“Prince” Phillip Mitchell is in some mighty good company. The Kentucky-born singer and songwriter, who rose to prominence composing songs for deeply soulful artists including Millie Jackson and Bobby Womack, is the latest to receive a career retrospective from Ace Records’ Songwriters and Producers series. With the Ace/Kent release of Something New to Do: The Phillip Mitchell Songbook (CDKEND 394), he joins such illustrious talents as Dan Penn, Burt Bacharach, Randy Newman, Jerry Leiber and
Review: Big Star, "Nothing Can Hurt Me: Original Soundtrack"
The feature-length documentary Big Star: Nothing Can Hurt Me opens today at New York’s IFC Center and on Friday at Los Angeles’ Nuart Theatre. In conjunction with its release, Omnivore Recordings has recently unveiled a soundtrack album collecting 21 previously unissued songs from the legendary Memphis band. Rare is the cult band that actually lives up to its legend. Yet, with each listen - time after time, year after year - Big Star not only meets the hype, but surpasses it. Chances are, if
"Windy: A Ruthann Friedman Songbook" Explores The Solo Side of The Songwriter
A look at the intense visage of Ruthann Friedman on the cover photograph of Now Sounds’ Windy: A Ruthann Friedman Songbook reveals those “stormy eyes that flash at the sound of lies,” but a listen to the sounds within shows the artist spreading her “wings to fly above the clouds.” For here is an entire disc’s worth of never-before-heard pop nuggets, crafted with a delicacy and beauty to match that photo. Windy, of course, is so named, of course, for The Association’s 1967 No. 1 hit penned by
Review: "Woody Guthrie at 100! Live at the Kennedy Center"
The new CD/DVD set is entitled Woody Guthrie at 100! Live at the Kennedy Center, but in fact, Woody never made it past 55. This document of an altogether lively concert program from a wide assortment of admirers proves, however, that his music has not only lasted ‘til 100, but will likely survive us all. This is a celebration, yes, but a celebration with a conscience. A strong thread of morality and social awareness ran through all of Guthrie’s songs, as he believed music could make a
Reviews: Eddy Arnold, "Complete No. 1 Hits" and David Allan Coe, "Texas Moon"
When 1965’s “Make the World Go Away” entered the Pop Top 10, it was unusual, even for those heady days of pop diversity. The singer, Eddy Arnold, had first signed to RCA Victor in 1943. The Musicians’ Union’s strike prohibited the young vocalist from recording until it was settled in December, 1944, but when Arnold finally entered WSM’s radio studios to record four songs, he was making history. His session was the first for a major label to be held in Nashville, Tennessee. His star was soon
Review: Burt Bacharach, "Anyone Who Had a Heart: The Art of the Songwriter" Box Set
Time stands still for Burt Bacharach. Rumer’s 2010 single “Some Lovers,” from Bacharach and Steven Sater’s musical of the same name, is the most recent track on Universal U.K.’s new box set Anyone Who Had a Heart: The Art of the Songwriter. Yet 2010 melts into 1965 like a ray of sunshine on the “cloudy Christmas morning” in the song lyric. Sleigh bells gently underscore wistful flugelhorns as it begins, with Rumer’s dreamy, comforting vocals gracefully gliding over the bittersweet melody.
Don't Walk On By: Dionne Warwick's "Unissued Warner Bros. Masters" Joins "The Complete Warner Bros. Singles" On CD
When Dionne Warwick signed on the dotted line with Warner Bros. Records, the possibilities must have seemed endless. The singer had embraced change, after all. A new decade was in its infancy. She had traded a feisty New York independent (Scepter) for a Burbank giant. She had even added an "e" to her surname on the advice of an astrologer. And although the exact amount wasn't disclosed, Warwick had reportedly signed the biggest deal ever for a female vocalist. What didn't change, at least
What's It All About: Burt Bacharach Celebrated On PBS, Lost Song Included on "Dionne Warwick Sings Burt Bacharach"
The first voice you’ll hear on My Music: Burt Bacharach’s Best, now airing on PBS stations nationwide, is that of The Maestro himself. “What’s it all about, Alfie?,” he sings in his familiar, quavering tone, finding the fragility in the Hal David lyric that he calls his favorite. Then comes “What the World Needs Now is Love,” sung by its composer with an assist from that International Man of Mystery, Austin Powers (Mike Myers). It’s appropriate that the solo Bacharach introduces this
Here's Your Chance: Philly Soul Legends, Deep Soul Grooves Comprise BBR's Next Release Slate
From the streets of Philadelphia to the deepest vaults of soul and R&B, this coming week's slate of reissues from Big Break Records has got just about something for everyone. Enchantment, the Detroit soul group behind 1978's hit "It's You That I Need," would make some changes in the '80s, having moved labels a few times (from Roadshow/United Artists to RCA and finally Columbia for two albums) and also subtly altering their sound from a lush, disco feel to a Fairlight-led modern groove.
Review: Judy Garland, "Creations 1929-1962: Songs She Introduced"
In the first two lines of the introductory essay that accompanies JSP Records’ new box set Judy Garland – Creations 1929-1962: Songs She Introduced, the box’s compiler Lawrence Schulman sets forth its raison d'être: “That Judy Garland (1922-1969) was one of the most talented singers and actresses of her generation is known. That she introduced close to a hundred songs to the Great American Songbook is not.” Thanks to this 4-CD, 94-song collection, that secret shouldn’t be a secret any longer.
Where Were You When We Needed You: Latest Volume of "The Complete Motown Singles" Arrives in June
Let's dispense with the "Get Ready" puns: after a four-year wait, Hip-O Select's Complete Motown Singles series inches closer toward the finish line with Volume 12A: 1972. This five-disc set includes every single side released by Motown during the first half of 1972, a time of transition for the company. Berry Gordy had already moved his Detroit-based media empire westward to Los Angeles, leaving some of his flagship groups in a transitional period. The Jackson 5 still had their hits, but not
Let's Celebrate: Big Break Goes Deep Into The Salsoul Groove with Candido, Skyy
Following last year's releases from The Salsoul Orchestra, First Choice, Instant Funk and Double Exposure, Big Break Records continues its exploration of the Salsoul Records catalogue with two new reissues from Skyy and Candido. These discs can be said to offer another side of the Salsoul legacy as neither are locked into the Philly grooves of Vince Montana or Baker-Harris-Young. Instead, they show just how far the New York label could push the dance/R&B envelope in the waning days of
Real Gone's Duos, Reviewed: Tom Jans and Mimi Fariña, Chet Atkins and Les Paul, Barbara and Ernie
Real Gone Music has recently released three very different albums from three duo acts, and we're looking at each one of them! Tom Jans is perhaps best known today as the songwriter of “Loving Arms,” so memorably recorded by Elvis Presley in 1973 and also cut by everyone from Etta James to Kenny Rogers. But in his tragically short lifetime – he died in 1984, aged 35 or 36 depending on the source – Jans also recorded five albums as a singer-songwriter. His first two, including an album of duets
Losers Weepers! Ace Unveils Rare and Unreleased Songs on "Finders Keepers: Motown Girls 1961-67"
Thanks to the dedication of labels like Ace Records, it would be impossible to "forget the Motor City." Along with the U.S.' flagship Hip-O/UMG Select imprint, Ace has led the charge in issuing vintage 1960s-era Motown material, much of it unreleased. The recent release of Finders Keepers: Motown Girls 1961-1967 compiles 24 tracks from girls both famous (The Supremes, Martha and the Vandellas, Mary Wells) and all-too-unknown (LaBrenda Ben, Thelma Brown, Anita Knorl) for a potent overview of
The Legacy of Harry Nilsson, Andy Williams, Johnny Winter, Jerry Lee Lewis and More Anthologized On "Essential" Releases
Today, Legacy Recordings issues a number of titles from some of music's greatest artists as part of the label's ongoing Essential series of anthologies. We're taking a look at the collections from Harry Nilsson, Andy Williams, Jerry Lee Lewis, Pete Seeger, Mott the Hoople and Midnight Oil! Plus: we have track listings for all titles! A 2010 documentary posed the question, Who is Harry Nilsson (And Why is Everybody Talkin' About Him)? Well, if you don't already know the answer, The
Stage and Screen Bonanza: "World of Suzie Wong," "Elephant Steps" and Gene Kelly's "Clownaround" Coming Soon
More treats are on the way for fans and collectors of rare cast albums and film soundtracks thanks to the ongoing work of the Masterworks Broadway and Kritzerland labels. As part of its ongoing digital/CD-on-demand program, Masterworks is offering two of the most unexpected cast recordings from the label’s considerable library. On May 7, Stanley Silverman and Richard Foreman’s Elephant Steps: A Fearful Radio Show makes its digital/CD(-R) debut, while on June 4, Moose Charlap and Alvin
Review: The Sugar Shoppe, "The Sugar Shoppe"
Who was a proprietor of The Sugar Shoppe? Was it Thomas Andrews, architect of the Titanic? Was it Anthony Hope, the lovestruck sailor who befriended the murderous barber Sweeney Todd? Or was it Jesus himself? Well, actually it was all of the above, as The Sugar Shoppe was co-founded by none other than actor/singer Victor Garber years before his roles in Titanic, Sweeney Todd and Godspell (not to mention Alias, Argo, Assassins, Damn Yankees, and so many more). Garber joined singer,
Back To Montague Terrace (In Blue): Scott Walker's Early Solo Albums Are Remastered and Boxed
Upon the late 2012 release of Scott Walker's album Bish Bosch, U.K. newspaper The Guardian posed the question, "Were you hoping this might be the album that would see Scott Walker return to lush, beautiful balladry?" The answer: "Well, tough." Indeed, the iconoclastic singer-songwriter has pursued a defiantly singular path creating intense, nightmarish and never-uninteresting soundscapes on albums such as Bish Bosch. His work over the past two-plus decades has been removed, of course, from
Nancy Wilson Goes Pop and Philly Soul With New Two-For-One CD Reissue
By 1970, Nancy Wilson had already been a marquee recording artist for Capitol Records for a decade. The supreme song stylist never allowed herself to be pigeonholed into one musical style, having made her successful debut single with a Broadway showtune ("Guess Who I Saw Today"), dabbled in R&B ("Save Your Love for Me") and collaborated with jazz greats such as Cannonball Adderley and George Shearing. All in all, Wilson was a leading light of adult pop, selling out nightclubs and even
BBR Keeps A Light In Its Window For The Lost Motown Classic "Caston and Majors"
Like a fine meal, Caston and Majors begins with an appetizer. "Child of Love," on cursory listening, is "just" a bright pop song with a funky groove, employing booming drums, surging strings and a catchy chorus ("Rise now, child of love/No time for wastin'/Rise now, child of love/Stop hesitatin'...") along with a "Hey, hey" cheer that invites singing along. But a closer listen to the lyrics finds songwriters Leonard Caston and Kathy Wakefield giving voice to a higher power: "You must be a
In Memoriam: Phil Ramone (1934-2013)
Today, The Second Disc remembers Phil Ramone. The multiple Grammy-winning producer, 79, died on Saturday, leaving behind a legacy of song from artists ranging from Barbra Streisand to Paul McCartney, Barry Manilow to The Band. Yet unlike so many of his contemporaries, Phil Ramone didn’t have a signature style. Instead of molding a band or singer to a preferred sonic specialty, he was a true architect of sound, tailoring each production to the individual artist. Ramone was equally comfortable
Friday Feature: "It's a Bird, It's a Plane, It's Superman"
Look! Up in the sky! It’s the return of the Friday Feature! When a mad scientist threatens Metropolis, it’s Superman to the rescue…right? What if Superman wasn’t there? What if the Man of Steel was otherwise occupied, being honored for his heroic deeds by a group of local kids at the very moment City Hall was being blown up? Faced with his inability to save the day, would the Last Son of Krypton finally be pushed over the edge? That’s not a story you’ll find in any DC Comic, however, now
Review: Duane Allman, "Skydog: The Duane Allman Retrospective"
“I ain’t wastin’ time no more,” Gregg Allman sang following the death of his brother Duane at the age of 24 in October 1971, “’cause time goes by like pouring rain…and much faster things/You don’t need no gypsy to tell you why/You can’t let one precious day slip by.” Surveying the remarkable new box set Skydog: The Duane Allman Retrospective (Rounder 11661-9137-2), it’s evident that Duane Allman’s too few days certainly were precious, filled with soulful sounds that transcended genre tags like
Review: The O'Jays, "Ship Ahoy: 40th Anniversary Edition"
James Barkley’s rear cover artwork for The O’Jays’ 1973 Philadelphia International LP Ship Ahoy depicts a mighty vessel sailing on the sea, but the reflection in the water isn’t of the boat itself. Rather, ghostly figures of abandoned souls populate these waters. The setting is the Middle Passage, the infamous crossing in the “triangular trade” that saw Africans shackled and shipped as slaves to the Americas. Those spectral presences loom over the visages of Eddie Levert, Walter Williams and
Reviews: Real Gone Reissues A Lost Jimi Hendrix Production, All-Girl Rock Pioneers and Mime-Rockers
We’re taking a look at three of the latest pop-rock rarities from the crate-diggers at Real Gone Music, including two albums from bands with a Todd Rundgren connection! Fanny, Fanny (RGM-0118) Maybe the tongue-in-cheek cover didn’t do the band a great service. The band was called Fanny, and the album cover showed the all-female band’s four members, their backs to the camera, their fannies for all to see. For good measure, Alice De Buhr grabbed June Millington’s fanny. But beyond the goofy
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