When Argo Records crowned Etta James The Queen of Soul on the cover of a 1964 LP, Aretha Franklin hadn't yet staked claim to that title. Revisiting that album today, Etta's status as royalty still seems unassailable. Thankfully, we have that opportunity thanks to Kent Records via its new expansion of Queen of Soul with fourteen bonus tracks added to the original LP's ten songs. Plus, Kent has delivered a new release from one of the undisputed kings of soul: Clarence Carter. The Fame Singles
Heaven In Her Eyes: BBR Reissues Two From Deniece Williams
The curriculum vitae of Deniece Williams can boast some of the most esteemed names in popular music: Maurice White, Charles Stepney, David Foster, Thom Bell and George Duke, just to name a few. All of those gentlemen produced albums for, or with, Williams, whose career has been the subject of a series of deluxe reissues from Big Break Records. Earlier this year, BBR (part of the Cherry Red group of labels) added Williams' 1976 debut This is Niecy to its previous four titles from the artist:
I Feel Good (All Over): Dance All Weekend Long with Kent's "Cleethorpes Northern Soul Weekender"
Though we've come to expect delightful and deeply soulful compilations from Ace's Kent label, one of Kent's latest is a particular trip: a trip, in fact, to the Cleethorpes Northern Soul Weekender. The 6Ts Rhythm and Soul Society has been throwing these bashes on a yearly basis since 1993, offering up plenty of dancing and some of the best names in soul music, among them Doris Troy, Barbara Lewis, Tommy Hunt, Bettye LaVette and Maxine Brown. Kent's The Cleethorpes Northern Soul Weekender,
Expanded "Green Onions" Coming From Booker T. & The MGs
Concord Music Group continues its Stax Remasters series by dipping into the label's early days with a bona fide R&B classic. The title track of Booker T. & The MGs' 1962 Green Onions is still instantly recognizable today from appearances in television (American Dad) and film (X-Men: First Class), and was in May 2012 inducted into the Library of Congress' prestigious National Recording Registry. On July 24, the original Green Onions album will be reissued and expanded with two bonus
Reviews: First Family of Soul - Rare Albums From Dionne and Dee Dee Warwick, Cissy Houston Reissued and Expanded
If there's such a thing as a First Family of Soul, it might as well be the combined Houston/Warwick clan. Born in Newark, New Jersey in 1933, Emily "Cissy" Drinkard sang gospel with her family as part of The Drinkard Singers, which counted Cissy's sister Lee Warrick among its members. Marie Dionne Warrick was born in 1940 to Lee and her husband Mancel; Delia Mae "Dee Dee" Warrick followed in 1942. Though The Drinkard Singers remain an important part of the history of gospel music, said to
Review: A Quartet From BBR - The Pointer Sisters, Buddy Miles, Pharoah Sanders, Greg Phillinganes
Among the most recent reissues from Big Break Records is a 1974 album from Electric Flag founder and Jimi Hendrix drummer Buddy Miles entitled All the Faces of Buddy Miles. But one could easily title any given batch of music from the Cherry Red-affiliated label as All the Faces of BBR, so reliably diverse is each group of the label's releases. Today's capsule reviews look at four of the latest from the Big Break team! Buddy Miles, All the Faces of Buddy Miles (Columbia KC-33089, 1974 -
In Memoriam: Donna Summer (1948-2012)
Who among us hasn't been touched by the music of Donna Summer? One of the defining voices of the disco era, Summer has been silenced today after a brave battle with cancer. Yet the music of LaDonna Adrian Gaines, born on New Year's Eve in 1948, will doubtless continue to transport us back to a time when vivacious music blared "On the Radio." Donna Summer implored us to take that "Last Dance" on the disco floor with some very "Bad Girls" in a nearly unrivalled string of hits. She reminded us
Just As He Was: Bill Withers' 1971 Debut "Just As I Am" Reissued By Big Break
Bill Withers titled his 1971 debut album Just As I Am, and the raw, simple and understated cover photo seemed to support that title. Withers, with an ingratiating smile on his face and a lunch pail in his hand, is standing against a brick wall at California's Webber Aircraft facility. The US Navy aircraft mechanic turned guitar-slinging singer/songwriter was somewhat of an anomaly on the music scene, and in his understated manner wrote on the album's jacket, "It matters not where I came from
Philadelphia Freedom: Dexter Wansel Is "Captured" By Robinsongs
Welcome to our second feature today spotlighting artists of the Philadelphia International label! First we looked at The O'Jays' pre-PIR period! Now it's time to look at a lost post-PIR album from Dexter Wansel! Philadelphia-born Dexter Wansel made quite an impression in the City of Brotherly Love, becoming one of the leading lights of the Gamble and Huff organization's "second golden age" of 1976-1983 and playing a key role in shaping the latter-day Sound of Philadelphia. A keyboard
Aces High! "The London American Label: 1957," "Mod Jazz Forever" and "Smash Boom Bang: Feldman-Goldstein-Gotteher" Available Now
Smash! Boom! Bang! The ace compilation experts at, well, Ace Records are offering up plenty of Smash, Boom and Bang (both in impact and in label name!) for your buck with their diverse slate of February releases. You'll find top-drawer pop, rock and soul for connoisseurs and beginners alike among the label's latest. Perhaps the most unexpected is the new entry in the label's long-running Songwriters and Producers series. Smash Boom Bang! The Songs and Productions of
Back Tracks: Whitney Houston
Music was in both the bloodline and the spirit of Whitney Elizabeth Houston (1963-2012). The native of Newark, New Jersey called Cissy Houston of The Sweet Inspirations her mom, while Dionne Warwick and Dee Dee Warwick were her beloved cousins. Aretha Franklin was a close family friend and honorary aunt. Following in her mother's footsteps, she began performing at Newark's New Hope Baptist Church, singing in the gospel choir as a featured soloist, and began to make inroads in the music
Gonna Take a Miracle: Deniece Williams Trio Coming From BBR and FTG
Let's hear it for Deniece Williams. By the time of her debut album in 1976, the resilient singer with the remarkable range had already recorded a Northern Soul favorite ("I'm Walking Away" on the small Lock Records label), performed with Minnie Riperton and Roberta Flack, and been a member of Stevie Wonder's versatile backing group Wonderlove. This is Niecy, on Columbia Records, was produced by Maurice White of Earth, Wind & Fire and Charles Stepney of Chess Records fame, and their
Reissue Theory: Whitney Houston, "Whitney"
We remember Whitney Houston (1963-2012) and her timeless legacy of song. We're sharing this feature in her memory, and will return with a tribute to this musical legend, gone too soon. Welcome to another installment of Reissue Theory, where we focus on notable album and the reissues they could someday see. Today's entry: a 25th anniversary spotlight on one of the best dance-pop albums of any era, and a tribute to a powerhouse R&B voice. In a word: Whitney. Around this time in 2010,
Movin', Kickin', Groovin': A Barry White Classic Expanded by Hip-o Select
Hip-o Select turns its focus away from Motown for some more satin soul from the inimitable Barry White, with a nicely-expanded release of his 1976 LP Let the Music Play. By the time the title track from the album - an underrated plea for music to soothe the pain of a lost love over some of the lushest strings from The Love Unlimited Orchestra - was released as a single in late 1975, White was virtually his own brand. He'd recently come off a triplet of Top 10 singles in 1974 and
Epic Jazz and Funk: George Duke and Stanley Clarke Complete Boxes Coming Soon
With the latest two additions to its growing Complete Albums Collections roster, Legacy Recordings and Epic Records are looking to two musical pioneers for which the description "jazz artist" seems largely inadequate. George Duke, keyboard virtuoso, and Stanley Clarke, electric and acoustic bass pro, have extensively toured and recorded together, but these forthcoming box sets turn the clock back to their solo periods on the Epic label. George Duke has proven himself equally adept at jazz,
A Grande Cup of Burt: Starbucks Brews "Music By Bacharach"
If you see me walking down the street, and I start to cry…or smile…or laugh...there’s a good chance I might be listening to a song by Burt Bacharach. Since beginning his songwriting career with 1952’s instrumental “Once in a Blue Moon” as recorded by Nat King Cole, Bacharach has provided the soundtrack to many of our lives, often in tandem with lyricist Hal David. (Their first collaborations date to 1956, including The Harry Carter Singers’ “Tell the Truth and Shame the Devil,” and Sherry
Ever Changing Times: Aretha In The 1980s, Anthologized by Legacy
On March 25, 2012, Aretha Franklin will turn 70 years old. That hardly means she's ready to slow down, however. 2011 found the Queen of Soul looking trim and sounding vibrant as she returned to the concert stage and released a new studio album. Surely her landmark birthday will be celebrated with countless airings of her 1960s golden hits like "Respect," "Natural Woman" and "Chain of Fools." But Legacy Recordings and Arista Records are seeing to it that a latter-day hitmaking period for the
Review: The Cool Revolution Continues - Four From CTI and Kudu
When he established Kudu as an offshoot of his titanic jazz label CTI, Creed Taylor wore his ambitions on his sleeve. The label was named after the long-horned African mammal and its logo adorned with Afro-centric colors, as Taylor intended to do no less than make Kudu a home for releases "indigenous to the black popular music of the United States." Taylor always knew the importance of a visual, and much as CTi releases were recognizable for their striking, provocative cover photographs and
Stay Awhile: Dusty Springfield Box Set Packed With Rarities, Due This Month In Two Editions
UPDATE 10/6: We're just a few short weeks away from the release of Goin' Back: The Definitive Dusty Springfield, a super deluxe box set by any standards. With its four CDs, three DVDs and two hardback books, Goin' Back may be the ultimate holiday gift for the Dusty diehard. Of its 92 audio tracks, 22 are previously unreleased, 10 are making their U.K. debut and five are appearing for the very first time on CD. Of its 98 video performances, a full 32 are premiering on DVD. But if Goin' Back
Ode To A Kudu: CTI Masterworks Series Continues In October With Kudu Titles
Tuesday, August 9 brought the most recent quartet of CTI jazz titles to CD from Sony's Masterworks Jazz division. For the next batch, due October 4, the label has turned its attention to CTI's offshoot label, Kudu. Named after the long-horned African mammal, Kudu was launched by CTI's Creed Taylor in 1971. Taylor described his new endeavor as "a black awareness label, more commercial oriented than CTI and indigenous to the black popular music of the United States." Even the logo's familiar
Reach Out For Them: New 2-CD Comps Coming In September For Dionne, Chicago
Following collections devoted to Foreigner, Christopher Cross, Otis Redding and Yes, the U.K.’s Music Club Deluxe label (a member of the Demon Music Group family) continues its exploration of the Warner Music Group catalogue with new compilations focusing on the long, diverse careers of Dionne Warwick and Chicago. Either of these esteemed acts would be solid candidates for our Greater Hits feature, in which we compare an artist’s “greatest hits” output. Both certainly have been the subjects of
Big Break's Full Summer Slate Includes Isleys, Pointers, Prince Partners
The fine folks at Big Break Records have got another large batch of new titles for release in the U.K. on July 25, and we figured now was a good time to share not only the track lists and details with you, but look ahead at some of the huge titles they're prepping for next month. There are a few really great, underrated titles from some big-name acts in next week's batch, including expansions of The Isley Brothers' Between the Sheets (1983) and I Can See Clearly Now (1972) by Johnny Nash. But
Review: "Our Lives Are Shaped By What We Love: Motown's Mowest Story 1971-1973"
The sound is familiar but different. The harmony is spellbinding if a bit woozy. You've only given me a flower/I wish I had the whole bouquet... The track, led by acoustic guitar and gently funky percussion, is spare and raw. If I should ask you for an hour/Is there a chance that you would stay/And maybe spend the day? The falsetto is recognizable but eerily haunting. The song is "You're A Song (That I Can't Sing)" performed by Frankie Valli and the Four Seasons for the album Chameleon, the
He's Got What It Takes: Marv Johnson's Motown Years Coming from Kent
Had Marv Johnson (1938-1993) accomplished nothing else, he would still go down in history as the first artist heard on a Motown single. The very first release to come out of Berry Gordy's mighty empire in January 1959, Tamla 101, was Johnson's "Come to Me" b/w "Whisper," both sides of which were written by Gordy and the artist. Thankfully, Johnson did accomplish much more musically, and as a testament to his legacy, Ace's Kent label will release I'll Pick a Rose for My Rose: The Complete Marv
Reissue Theory: Aretha Franklin at Arista
The music industry is littered with careers that crashed after a second chance at the spotlight. This could have easily befallen even a legend like Aretha Franklin; the Queen of Soul had in fact risen on a second chance at Atlantic after a largely unsuccessful career with Columbia, but by the late 1970s, Aretha's attempts to fall in with the trends of rhythm and blues were frequently derided, and ultimately she would sever her ties with the label. Against all odds - not counting the fact that