The Fourth of July isn’t usually a holiday known for gifts. But your humble reviewer felt as if he got a gift, and what a gift!, on July 3 when Kritzerland’s limited edition deluxe 2-CD reissue of the original cast album of Promises, Promises (KR 20015-9) arrived in the mail. As a result, much of the weekend was spent listening to an album I’ve known for years, but hearing it as if for the first time. For background on this release, see The Second Disc’s post of June 14 and join us after
July 4th Special Review: Frank Sinatra, "America, I Hear You Singing"
“I hear America singing, the varied carols I hear,” Walt Whitman famously wrote in 1900. In early 1964, the country was still recovering from the assassination of President John F. Kennedy, and as in so many times of turmoil, artists stepped up to raise their voices in song and perhaps lend comfort and assurance. One such artist was Frank Sinatra. While his many other loves have been well-documented, love of country surely ranked high among them. A lifelong civil rights champion and proud
Review: John Fogerty, "Centerfield: 25th Anniversary"
John Fogerty can be called many things. Prolific, though, isn't one of them. Fogerty's 1985 Centerfield, originally issued on Warner Bros. Records, marked the former Creedence Clearwater Revival frontman's return to a prominent place in the rock pantheon after a near decade-long absence. After acrimoniously parting ways with his famous band, Fogerty recorded a collection of rootsy country covers (1973's The Blue Ridge Rangers) for CCR's longtime label, Fantasy Records. Yet Fogerty was locked in
Review: The Jackson 5, "Live at The Forum"
One of the oddest takeaways from watching Michael Jackson perform live was always the screaming. Watch almost anything Jackson ever commissioned for live release - snippets from Moonwalker, the Bucharest concert recorded during the Dangerous tour - and you'll see an increasingly disturbing parade of young people, sweating, screaming, crying, hyperventilating and fainting at the mere notion of a glance, point or step from the King of Pop - their king, their idol, an undying figure that law, fame
Review: Otis Redding, "Live on the Sunset Strip"
“Are you ready for star time?” Considering that the star in question was “the one and only, Volt recording star Otis Redding," the answer was bound to be in the affirmative. That was the introduction granted Redding by emcee Al Brisko Clark at West Hollywood’s Whisky A Go Go on the evenings of April 8, 9 and 10, 1966. The Whisky was the happening nightspot on the Sunset Strip in ’66, immortalized by Johnny Rivers on a 1964 LP and frequented by a who’s who of the Los Angeles music scene. (See
Review: The Rolling Stones, "Exile on Main Street" Deluxe Edition
Few records hold the mystique of the Rolling Stones’ Exile on Main St. Myths have grown and books have been published in an attempt to explain the sprawling album. The story generally goes that 1972 found the band, literally, as tax exiles, seeking refuge across the English Channel in France. A villa in Villefranche-sur-Mer named Nellcote is rented. Music is made. Sex and drugs abound. Somehow in all this debauchery a record is produced, and that record is Exile on Main St. When Universal Music
Release Round Up: More from Hip-o
A rare weekend post to keep you up on two new Hip-o Select titles readied for order yesterday. One's a singles compilation for an R&B great, and the other is a two-for-one set from a noted reggae act. Get the specs (and two more Hip-o titles you might not know about) after the jump.
Review: Frank Sinatra and Antonio Carlos Jobim, "Sinatra/Jobim: The Complete Reprise Recordings"
"Tall and tan and young and handsome..." Those lyrics to Antonio Carlos Jobim's "The Boy from Ipanema" kicked off a bossa nova boom that saw virtually every noteworthy vocalist and jazz musician of the 1960s recording in the mellow Brazilian style. Frank Sinatra, though, was hardly one to follow a trend for hipness' sake. By 1967, the label he founded, Reprise, was turning its sights to Laurel Canyon and Haight-Ashbury, and the bossa craze was on the wane. Sinatra would, as always, record on his
Review: "Batman - The Movie: Original Motion Picture Score"
It's somewhat ironic that a man so closely associated with the lush, timeless music of Frank Sinatra would find such great fame (or notoriety?) as a composer scoring one of the most over-the-top television series ever. Yet such was the case of Nelson Riddle, who as arranger and conductor was a chief sonic architect of Sinatra's unprecedented run of Capitol concept albums and beyond. His television credits included such groundbreaking programs as The Man from U.N.C.L.E., Naked City and Route
Review: Carole King, "The Essential Carole King"
“Will You Still Love Me Tomorrow.” “(You Make Me Feel Like a) Natural Woman.” “Up on the Roof.” “You’ve Got a Friend.” All of these songs have found a permanent home as part of The Great American Songbook, and all come from the pen of one Carole King. Her repertoire as both singer and songwriter is celebrated with this week’s release of Legacy’s The Essential Carole King (Ode/Epic/Legacy 88697 68257 2), the first set to focus on both aspects of King’s now 50-plus year career. Producers Lou
Review: Tom Lehrer, "The Tom Lehrer Collection"
The career of Tom Lehrer is an improbable one. A Harvard mathematics instructor by day and musical satirist by night, Lehrer was never particularly prolific. His entire output amounts to around 50 songs and a handful of albums which have been repackaged over the years. Most of his oeuvre was recorded between 1953 and 1965. Yet he was the recipient of a lavish 3-CD Rhino box set collecting most of his work in one place (The Remains of Tom Lehrer, Rhino R2 79831), and with that set now
Review: Judy Garland and Liza Minnelli, "Live at the London Palladium"
Leave it to Bob Dylan. In his 2004 memoir Chronicles Volume One, he writes about the experience of listening to Judy Garland: "A couple of times I dropped a coin right into the slot and played 'The Man That Got Away' by Judy Garland. The song always did something to me...listening to Judy was like listening to the girl next door." He writes of the song's composer, Harold Arlen: "In Harold's songs, I could hear rural blues and folk music...there was an emotional kinship there." He continues,
Review: Two by Mancini
Henry Mancini would have gone down in film history had he only composed the instantly recognizable “Pink Panther Theme,” or supplied the melody to Johnny Mercer’s wistful lyric “Moon River.” But those accomplishments are mere tips of the iceberg for the man who scored over 80 films and recorded over 90 albums, garnering 20 Grammys and 4 Oscars along the way. Hardly a year goes by without a CD reissue of one of his classic scores, and 2010 is no exception, with 2 very different works given new
Review: Chicago - "Chicago Transit Authority" Quadradisc
What is Quadio? That's the question currently being posed by the fine folks over at Rhino.com. For an answer and some fun interactivity, click here. But in short, Quadio describes the new series of four-channel audio DVDs (or "Quadradiscs") being introduced by Rhino with the reissue of 1969's Chicago Transit Authority, the first album by the band later known simply as Chicago. This release is a landmark in a number of ways. For one thing, it signals a new attempt to court the dedicated
Review: Elvis Presley - "On Stage: Legacy Edition"
When Elvis Presley took the stage of the newly-built Las Vegas International, "the world's largest resort hotel," on July 31, 1969, few predicted that a new era would start for the entertainer. Presley had been absent from the concert stage for eight years and the Vegas community still harbored memories of his poorly-received 1956 stint at the New Frontier Hotel. Despite the recent success of singles "In the Ghetto" and "Suspicious Minds," not to mention the hallowed '68 Comeback Special,
Review: David Bowie - "David Bowie" Deluxe Edition
David Bowie circa 1966 was an artist in search of an identity. He had flirted with theatre, the mod movement, and even mime. When signed by Decca's Deram arm, he had already released six unsuccessful singles on three different labels and fronted a number of quickly-vanishing bands. The Decca contract came shortly after his recordings for Pye, which had been shepherded by British hitmaker Tony Hatch of "Downtown" and "Call Me" fame. The Deram album, simply titled David Bowie, was all but
New Review - Whitney Houston: The Deluxe Anniversary Edition
Need a cure and tonic from the truly dismal Grammys, currently invading airspace across the East Coast? The inimitable Matt Rowe at MusicTAP has been kind enough to post another catalogue review of mine. This time it's Legacy's neat reissue of Whitney Houston's 1985 debut LP. While I can't yet confirm if I "might just be the next MusicTAP," as Matt very kindly speculates, I am more than happy to try. To that end, check out the review here and keep reading The Second Disc for all the expanded
This is It (Part 2)
Now that I've gotten all my gripes out about the This is It soundtrack, I'm more than happy to pen some thoughts on the actual film, now out on DVD and Blu-Ray from Sony Pictures Home Entertainment. For years after Michael Jackson rose from a nasty string of legal troubles in 2004, I had been ruminating on what could become of one of my favorite pop entertainers. His rumored forays back into the recording studio always left me cold; why would he collaborate with will.i.am or Akon when he had
This is It (Part 1)
One of the biggest catalogue-oriented titles this week is a DVD: Tuesday saw the release of Michael Jackson's This is It, the documentary comprised of tour rehearsal footage for the set of London concerts the King of Pop was working on right before his death in June. I've happily pored through 75 percent of my copy (I have a few features to sift through) and upon completion I'll be sure to post a review. But I'd also like to take a quick look at the other This is It product that's been on
I Just Don't Know Where to Begin
Wow! I am pleased as punch to present my review of Elvis Costello and The Attractions Live at Hollywood High live disc at MusicTAP, one of my favorite music Web sites. When I first got the idea of writing about back catalogue material, MusicTAP head Matt Rowe was one of the people I looked to for inspiration. His thrice-weekly insights about the past, present and future of music are always scintillating and never preachy - and he puts up release dates early and often. I urge you to come to
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