The Art of Noise usually gets lumped into that U.K. '80s esoterica category that a lot of their early labelmates on ZTT (Frankie Goes to Hollywood, 808 State, The Buggles and so on) seem to be in. Their sound was hip, catchy and weird, they say, and maybe a bit too much so for their own good. This is kind of funny, particularly because it's kind of wrong. The Art of Noise were indeed hip, catchy and weird. Their early work on ZTT, like the sample-heavy "Close (To the Edit)" and "Beat Box," set
Reissue Theory: Novelty Edition
One of the potential hazards of being a music collector is that sometimes, if you're feeling adventurous, you spring for an all-too-dangerous impulse buy. I'm guilty of this all the time, especially when the music in question is cheap. Put me within 25 yards of a garage sale or a cutout bin at a supermarket and I'm probably going to walk away having bought at least one disc. Sometimes this strategy works out in my favor: a random purchase of Squeeze's Singles 45 and Under from my local ShopRite
Back Tracks: Tears for Fears
Not many people dig music from the 1980s. To a degree, I understand why. Sandwiched between the monstrous artistry of album-oriented rock bands of the '70s and the mainstream-busting advances of grunge and rap in the '90s, most of the music of the '80s was characterized by an emphasis on image (i.e.: MTV) and artifice (why hire a drummer when you can buy a Linn LM-1?). But a good song - whether it's a hit or not - will transcend its labels and packaging and hopefully turn into something you'll
Reissue Theory: Peter Gabriel, "Deutsches"
On this day 42 years ago, Decca Records released a single, "Silent Sun," by a new band, Genesis. It was the first single off From Genesis to Revelation, an album that would not be released until nearly a year later. Neither the single nor any material from that first album would resemble anything near the forms of Genesis we know and love today. The sound was less prog and more psychedelia, and the teenaged band members - lead vocalist Peter Gabriel, keyboardist Tony Banks, guitarist Anthony
A Genius Move?
Amazon has an April 6 date for a new reissue of Genius + Soul = Jazz, a 1961 instrumental album by Ray Charles. Backed by members of the Count Basie Orchestra, featuring orchestrations by Quincy Jones and propelled by a Top 10 hit, "One Mint Julep," the LP served as his first for Impulse! Records and is now owned and distributed by the Concord label (which owns the rights to all his Impulse and ABC/Paramount material, from 1960 to 1973). Concord's done quite a bit of stuff with this part of
Reissue Theory: Terence Trent D'Arby - "Introducing the Hardline According To..."
For many, one of the most salient points of reissuing and compiling popular music is to help listeners rediscover lost gems that may have fallen into the cracks. Ordinarily, one would not consider a debut record that sold 12 million copies, spun off three Top 40 hits and won a Grammy a "lost gem." And yet, it seems that at least one record, 1987's Introducing the Hardline According to Terence Trent D'Arby, has earned such a strange distinction. Terence Trent D'Arby has always been something of
El Sonido de la Joven América
I've been waiting for this one for a long time: Hip-O Select is releasing a new compilation of classic Motown songs in a whole new way. Motown Around the World: The Classic Singles compiles 38 songs from the label as recorded in other languages for international markets. The Supremes, The Temptations, Stevie Wonder, The Four Tops, The Velvelettes, Smokey Robinson and Edwin Starr sing the songs you know and love (plus a few folk ballads native to other countries) in Italian, Spanish, French and
Reissue Theory: INXS, "Kick"
Take a look at the above image. It might not look too familiar if you live in the U.S. and have a working knowledge of the INXS catalogue. The famed Australian rockers have a vast three-decade career to their credit, most of which has appeared on subsidiaries of Warner Music Group through the years (notably Atco and Atlantic). Elsewhere, though, it's another story: in Europe, Mercury/Phonogram, owned by Universal Music Group, gets the rights to the work of Michael Hutchence and
The Doves Cry Because The Vault's Not Open Yet
[youtube=http://www.youtube.com/watch?v=eObzOkRXUZw] Music aggregator The Daily Swarm made a heck of a discovery today: seven YouTube videos of Prince rehearsing some of the hits, B-sides and rarities from the Purple Rain era in 1984. Given that Prince has famously come down on YouTube like a ton of bricks - threatening legal action against a mother who posted a video of her baby dancing to a few seconds of "Let's Go Crazy" - this definitely falls under the "get it while it's hot"
Back Tracks: The Knack
Rock fans have had some sad news to cope with today: Doug Fieger, the unmistakable lead singer for The Knack, died today after a lengthy battle with cancer. While The Knack may be seen by some as a semi-sleazy one-hit wonder (or two-hit, if you count "Good Girls Don't"), their brand of power pop was emblematic of everything the genre should be: fun, catchy and not the least bit serious. In honor of Fieger's band and their contributions to the pop-rock scene, here's a special look back at the
Too Much Information
There's a few weeks to go until Legacy Recordings and Experience Hendrix LLC reprint the Jimi Hendrix catalogue. March 9 will see CD/DVD versions of four classic Hendrix albums as well as a new unreleased compilation, Valleys of Neptune, on store shelves. In preparation for the reissue, I've been acquainting myself with the ridiculously deep catalogue Hendrix left in his 27 short years on this Earth. And if music research could make me curl up and whimper, I'd have my arms around my knees by
Back Tracks: Marvin Gaye
Our Valentine's Day weekend preparation continues with a look back at the reissue prospects of Marvin Gaye, one of the finest soul voices of the century (and, in my opinion, one of the most heartbreaking losses in popular music). It's quite interesting that Gaye's catalogue, split about 90/10 between labels (Motown and Columbia), has been well-serviced by both. Chalk it up to the fact that one of his biggest hits, "Sexual Healing," was released on the latter label in 1983. Take a look at the
Voices, Another Sound
EDIT: Those who'd like to read the press release, which also has a neat note on the packaging of the reissues, can do so here. ORIGINAL POST: Duranies like me can breathe a sigh of relief: following the news that an April 13 release date has been confirmed for the deluxe reissue of Duran side-project Arcadia's lone album So Red the Rose (1985), our friends at Slicing Up Eyeballs have confirmed that EMI will release the other planned deluxe sets for Duran Duran (1981) and Seven and the Ragged
The (Aggravating) Sound of The Smiths
Today was the day that U.K. fans, elated from the grassroots success of making Rage Against the Machine's "Killing in the Name" the 2009 Christmas No. 1 single, attempted to make lightning strike twice with a campaign for The Smiths' immortal "How Soon is Now?" Call me a spoilsport, but I have my doubts that the campaign is going to make the same kind of headway. The "Killing in the Name" incident was just right-place, right-time and had suitable fire underneath it (people will buy a single so
The Runaways - "The Mercury Albums Anthology" Revealed
After announcing it a few weeks ago (and teasing all about it on Twitter today) Hip-O Select has started pre-orders for The Mercury Albums Anthology, a two-disc compilation of nearly all of the albums released by the proto-riot-grrl group that launched the careers of Joan Jett, Lita Ford and other female rock luminaries. The set itself looks pretty straightforward. The band's first four albums - The Runaways (1976), Queens of Noise (1977), Live in Japan (1977) and Waitin' for the Night (1977) -
"Raw Power" to Melt Faces in April
Fans of The Stooges, get ready for a rush: Legacy Recordings is reissuing Raw Power, one of the most iconic pre-punk rock records of the 1970s. And hardcore fans are going to drool over the goodies that are coming their way. The standard set is going to be a two-disc Legacy Edition (you know, the ones in a double digipak with a slip case). On the first disc is the original album as originally mixed by David Bowie. This is a really big deal, as the last time Legacy reissued the record in 1997,
Carnival of Sound is Coming!
Here's an exceptional treat for rock fans from Rhino Handmade: the first official release of Carnival of Sound, the legendary lost album from Jan & Dean. Intended for release in 1968, the psychedelic Carnival of Sound was the first material that Jan Berry worked on after his debilitating car accident in 1966. It was never released, but after much bootlegging and three years of research the record is ready for release. The new set features 15 finished tracks from the sessions (no official
Back Tracks: The Who
Were you left cold by The Who's straightforward, inoffensive performance at The Super Bowl last night? Did you hear will.i.am's pointless remix of "My Generation" and think about a time in which that song actually meant something? This installment of Back Tracks takes you through the deluxe editions of The Who's discography, so you can focus on the glory days and not Roger Daltrey's incredibly silly get-up. And take heart: The Who's back catalogue is probably one of UMe's grandest war horses.
The LP Stands for Lame Product
We catalogue enthusiasts are an odd bunch. The music industry at large is horrified about consumers not buying as much physical music as they used to - but a lot of reissue buyers, interested in the preservation of our collections and their sound quality, are still scouring record stores for purchases. Labels releasing new music have to recontextualize what constitutes "strong sales" now that albums rarely pass 250,000 copies in their first week - but our favorite reissues are lucky to have
Reissue Theory: Ben Folds Five, "Ben Folds Five"
In Reissue Theory, The Second Disc researches and drafts a box set, compilation or reissue that would be worth pursuing by a label. Lots of catalogue enthusiasts are older folks, there's no getting around that. Those who grew up with great rock and roll and consumed it on compact discs as adults are probably the lion's share of people reading sites like this. But regardless of what you perceive the quality of more recent music to be, it needs to be looked after as well by catalogue
Reissue Theory: It's Time to Play the Music
The recent announcement of E1's Sesame Street Old School Volume 1 has got me excited, but for a slightly different reason. I am sentimental toward the Sesame Street Muppets (despite not having been much of a viewer as a child), but my favorite Muppets were always the ones in The Muppet Show - those loveable felt and fur actors singing pop standards, blowing things up and causing all sorts of mayhem. Perhaps more than any other youth-oriented entertaiment of the 1970s (aside from, say, School
Arcadia's "So Red the Rose" Fumbling Toward a Release Date
(UPDATE 10:40 a.m.) Duran Duran's representative Katy Krassner responded with lightning speed to the inquiry about the press release: "There is no set release date...we will update the site when there is one. This was just EMI's updated press materials on the release." So while fans have to wait a bit for the scoop, know that it'll be here soon enough. Thanks to Katy for her response! Duran Duran fans who've spent years fighting to defend the worthiness of the New Wave quintet enjoyed something
New Review - Whitney Houston: The Deluxe Anniversary Edition
Need a cure and tonic from the truly dismal Grammys, currently invading airspace across the East Coast? The inimitable Matt Rowe at MusicTAP has been kind enough to post another catalogue review of mine. This time it's Legacy's neat reissue of Whitney Houston's 1985 debut LP. While I can't yet confirm if I "might just be the next MusicTAP," as Matt very kindly speculates, I am more than happy to try. To that end, check out the review here and keep reading The Second Disc for all the expanded
This is It (Part 2)
Now that I've gotten all my gripes out about the This is It soundtrack, I'm more than happy to pen some thoughts on the actual film, now out on DVD and Blu-Ray from Sony Pictures Home Entertainment. For years after Michael Jackson rose from a nasty string of legal troubles in 2004, I had been ruminating on what could become of one of my favorite pop entertainers. His rumored forays back into the recording studio always left me cold; why would he collaborate with will.i.am or Akon when he had
Conan Addendum
I found this funny enough to warrant its own post: I spent the weekend debunking some rumors about the presence of the original master of The Rolling Stones' "(I Can't Get No) Satisfaction" on one of the last episodes of The Tonight Show with Conan O'Brien. What I almost completely overlooked was another back catalogue-oriented news story that sprung up from the last episode. Ahmir "?uestlove" Thompson, drummer for The Roots (a great R&B group in their own right and the house band for Late