Their repertoire was pretty standard for the late 1960s: a Lennon/McCartney tune here, a Bacharach and David song there, a Motown cover for good measure, even "The Windmills of Your Mind." But similarities ended there between Vanilla Fudge and their MOR-covering contemporaries. Over the course of five albums for the Atco label, the Fudge brought a psychedelic touch to the gestating sound of so-called "heavy rock" with blues-drenched, extended takes on familiar songs. Shadow Morton, famed
Tommy and Gina Redux
If you're from New Jersey, chances are you are (or know someone who is) a Bon Jovi fan. They were perhaps the best of the big-haired arena-rockers in the late '80s and '90s, and still know how to pack 'em in to this day. And now, it looks like they're reaching the rarified ranks of solid catalogue artists, thanks to a pretty wide series of reissues from Island and Universal Music Enterprises. Amazon is listing reissues of ten Bon Jovi albums - everything from 1984's self-titled debut to 2007's
News Roundup: Back from Hiatus Edition, Part 1
Well! After a fun weekend of sun and Easter candy, it's back to tracking the catalogue world at The Second Disc. A hearty thank-you to Joe for his contributions over the weekend, and a welcome back to our loyal readers. A few release nuggets came through the pipeline over the weekend, so let's clean house by getting some of them out of the way. More to come before the end of the day, so stick around! NME reported that a new Oasis compilation would see a U.K. release on June 14. Time Flies
The (Original) Sound of Philadelphia
Long before the triumvirate of Kenneth Gamble, Leon Huff and Thom Bell immortalized "The Sound of Philadelphia" as silky, smooth soul, Cameo-Parkway Records supplied the soundtrack to the City of Brotherly Love. The label may be best known for dances like the 81, the Twist, the Hully Gully, the Wah-Watusi and the Mashed Potato, or for teenage icons like Bobby Rydell. But Cameo-Parkway's roster was in fact much more diverse, from garage rockers ? and the Mysterians to doo-wop legend Johnny
Review: David Bowie - "David Bowie" Deluxe Edition
David Bowie circa 1966 was an artist in search of an identity. He had flirted with theatre, the mod movement, and even mime. When signed by Decca's Deram arm, he had already released six unsuccessful singles on three different labels and fronted a number of quickly-vanishing bands. The Decca contract came shortly after his recordings for Pye, which had been shepherded by British hitmaker Tony Hatch of "Downtown" and "Call Me" fame. The Deram album, simply titled David Bowie, was all but
You've Still Got A Friend: "The Essential Carole King"
The Second Disc is pleased to introduce our first contributor, Joe Marchese. Joe is a NY/NJ-based writer, theatre director and music enthusiast, and is thrilled to be on board. For many of her fans, Carole King's career begins and ends with Tapestry. It's not hard to see why; the seminal 1971 album spent fifteen weeks perched at No. 1 on Billboard’s album chart, remained on the chart for six years, spawned two chart-topping pop singles, and influenced an entire generation of introspective
The Not-So-Finer Things
The announcement of Revelutions: The Very Best of Steve Winwood - a new compilation from Island available as either a single-disc compilation or a four-disc box set - should be exciting. Winwood is a hell of a musician whose illustrious career has seen him work with Blind Faith, Traffic and The Spencer Davis Group, not to mention his own successful solo work. But this set is boring, not just for its lack of vault content but because it's essentially been released before. The Finer Things was a
Rarities Editions: Round Two
The Second Disc did a run-through earlier this month concerning Universal Music Enterprises' "Rarities Editions," repackagings of the second discs of various Universal Deluxe Editions. Some of them were worth it if you avoided buying the Deluxe Edition before, but a few lacked the bonus tracks that were on some of the deluxe titles' first discs. However, they must have been enough of a success for UMe, because another seven in the series have been announced for April 27. Thus, it would be worth
Reintegration
Hooray! Slicing Up Eyeballs reports that the triple-disc reissue of Disintegration by The Cure seems to finally have a release date. The reissue press release was recently posted to The Cure's official site with a May 24 release date from Polydor/Universal in the U.K. Hopefully this means a May 25 release from Rhino in the U.S. will be locked down before long. There have been far too many inexplicable delays of '80s reissues in the States lately. Stay tuned as always for more!
No-Brainers
One of the biggest unasked or unanswered questions about The Second Disc is: why catalogue stuff? Is the site meant to conjure up memories of musical generations past? Is it trying to remind labels that their back catalogues should be treated with the utmost care in conjunction with their burgeoning new acts? Is there something else about it? The answers are maybe, yes and yes. At heart, though, The Second Disc has more to do with journalism than anything. Journalism, they say, is the first
Back Tracks: Squeeze
If The Second Disc has any European readers, allow me to express my intense jealousy that Squeeze, one of the best British pop bands I can name, is embarking on a tour in your neck of the woods later in the year. It pleases me that Squeeze is not an unknown entity in the United States (the first Squeeze concert I partook in, at Radio CityMusic Hall in 2008, looked pretty sold out), but ask any casual or younger music fan and you'll likely get blank stares. This may change if you sing a few bars
Lena Horne Soars, The Lion Roars
As previously mentioned, Hip-O Select had yet another release up their sleeve: Lena Horne Sings: The M-G-M Singles Collection. It's a set of 16 early Lena Horne classics cut for M-G-M Records in the '40s and '50s and largely unavailable on CD until now. There's a heap of standards, including "'Deed I Do," "Where or When," "I've Got the World on a String" and "The Lady is a Tramp," plus liner notes from Horne biographer James Gavin. Pre-order it here and hit the jump for some specs (culled
Rick James Coming Into Your Life Again
Just a day after readying a deluxe edition of Meet the Supremes for the world, Hip-O Select comes through with a pair of out-of-print Rick James titles. Fire It Up (1979) and Garden of Love (1980) are both making their way to CD (the latter being pressed on CD for the first time) with a few bonus tracks. The original artwork will be replicated for each and complemented with liner notes by Yale music professor Michael Veal. Links are here and here and full song specs are below. Rick James -
Insanity, Bohemian-Style
Legacy recently hipped their Facebook fans to the pre-order page for the double-disc Legacy Edition of This is Big Audio Dynamite, the 1985 debut LP by Big Audio Dynamite. Led by Mick Jones, who was at the time recently fired as guitarist of The Clash, BAD was quite the stylistic melting pot, fusing punk with reggae and club music and garnishing it with samples aplenty. The new edition, released for the album's 25th anniversary, includes an extra disc of rare and unreleased remixes. Have a look
Re-Meet the Supremes
Although the track list was up and running at Amazon some time ago, Meet The Supremes: Expanded Edition is finally up for pre-order from Hip-O Select. And this two-disc set has a lot of rarities for Motown fans. The set has the original stereo and mono versions of the LP, a four-song set from the Apollo Theater in 1962 (touted by Universal as "the earliest known Supremes live recording"), seven more live tracks from 1964 and more than a dozen unreleased alternate takes. The packaging looks
Labelled with Love
It might not mean as much now in an era dominated by digital files (not to mention a music business that is more or less split between four major labels), but there's a certain beauty in looking at the label on a piece of vinyl. Next to a picture sleeve, it's the prettiest art you could get in the early days of buying music. With that label, there would be an image, not only literally but spiritually as well; the image a label projected onto its LPs and singles usually called a certain emotion
Never Gonna Give You Up. No, Really.
In a move that proves that any reissue is possible, or at least probable, the Edsel label has set an April 13 release date for expanded reissues of Rick Astley's Whenever You Need Somebody and Hold Me in Your Arms. Yes, you are reading this right. You are also reading correctly that each reissue will be two discs with expanded liner notes by Pete Waterman Entertainment, Ltd. expert Tom Parker. More info is here, here and here and a detailed tracklisting for each is after the jump.
Every Day Should Be Record Store Day
And perhaps it is, depending on how often you buy from one. The fourth annual Record Store Day is happening in less than a month (April 17) but already a lot of releases have been announced for the occasion. Best of all, there are some neat releases for catalogue fans out there, too. You can have a look at the full list here, but here are some of the neatest catalogue offerings coming on Record Store Day. Devo, Duty Now for the Future (1979) (Warner Bros.) As previously mentioned, Devo's
Back Tracks: Alex Chilton
A potentially embarassing confession: it took the death of Big Star frontman Alex Chilton for me to realize just what I knew about him. I knew his name was the title of a Replacements song (thanks, Rock Band), I'd known of Big Star thanks to the justifiable hype over last year's box set from Rhino and I'd known a handful of his most famous, very solid compositions that he either wrote or popularized ("Thirteen," "The Letter," "In the Street") through inevitable cultural osmosis (thanks, That
Still Your Dog
After a Rock and Roll Hall of Fame induction and an upcoming reissue of their most iconic record, what more can The Stooges pull from their back catalogue? Not surprisingly, there's an answer: Rhino Handmade is prepping a two-disc reissue of the band's 1969 self-titled debut LP. Of course, as you may have read last week, the album already was given a double-disc reissue by Rhino in 2005. This set ups the ante by presenting a complete, alternate mix of the record and several unearthed songs. The
Slightly Cynical News Round-Up
To the surprise of almost nobody and the anguish of '80s catalogue fans, EMI has again reshuffled the dates for the next batches of Duran Duran reissues. Duran Duran, Seven and the Ragged Tiger and Arcadia's So Red the Rose are set for April 20 in the U.S. (note that the U.K. March 29 date for Duran and Tiger still stands - impatient fans, go for an import if you can). Additionally, Notorious and Big Thing will street on July 6, not June 7. Phil Collins hinted to The Rock Radio that more
Back Tracks: U2
Is it inherently lazy to do a U2 post on a music blog for St. Patrick's Day? Whether it is or not, it's done for two reasons. First, since The Second Disc is all about reissues, it's worth tipping a hat to Universal's ongoing series of U2 reissues. They have been some of the best on the market in recent years. The packaging is nice, the content is comprehensive and groundbreaking (in other words, the fan gets all those hard-to-find tracks he or she is looking for plus a score of vault material)
Five Things the Michael Jackson-Sony Deal Should Consider
After a deafening silence broken only by the just-OK This is It album, Michael Jackson's posthumous release projects at Sony just amped up. The King of Pop's estate and Sony Music have brokered a $250 million, ten-album deal that will keep the Jackson train rolling at Sony through 2017. Speculation has already begun over what the nine forthcoming titles (the This is It soundtrack is retroactively included in the deal) will be. Rumored audio titles include: New reissues of Off the Wall and
Cratediggers
Inspiration comes from strange places. My latest bout would never have happened if it hadn't been for a burst water heater. That part of the story's not worth recounting - suffice to say that a new carpet had to be installed in the basement - but while my family began moving furniture back downstairs, I made a crucial discovery: a shelf full of records and tapes that I'd never bother to look through. As we put the boxes back in their place, I intended to take a cursory glance through the
Back Tracks: ABBA
Continuing the Rock and Rall Hall of Fame coverage leading up to Monday night's induction, here is another catalogue retrospective for one of the artist inductees. In his latest book, 2009's Eating the Dinosaur, Chuck Klosterman includes an essay praising ABBA for their intriguing critical status (contending that, like AC/DC, ABBA's work never operated near relevance or irrelevance, thereby guaranteeing that it will have a more lasting impact) as well as their somewhat unusual commercial