Review: Paul and Linda McCartney, "The Paul McCartney Archive Collection: Ram"
Paul McCartney might have taken the bull by the horns for his aggressively homemade solo debut McCartney in 1970, defying practically all expectations, but he literally took the ram by the horns on the cover photo of its 1971 follow-up, Ram. By the time of Ram's release, George Harrison had declared that All Things (including Beatles) Must Pass and John Lennon had exorcised many of his demons with the confessional Plastic Ono Band, wife Yoko at his side. With Linda McCartney co-billed as
Review: The Knack, "Havin' a Rave-Up! Live in Los Angeles, 1978"
Not every album lives up to its title, but The Knack’s Havin’ a Rave-Up! certainly does! The group - Doug Fieger on vocals and rhythm guitar, Berton Averre on lead guitar, keyboards and vocals, Prescott Niles on bass, and Bruce Gary on drums – had quite a number of rave-ups on Los Angeles’ famed Sunset Strip in 1978, and made quite a big noise. The quartet was suddenly being deemed the American answer to The Beatles. Musicians the likes of Bruce Springsteen, Tom Petty and Ray Manzarek were
Review: A Quartet From BBR - The Pointer Sisters, Buddy Miles, Pharoah Sanders, Greg Phillinganes
Among the most recent reissues from Big Break Records is a 1974 album from Electric Flag founder and Jimi Hendrix drummer Buddy Miles entitled All the Faces of Buddy Miles. But one could easily title any given batch of music from the Cherry Red-affiliated label as All the Faces of BBR, so reliably diverse is each group of the label's releases. Today's capsule reviews look at four of the latest from the Big Break team! Buddy Miles, All the Faces of Buddy Miles (Columbia KC-33089, 1974 -
Review: Diana Ross, "Live in Central Park"
The hair is the first thing you notice when Diana Ross emerges from a troupe of grass skirt-clad dancers on stage at Central Park in New York City on July 21, 1983. Miss Ross, as she's gotten older, is easily distinguished for that dark, curly mane, like a proud lioness. But while her hair was as resplendent as usual on this night, it was...askew. Musicologists and hardcore Diana fans know why without any explanation: Ross' Central Park concert had the unfortunate circumstance of being schedule
Review: Real Gone Goes Country with Eddie Rabbitt, Mel McDaniel, Cowboy Copas
What defines country music? The answer isn’t an easy one. Dolly Parton is undoubtedly singing a country-and-western song when she reminisces about “My Tennessee Mountain Home,” but how about when she’s warbling “Here You Come Again” by the Brill Building team of Barry Mann and Cynthia Weil? Are Shania Twain, Carrie Underwood and Taylor Swift country artists as pop stars, or pop stars as country artists? Billboard recently described none other than Bruce Springsteen as “a symbolic fencepost
Review: The Ad Libs, "The Complete Blue Cat Recordings"
Ooh-wah, ooh-wah, cool, cool kitty! Tell us about the boy from New York City… And indeed, much of America listened to the Ad Libs tell of that kinda tall, really fine guy in his mohair suit. The Top 10 hit turned radio’s attention from Swinging London back to New York City for a brief moment, but the group was never able to repeat the song’s success. It wasn’t for lack of trying, though, as Real Gone Music’s The Complete Blue Cat Recordings (Real Gone RGM-0500, 2012) proves. Though the Ad
Review: Shorty Long, "The Complete Motown Stereo Masters"
Frederick Long's nickname "Shorty" was ironic considering his surname, but the diminutive pianist, songwriter and vocalist was indeed a mere 5'1". Yet Shorty was Long on talent. Harvey Fuqua brought Long to Motown with him from Tri-Phi, and Long was eventually selected by Berry Gordy to inaugurate the new Soul label, designed to showcase the funkier side of the Sound of Young America. That single arrived in 1964, but Gordy didn't release a Long solo album until 1968, just one year before the
Review: Iron Butterfly, "Fillmore East 1968"
Where were you 44 years ago today? If you happened to be passing by 105 Second Avenue in New York City’s East Village, you would likely have seen a fantastic group of names displayed on the marquee at Bill Graham’s Fillmore East. On Friday and Saturday, April 26 and 27, 1968, Iron Butterfly shared an explosive bill with Traffic and Blue Cheer. The Fillmore East itself is now just a memory, of course. Its exterior and entrance now welcomes you to a bank, and the storied auditorium has been
Review: Carole King, "The Legendary Demos" and "Something Good from the Goffin and King Songbook"
Though there's no one formula for creating a great song, there's no denying the success of the method that flourished first in New York's Tin Pan Alley (28th Street between Broadway and Sixth Avenue, for those wondering) and later a bit uptown in and around the Brill Building (1619 Broadway near 49th Street). A couple of blocks away at 1650 Broadway at 51st Street, during the halcyon days of the 1960s, you would have found the home of Aldon Music, and the team of Gerry Goffin and Carole King.
Review: Sam & Dave and Philip Bailey, Expanded Editions from Edsel
Mention “Hold On, I’m Comin’” and chances are you can hear that confident, swaggering horn riff that insistently opens the Sam and Dave classic. Indeed, all you really need to know is in that riff! All four albums recorded by Sam and Dave for Stax/Atlantic have been collected by Edsel on two new releases, and these expanded editions (including various single sides) add up to true cornerstones for any R&B or soul music library. But the label hasn’t stopped there. A very different kind of
Review: Janis Joplin, "The Pearl Sessions"
One dictionary defines "pearl" as an object both "hard" and "lustrous," synonymous with "gem" or "jewel." Couldn't all of those words also describe Janis Joplin? Pearl was, of course, the name bestowed upon the singer by her final group, The Kozmic Blues Band, and the title of her final, posthumously released album from 1971. Pearl has arrived on CD once more from Columbia Records and Legacy Recordings under the title The Pearl Sessions (88697 84224 2), expanding the original 10-track album
Review: Donovan, "The Essential Donovan"
Dear Donovan: what's it been like being you? The enigmatic Scotsman born Donovan Philips Leitch has worn many colours since bursting onto the music scene in 1965: the guitar-slinging Woody Guthrie disciple of "Catch the Wind," the mystical folkie of "Season of the Witch," the lysergic hippie of "Sunshine Superman," the sinister rock narrator of "Hurdy Gurdy Man." Though he's never retired, the poet/troubadour has maintained a low profile in recent years. He's only sporadically emerged with
Review: Johnny Cash, "Bootleg IV: The Soul of Truth"
“John, let’s do a shot for the warden,” photographer Jim Marshall reportedly implored Johnny Cash during the singer’s 1969 performance at San Quentin Prison. Cash’s snarling response, with his middle finger in air, made for one of the most famous music photographs of all time. Cropping up on T-shirts, posters and the like, Marshall captured the outlaw side of Johnny Cash like no photographer before or since. Though it might have, indeed, been worth a thousand words, the image still only
Review: Tom Northcott, "Sunny Goodge Street: The Warner Bros. Recordings"
Extra! Extra! Lost Folk Singer Found! His name is Tom Northcott, and had things turned out a little differently, he might be remembered in the same breath as Joni Mitchell or Gordon Lightfoot, fellow Canadian troubadours. After founding the Tom Northcott Trio, he headed for California during perhaps the most fertile period ever for creative, boundary-breaking musical exploration, the mid-1960s. Northcott opened for The Who, The Doors and Jefferson Airplane, and was signed to Warner Bros.
Review: John Williams, "Hook: Expanded Original Motion Picture Soundtrack"
After more than three years of planning, preparing and waiting, audiences finally have a chance to enjoy an expanded edition of John Williams' score to Steven Spielberg's 1991 cult classic Hook (La-La Land Records LLLCD 1211). The world had been "getting by," so to speak, with the Epic label's original 75-minute CD presentation - a generous offering, to be sure, but one that only sort of did the score justice. While critics remain divided to indifferent on the celluloid continuation of James M.
Review: Frankie Avalon, "Muscle Beach Party: The United Artists Sessions"
By the time of 1964’s Muscle Beach Party, Philadelphia-born Frankie Avalon had already racked up some 31 hits on the U.S. Billboard charts, including two at Number One, “Why” and “Venus.” On the urging of his Chancellor Records mentor Bob Marcucci, Avalon had welcomed the 1960s by diversifying his talents into film, appearing opposite John Wayne in The Alamo and Walter Pidgeon in Voyage to the Bottom of the Sea. 1963’s Beach Party, however, was something else altogether. Directed by William
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