Who is Bob Dylan? Today, he might identify himself as “a song and dance man,” a noble profession if there ever was one. But for decades, the man born Robert Zimmerman has been much, much more. Resistant though he might have been to the tag of “spokesman of a generation,” said generation could have done much worse. To describe Dylan’s role in the 1960s is certainly to paint with broad brushstrokes. But it can be said with some measure of truth that Dylan liberated popular music from the
From Perry to Post-Punk: Real Gone Unearths Lords of the New Church, Perry Como, Patti Page, Grateful Dead, Billy Preston Rarities
Just a bit more than a week after the arrival of autumn, Real Gone music will deliver a slate of releases that might put you in an appropriately reflective mood. On September 30, two late vocal legends, Patti Page and Perry Como, get the Real Gone treatment complete with numerous previously unissued performances. A bona fide rock and R&B legend, Billy Preston, sees an early classic reissued alongside another concert rescued from the Grateful Dead's vault. And the batch is rounded out by
Ace Boldly Goes To "Outer Space" and The Bay Area On Two New Themed Collections
Ace Records is Going Wild!…not just with a rip-roaring rock-and-roll compilation of that name, but with a journey to the farthest reaches of the galaxy! Yes, the London-based label is travelling from the Bay Area to the Milky Way with two of its latest releases: Greatest Hits from Outer Space and Going Wild! Music City Rock 'n' Roll. Based on the 24 tracks of Ace’s Greatest Hits from Outer Space, the final frontier engaged a wide variety of artists in every conceivable musical genre. On this
Saint Etienne Hosts "A Central Park Picnic" With Phil Spector, Burt Bacharach, Dion, The Drifters
For the inaugural release of his new Cherry Red imprint Croydon Municipal, Saint Etienne’s Bob Stanley has curated a collection of Songs for a Central Park Picnic. Songwriter/producer Stanley’s label is an extension of his Croydon Municipal blog, in which he holds forth on subjects as diverse as Barbra Streisand and Barry Gibb’s Guilty, the evolution of Britpop, and the fortunes of HMV. Like Stanley’s blog, his new CD compilation reflects his eclectic musical passions. Saint Etienne Presents
She Will Survive: BBR Reissues, Expands Gloria Gaynor's "Love Tracks" and "Park Avenue Sound"
The very first release on Big Break Records, early in 2010, was an expanded reissue of the very first solo album by Gloria Gaynor. Never Can Say Goodbye spun Clifton Davis' title track into disco gold and pioneered the sidelong disco mix with a nearly 19-minute suite from Tom Moulton consisting of "Honey Bee," "Never Can Say Goodbye," and another Motown revival, "Reach Out I'll Be There." Big Break followed that landmark 1974 album with an expansion of Experience Gloria Gaynor, from 1975. It
Are You Ready: Now Sounds Expands "The Association," Real Gone Uncovers "Hexagram 16"
“Where have I gone, where have I gone?” pondered Terry Kirkman on the haunting opening track to The Association’s 1969 long-player. Though the group’s fifth album, it was simply titled The Association, signifying an artistic rebirth. Gone were the session players and ornate Bones Howe production that marked their previous album, 1968’s Birthday. Taking the production reins themselves in tandem with John Boylan, The Association – Kirkman, Russ Giguere, Brian Cole, Jim Yester, Larry Ramos, Ted
Review: Elvis Presley, "Elvis at Stax"
The distance from 3764 Elvis Presley Boulevard , or Graceland, to Stax Records' headquarters at 926 East McLemore Avenue is just a little over 5 miles. So when RCA Records came calling on the once and future King in mid-1973 to fulfill an obligation to record 24 songs (a 10-song album, four single sides, and a 10-song "religious album"), the studio founded by Jim Stewart and Estelle Axton seemed to be the perfect locale. Recording at home in Memphis had always brought something special to
Pablo Records' 40th Celebrated with Duke Ellington, Oscar Peterson, Dizzy Gillespie, More
Concord Music Group’s Original Jazz Classics line recently celebrated the 60th anniversary of Orrin Keepnews and Bill Grauer’s famed Riverside Records label with five reissues from Bill Evans, Chet Baker, Wes Montgomery, Thelonious Monk and Gerry Mulligan, and Cannonball Adderley and Milt Jackson. (Expect a full review of all five titles soon!) On September 17, the OJC series will turn its attention to the 40th anniversary of jazz impresario Norman Granz’s Pablo Records with the reissue of
Review: Nilsson, "The RCA Albums Collection"
A largess universal like the sun His liberal eye doth give to every one, Thawing cold fear, that mean and gentle all, Behold, as may unworthiness define, A little touch of Harry in the night. - William Shakespeare, Henry V, Act IV He's a pretty nifty guy Always looks you in the eye Everybody passing by will sigh For Harry... - Eric Idle, "Harry" Harry Nilsson had the voice of an angel, and raised hell like the devil. A consummate songwriter, he had his biggest hits with two songs
Review: Otis Redding, "The Complete Stax/Volt Singles Collection"
Otis Redding was just 21 years of age when Volt Records issued his first single for the label, “These Arms of Mine” b/w “Hey Hey Baby,” in October 1962. The latter is a solid if unremarkable riff on rockabilly (“Hey, hey, pretty baby/Baby, you sure is fine...Every time I look at you/You drive me out of my mind!”) but the torrid, smoldering A-side reveals a singer-songwriter far older than his years. Otis Redding couldn’t have known then that he was living on borrowed time; he would, in fact,
Hallejulah! It's (Still) Raining Men with The Weather Girls' Deluxe Reissue
Everything about The Weather Girls’ debut album, Success, was big. The 1983 LP was the brainchild of producer/songwriter Paul Jabara, who modestly noted on the LP’s back cover, “After working with Barbra, Donna and Diana – I began to get spoiled – I felt I could only work with ‘giants in the industry!’ I think I found them!” And so the “Last Dance” and “No More Tears (Enough is Enough)” auteur turned his attention to Two Tons o’ Fun. Izora Rhodes Armstead and Martha Wash had toured with the
Another Expanded "Star Trek" Score Immortalized on CD
Engage! Another film score from the Star Trek universe has been expanded on CD; this time, it's the score to 1998's Star Trek: Insurrection. The third Trek film to feature the crew of the USS Enterprise-D as featured in Star Trek: The Next Generation (although this film, like its predecessor First Contact, finds the crew manning the Enterprise-E), First Contact finds Picard, Riker and crew openly rebelling against a Starfleet plot: to help one alien race, the Son'a, steal a planet away from the
Stax, Motown, Chess Go Country with Second Volume of "Where Country Meets Soul"
Ace’s first volume of Where Country Meets Soul arrived late last year, proving that those two venerable genres intersect more often than one might think. After all, many of the most enduring records in both styles revolve around the vagaries of heartbreak, so the fine folks at Ace’s Kent imprint brought together 23 tracks from artists well-versed in the torrid ways of love: Solomon Burke (“He’ll Have to Go”), Percy Sledge (“Take Time to Know Her”), Clarence Carter (“Set Me Free”), Esther
Reviews: Eddy Arnold, "Complete No. 1 Hits" and David Allan Coe, "Texas Moon"
When 1965’s “Make the World Go Away” entered the Pop Top 10, it was unusual, even for those heady days of pop diversity. The singer, Eddy Arnold, had first signed to RCA Victor in 1943. The Musicians’ Union’s strike prohibited the young vocalist from recording until it was settled in December, 1944, but when Arnold finally entered WSM’s radio studios to record four songs, he was making history. His session was the first for a major label to be held in Nashville, Tennessee. His star was soon
If Everybody Had An Ocean: The Beach Boys' 6-CD Box Set "Made in California" Premieres 60 Previously Unreleased Tracks
On my way to sunny California, on my way to spend another sunny day… The sounds of summer will be in perfect harmony on August 27 when Capitol Records releases the Beach Boys’ long-awaited, retrospective box set Made in California. Word first came last summer of the 50th anniversary box, as the reunited group of Brian Wilson, Mike Love, Al Jardine, Bruce Johnston and David Marks were winding down a phenomenally successful world tour. Since then, the Love/Johnston faction of the band has
Southern Soul Rarities Compiled On Omnivore's "South Side of Soul Street"
One dictionary defines a "minaret" as "a lofty, often slender tower or turret attached to a mosque...from which the muezzin calls the people to prayer." So it's appropriate that the Minaret Records label was a beacon itself, inspiring soulful fervor in those who made the pilgrimage to its platters. Founded in Nashville in the early 1960s, it was purchased in 1966 by Finley Duncan. Three years later, the producer-entrepreneur founded the Playground Recording Studio in Valparaiso, Florida,
What Goes Up: Blood, Sweat & Tears' "Rare, Rarer & Rarest" Tracks Come To CD
What goes up must come down. So sang David Clayton-Thomas in the opening line of his Grammy-winning song "Spinning Wheel," which became a No. 2 Pop/No. 1 AC in 1969 for Blood, Sweat & Tears. And so went the fortunes of the jazz-rock band itself. The band's signature rock-with-horns style was soon eclipsed by that of Chicago (Transit Authority), who shared a producer in James William Guercio. But when BS&T was hot, few bands were hotter. Wounded Bird Records is revisiting the
The Roots of Philadelphia International: BBR Reissues O'Jays, MFSB Classics
Though London, England is some 3,500 miles away from Philadelphia, Pennsylvania in the United States, the spirit of the City of Brotherly Love is alive and well thanks to Cherry Red’s Big Break Records label. Two more remarkable artifacts from Kenneth Gamble and Leon Huff’s Philadelphia International empire have recently arrived from BBR, and though both titles have previously been available on CD, these new reissues are their best representations in the format yet. Fans who only know The
What's It All About: Burt Bacharach Celebrated On PBS, Lost Song Included on "Dionne Warwick Sings Burt Bacharach"
The first voice you’ll hear on My Music: Burt Bacharach’s Best, now airing on PBS stations nationwide, is that of The Maestro himself. “What’s it all about, Alfie?,” he sings in his familiar, quavering tone, finding the fragility in the Hal David lyric that he calls his favorite. Then comes “What the World Needs Now is Love,” sung by its composer with an assist from that International Man of Mystery, Austin Powers (Mike Myers). It’s appropriate that the solo Bacharach introduces this
Review: Tabu Wave 2 - Alexander O'Neal, Cherrelle, Kathy Mathis and The S.O.S. Band
The earth has music for those who listen, proclaimed Clarence Avant's Tabu Records label. A major force in contemporary R&B from the late 1970s through the 1990s, Tabu followed in the footsteps of other black-owned, independent music empires as Berry Gordy's Motown and Kenny Gamble and Leon Huff's Philadelphia International. While Tabu never achieved the same level of crossover success as those aforementioned labels, it indeed picked up the torch of "The Sound of Young America," and its
Review: Paul McCartney and Wings, "The Paul McCartney Archive Collection: Wings Over America"
"Yesterday" and Today (1976) With a burst of boogie woogie, Paul McCartney finally acknowledged the elephant in the room. And then he made it abundantly clear that he wasn't going to be standing in any shadow, even his own. That moment came seven songs into the first disc of Wings Over America when Paul suddenly became Beatle Paul once again, tearing into "Lady Madonna" with Fats-inspired glee. The Wings Over the World tour - taking in three continents, 66 concerts and roughly one million
Review: The Four Tops/Martha Reeves & The Vandellas, “50th Anniversary: The Singles Collection” – Part 2: Martha Reeves & The Vandellas
Were there a time capsule emblazoned with the word “MOTOWN,” meant to convey the sound and style of the once-and-always Sound of Young America to future generations, its central artifact just might be Gordy single G-7033, from 1964. Sure, The Supremes might have had more success, and The Temptations and The Four Tops might have had more endurance. But the ultimate Motor City anthem could very well be “Dancing in the Streets,” performed by Martha Reeves and the Vandellas. And that’s just one
They've Still Got a Place in Our Hearts: George Jones, Marty Robbins Reissues Arrive From Morello
When George Jones died on April 26, 2013 at the age of 81, American song lost one of its all-time greats. Yet Jones’ music lives on thanks to a steady stream of reissues drawn from his deep catalogue, including a recent two-for-one package from Cherry Red’s Morello imprint. Jones inaugurated the Morello label last year with four albums on two CDs, and he’s returned to the roster with Jones Country and You’ve Still Got a Place in My Heart, from 1983 and 1984, respectively. Morello’s
White Riot! Sony Announces Massive Box Set, New Compilation for The Clash
Even the name of The Clash was aggressive. With their 1977 debut album, Joe Strummer, Mick Jones, Paul Simonon and Terry Chimes (soon to depart the band) made a fast and furious attack on rock complacency. Punk, after all, was the music heard ‘round the world when it re-lit a fire in the belly of rock-and-roll that had lain dormant in an era of increasingly complex, often progressive rock (sans the roll) in the 1970s. And at the vanguard of that initial wave of English punk was, inevitably,
One Kiss Leads To Another: Real Gone Unearths Hackamore Brick, Grateful Dead, The Association's Russ Giguere and More
Real Gone Music has just announced its slate for July 2, and it’s clear that the prolific label isn’t taking a summer vacation! A number of cult favorites and new-to-CD titles populate this batch of records that won’t be “real gone” for much longer. Atop the list is a true rarity. Real Gone will be bringing One Kiss Leads to Another from Hackamore Brick to CD and vinyl in a newly-remastered and expanded edition. Who is Hackamore Brick, you might ask? The Brooklyn band’s 1970 album was an
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