James Barkley’s rear cover artwork for The O’Jays’ 1973 Philadelphia International LP Ship Ahoy depicts a mighty vessel sailing on the sea, but the reflection in the water isn’t of the boat itself. Rather, ghostly figures of abandoned souls populate these waters. The setting is the Middle Passage, the infamous crossing in the “triangular trade” that saw Africans shackled and shipped as slaves to the Americas. Those spectral presences loom over the visages of Eddie Levert, Walter Williams and
Reviews: Real Gone Reissues A Lost Jimi Hendrix Production, All-Girl Rock Pioneers and Mime-Rockers
We’re taking a look at three of the latest pop-rock rarities from the crate-diggers at Real Gone Music, including two albums from bands with a Todd Rundgren connection! Fanny, Fanny (RGM-0118) Maybe the tongue-in-cheek cover didn’t do the band a great service. The band was called Fanny, and the album cover showed the all-female band’s four members, their backs to the camera, their fannies for all to see. For good measure, Alice De Buhr grabbed June Millington’s fanny. But beyond the goofy
Special Review: David Bowie, "The Next Day"
Welcome to today's special review of David Bowie's twenty-fourth studio album and first in ten years, The Next Day. As you likely know, The Second Disc rarely reviews newly-recorded albums, but the return of this iconic artist to the recording studio simply couldn't be ignored. In 1980's "Ashes to Ashes," David Bowie famously revealed "Major Tom's a junkie, strung out in heavens high, hitting an all-time low." This continuation of the story begun in 1969's "Space Oddity" was as definitive a
Coming Up Roses: Sepia Reissues Ethel Merman's "Greatest" On CD
When Ethel Merman opened on Broadway in 1930’s Girl Crazy, introducing the world to George and Ira Gershwin’s “I Got Rhythm,” The New Yorker described her, precisely and accurately, as “imitative of no one.” She was only 22 at the time, but already Ethel Merman was recognized as having a tone unlikely any before or since. The actress-singer with the booming, clarion voice called the Great White Way her home for the next forty years with regularity, going from triumph to triumph via the likes
"ICON" is Now a Capitol Idea
Another few batches of Universal's eye-rolling ICON series are on the way - and while they offer a few genuine surprises, there's a lot, perhaps even more than usual, to shake one's head over. The big surprise right off the bat is that the mid-price compilation series will now chronicle not only Universal-controlled catalogue artists, but EMI-controlled ones as well. This is hardly a surprise, given the past year's big story of music business restructuring that's leaving the world with three
Reissue Theory: Tears for Fears, "The Hurting: 30th Anniversary Edition"
Welcome to another installment of Reissue Theory, where we spotlight notable albums and the reissues they could someday see. Thirty years ago today, one of the best synth-rock bands of the 1980s released their first full-length album - as good a time as any to champion the career of Tears for Fears! "Is it an horrific dream? Am I sinking fast?" - "The Hurting," Tears for Fears From the beginning of the first side of Tears for Fears' debut LP, it's honestly kind of hard to predict where they'd
Review: Otis Redding, "Lonely and Blue: The Deepest Soul of Otis Redding"
Please, let me sit down beside you…I’ve got something to tell you, you should know... From the very first elongated cry of “please,” Otis Redding’s voice drips with pain, the kind of pain rendered impossible to keep underneath the surface. The singer of “I Love You More Than Words Can Say” pleads, prods and cajoles, all the while at an utter loss. This woman who haunts him, who lingers in his mind, seemingly can’t understand the depth of his affections. Yet we the listeners certainly can
Breeders' Second LP Makes Quite a "Splash" on New Box Set
Two decades after its original release, indie rockers The Breeders will reissue a 20th anniversary edition of their breakthrough LP, Last Splash, that may turn out to be one of the year's most grandiose packages. The Breeders started as a side project for Kim Deal, bassist for the Pixies. Debut album Pod (1990) featured Deal on guitar alongside Tanya Donnelly of Throwing Muses, Perfect Disaster bassist Josephine Wiggs and Slint drummer Britt Walford. Though sales were slight, critics praised
Rilo Kiley Wraps It Up with "RKives"
While indie-rock fans might be rightly bummed about the demise of L.A.-based Rilo Kiley, the members are at least delivering their fans a fine parting gift in the form of a new compilation that collects much of their rare and unreleased material. The quartet, comprised of frontwoman Jenny Lewis, guitarist Blake Sennett, bassist Pierre de Reader and drummer Jason Boesel, fortunately never relied on their easiest gimmick to raise outside interest: both Lewis and Sennett were former child actors,
Put Your Hands to Heaven: An Interview with Reissue Producer Vinny Vero
Vinny Vero is everywhere. I don't mean this in just a literal sense - as of this posting, he's currently in Australia playing several DJ sets - but he's also had a multifaceted career in the music business, be it as a marketer, producer, remixer or writer. "This year is my 25th anniversary in the music business," he told The Second Disc with a laugh. "All of a sudden I feel very experienced!" Vero parlayed his passion for music into a plum gig as a research manager for prominent New York radio
Soundtrack Watch: Intrada Debuts Unreleased Goldsmith, Horner Scores, La-La Land Has "The Fury"
The past week has been a boon to fans of A-list composers of the Silver Age of film scoring. Intrada has unearthed two unreleased scores (one entirely unused) by two of the most beloved composers of recent memory, while La-La Land has put back into print one of the most underrated scores by another genius of the same vintage. James Horner had one of the best years of his career in 1989, scoring Field of Dreams and Glory that year and earning an Oscar and Golden Globe nod, respectively, for
Get Ready! Songs of "Motown: The Musical" Are Collected In Original Hit Versions
When Motown: The Musical opens at Broadway’s Lunt-Fontanne Theatre on April 14, it will mark yet another career landmark for Berry Gordy, the songwriter-producer-entrepreneur who turned Detroit, Michigan into Hitsville, USA some fifty-five years ago. The musical, written by Gordy and directed by Charles Randolph-Wright, depicts the rise to prominence of the Sound of Young America, with Brandon Victor Dixon (The Color Purple, The Scottsboro Boys) starring as Gordy. He’s joined by a cast of
Review: Carmen McRae, "I Am Music"
“Life is just too much for me to bear…I guess nobody ever really cared…do you?” Carmen McRae poses that question some four minutes into “A Letter for Anna-Lee,” the Benard Ighner song that opens her 1975 Blue Note album I Am Music. It’s a startling moment of direct address in this sad tale of a man for whom “the business of the day won’t let me be,” adding that “this life’s not meant for me.” The song, its accompaniment led by Dave Grusin’s burbling electric piano, shifts from its
An Apple A Day: Fifth Fab Volume of Apple Publishing Demos Arrives From RPM
Those were the days, my friend. In June 1967, The Beatles opened Apple Publishing in a one-room office on London’s Curzon Street, predating even the birth of Apple Records. Soon, the publishing concern moved to new quarters at 94 Baker Street, and later to 3 Savile Row. In that heady period when anything seemed possible, the Fab Four signed a multitude of talented young writers to Apple, many of them discovered by Terry Doran. Doran, a 27-year old Liverpool native who had previously owned an
Reviews: Three From Real Gone Music - Pozo Seco, Kenny O'Dell and Borderline
Between 1966 and 1968, The Pozo Seco Singers released three albums on Columbia Records, notching up Top 40 hits “I Can Make It with You” and “Look What You’ve Done.” The first two albums, Time (1966) and I Can Make It with You (1967) were released on CD by the Collectors’ Choice Music label; now, Real Gone Music has picked up the torch with a newly-expanded reissue of 1968's Shades of Time (RGM-0112). For this album, the group name was shortened just to Pozo Seco, and the trio of Don Williams,
Come Blow Your Horn: Herb Alpert's "Fandango" Returns to CD
Between 2005 and 2007, the beat of The Brass was alive and well at Shout! Factory. The label’s Herb Alpert Signature Collection restored eleven classic titles from the celebrated trumpeter to the catalogue on CD in deluxe remastered editions, plus a rarities compilation and a remix album. Three further releases were also made available, albeit in digital download form only. Shout! is kicking off 2013, however, with the surprising reissue (due February 19) of Alpert’s 1982 Fandango, one of the
Review: Fleetwood Mac, "Rumours: Expanded Edition"
It never should have worked. Since its formation in 1967, Fleetwood Mac had endured radical personnel changes, a stylistic shift from blues to rock, even a challenge from a "fake Mac" claiming to be the band in concert. When guitarist-songwriter-vocalist Bob Welch became the latest member to pass through the Fleetwood Mac revolving door, Mick Fleetwood and the husband and wife team of John and Christine McVie invited two young Californians to bolster the line-up. Lindsey Buckingham and his
The Fantastic Expedition of Gene Clark: Omnivore Unveils Previously Unheard Demos from Late Byrd
Though Gene Clark first made his mark as an original member of The Byrds, where he penned such classic folk-rock songs as "Feel a Whole Lot Better," he left behind as rich a legacy as a solo artist as he did with The Byrds. Clark's tenure as a Byrd wasn't a long one; though the group rose to prominence with its 1965 Columbia debut Mr. Tambourine Man, Clark left the band in early 1966 amid interpersonal strife and a dislike of touring. He re-emerged quickly on a 1967 Columbia set with The
Watch That Man! David Bowie Celebrates 40 Years of "Aladdin Sane" with New Remaster
As the follow-up to The Rise and Fall of Ziggy Stardust and the Spiders from Mars, David Bowie’s 1973 album Aladdin Sane is sometimes overlooked. Yet the punningly-titled Aladdin Sane had racked up advance sales of 100,000 units by the day of its release (April 13, 1973), becoming Bowie’s very first U.K. Number One record and spawning two Top 3 singles there (“The Jean Genie” and “Drive-In Saturday”). Across the pond, Aladdin Sane was the artist’s very first U.S. Top 20 record. Once again
Review: The Miles Davis Quintet, "The Bootleg Series Volume 2: Live in Europe 1969"
“Directions in music by Miles Davis,” read the subtitle of the trumpeter’s late-1968 Columbia album Filles de Kilimanjaro. It was the first, but not the last, of his albums to bear those words. But listeners couldn’t have been expected to know which direction Davis would take with each album. Nefertiti, recorded in June-July 1967 but released in March 1968, turned out to be Davis’ last fully acoustic LP, with its follow-up Miles in the Sky (recorded January and May ’68 and released in
Short Takes, Classic Pop Edition: What's Coming From Willie Nelson, Bing Crosby, Aretha Franklin, Tony Bennett
Today’s Short Takes looks at a variety of upcoming releases with one thing in common: great vocalists in the tradition of the Great American Songbook! First up, let's take a look at an album of new recordings from a favorite reissue label. One genre has never been enough to contain the musical restlessness of Willie Nelson. The country legend and honky-tonk hero created his own standards with his early songs such as “Crazy” and “Funny How Time Slips Away” before paying tribute to the Great
Review: Dick Jensen, "Dick Jensen" - A Lost Philadelphia Soul Classic
When Dick Jensen was signed to ABC’s Probe Records label in 1969, only one album title seemed appropriate: White Hot Soul. The Hawaiian-born entertainer’s stage moves earned him comparisons to James Brown and Jackie Wilson, while his voice recalled the booming sonorities of Tom Jones or Engelbert Humperdinck. Tucked away on Side Two of that Don Costa-produced LP, Jensen included The Soul Survivors’ “Expressway to Your Heart” as part of a medley. That 1967 Top 5 hit, of course, was written by
Big Break Serves Up Soul, Jazz and Funk from Carmen McRae, Billy Paul, Azteca and More
Timeless soul music knows no regional boundaries, at least based on the latest quintet of releases from Cherry Red's Big Break Records imprint. With this group of reissues, you'll travel to Philadelphia by way of Hawaii, Oakland, Harlem and Chicago. All of the titles previewed below are available now in the U.K. and next Tuesday, February 5, in the U.S.! Two new titles hail from the Philadelphia International Records catalogue. Perhaps most exciting is the first CD release outside of Japan
Skydog, Celebrated: Life of Duane Allman Explored in New Career-Spanning Box Set
Duane Allman was just 24 when he perished on the streets of Macon, Georgia, the victim of an accident involving his motorcycle and a flatbed truck carrying a lumber crane. Yet in a short but intense period of time, the Nashville-born slide guitar virtuoso had established a reputation as a creative and versatile musician with invention to spare. His distinct tones on a Wilson Pickett recording caught the ear of Atlantic Records’ Jerry Wexler, and while based at Rick Hall’s Muscle Shoals studio,
Phish Issue Vintage Live Show for Hurricane Sandy Relief
Perennial jam-band Phish may not be typical Second Disc fare, but a catalogue site run by two guys with close ties to New Jersey isn't going to let this slip by: the band is releasing a vault show from nearly two decades ago, with proceeds going to The American Red Cross’ Hurricane Sandy relief efforts. Recorded in support of their third album, Rift, the show finds Trey Anastasio and company at New Brunswick's State Theatre on May 9, 1993 playing tracks from that album ("Rift," "Weight," "It's
- « Previous Page
- 1
- …
- 200
- 201
- 202
- 203
- 204
- …
- 227
- Next Page »