Smash! Boom! Bang! The ace compilation experts at, well, Ace Records are offering up plenty of Smash, Boom and Bang (both in impact and in label name!) for your buck with their diverse slate of February releases. You'll find top-drawer pop, rock and soul for connoisseurs and beginners alike among the label's latest. Perhaps the most unexpected is the new entry in the label's long-running Songwriters and Producers series. Smash Boom Bang! The Songs and Productions of
Our Memories of Elvis: Presley Classics Expanded by Follow That Dream Label in March
Following December’s release of expanded editions of Elvis Sings The Wonderful World of Christmas, Promised Land and Elvis is Back!, the limited-edition Follow That Dream label has announced another trio of vintage Presley titles due in March. The On Stage: February, 1970 album (previously twinned with In Person by RCA and Legacy) will be a 2-disc, 7-inch digipak set with a 12-page booklet. In addition to the original album sequence, it will present all of RCA's recordings from three of the
Back Tracks: Whitney Houston
Music was in both the bloodline and the spirit of Whitney Elizabeth Houston (1963-2012). The native of Newark, New Jersey called Cissy Houston of The Sweet Inspirations her mom, while Dionne Warwick and Dee Dee Warwick were her beloved cousins. Aretha Franklin was a close family friend and honorary aunt. Following in her mother's footsteps, she began performing at Newark's New Hope Baptist Church, singing in the gospel choir as a featured soloist, and began to make inroads in the music
So Esoteric: Todd Rundgren's Lost "Disco Jets" and a Jim Capaldi Duo Coming Soon
Longtime Todd Rundgren fans are familiar with the renaissance man’s numerous genre excursions, from pop to rock and everywhere in between: psychedelia, soul, electronica, even metal. But comparatively fewer fans have heard Rundgren’s one and only full-blown excursion into disco. Shortly after completing 1976’s Faithful LP, the iconoclastic producer took the members of Utopia into the studio to create the album known as Disco Jets. Yet the album crafted by Willie Wilcox (drums), Roger Powell
Katy Perry Will Do Anything for Another #1 Single, Reissues "Teenage Dream"
You'd think two Grammy nominations in 2012 and a tied record with one of pop music's biggest luminaries would be enough for Katy Perry. But the recently-divorced pop singer is treating herself to one last dessert with the March 27 release of Teenage Dream: The Complete Confection, an expanded edition of her hit 2010 album. Expectations were high for the 27-year-old Perry when Teenage Dream was released almost two summers ago. After a number of false starts in her musical career - an
Review: Frank Sinatra, "The Concert Sinatra" (2012)
There have been countless recordings of Frank Sinatra…but only one Concert Sinatra. So named for its full concert orchestra (and not for a live performance), the 1963 album remains a career triumph. It’s perhaps the pinnacle of Sinatra’s long association with conductor/arranger Nelson Riddle, a vivid display of the singer’s gifts as a dramatic actor, and the ultimate valentine to the American theatrical songbook. Make no mistake, The Concert Sinatra is serious symphonic music, and it’s back
The Man in Black Meets the Man Upstairs: New Johnny Cash "Bootleg" Album Collects Gospel Material and Rarities
Underneath the darkness of The Man in Black, there was a great light. Despite trials that would likely have tested the faith of a lesser man, Johnny Cash’s belief in a higher power was unshakeable. And Cash formidably expressed those beliefs in song over the course of his long career. Like another American icon, Elvis Presley, Cash built up a body of gospel and spiritual music with such depth that it has easily stood the test of time alongside his more famous secular works. Johnny Cash
Touch the Sky: Four Classic Carole King Albums Reissued
When Carole King left Lou Adler’s Ode Records, the label that guided her in the transition from urban Brill Building queen to singer/songwriter/earth mother, it marked the end of an era. And how would the Tapestry weaver top the two distinct periods that had come before? King signed to Hollywood’s venerable Capitol Records label, and the title of her first LP for the label said it all: Simple Things. King’s final Ode LP, 1976’s Thoroughbred, had emphasized a return to nature in its cover
Anyone Who Had a Heart: Shelby Lynne's Dusty Springfield Tribute, Reissued
When I Am Shelby Lynne appeared on the Mercury label in 2000, its eponymous singer finally hit on an approach that synthesized her varied influences (country, soul, R&B, rock-and-roll) into a relevant and contemporary whole. Lynne picked up the Best New Artist Grammy, despite having released her first album in 1989, and the album’s title indicated that, finally, the artist knew who she was, and was ready to share her music with the world. Fast-forward eight years, and a number of albums
Gonna Take a Miracle: Deniece Williams Trio Coming From BBR and FTG
Let's hear it for Deniece Williams. By the time of her debut album in 1976, the resilient singer with the remarkable range had already recorded a Northern Soul favorite ("I'm Walking Away" on the small Lock Records label), performed with Minnie Riperton and Roberta Flack, and been a member of Stevie Wonder's versatile backing group Wonderlove. This is Niecy, on Columbia Records, was produced by Maurice White of Earth, Wind & Fire and Charles Stepney of Chess Records fame, and their
Finally, The Second Disc Has an Excuse to Address This Whole Lana Del Rey Thing
Although we make our claim as tireless reporters on all things in the catalogue music world, we at Second Disc HQ are music lovers first and foremost, regardless of the era. So it gives me a bit of weird pleasure to speak a little bit out of the usual comfort zone for a second and talk about one of pop music's weirdest current trend stories, which actually, tenuously, has some ties to our usual reportage. If you're a voracious consumer of all topics musical, you've probably read anywhere from
When The Lovelight Starts Shining: Lost Brit Girl Pop of Beryl Marsden Returns
If you peruse enough collections of Merseybeat, chances are you'll be familiar with the name of Beryl Marsden (no relation to Gerry, of Pacemakers fame). A product of the same Liverpool club scene that birthed the career of Beatle pal Cilla Black, Marsden played a number of recognizable Fab haunts, including the Cavern Club and the Star Club, and even supported the Beatles on their 1964 U.K. tour. But Marsden had never received a career-spanning anthology...until now! Changes: The Story of
Straight Through/From The Heart: Dio Goes Deluxe From Universal, Audio Fidelity Preps Dio, Bryan Adams
It’s 1983 all over again at Audio Fidelity. The audiophile specialty label is readying two albums from that year touching on both the rock and pop ends of the musical spectrum. Bryan Adams’ Cuts Like a Knife and Dio’s Holy Diver are both due in stores on February 14 as 24K Gold CDs playable on all CD players. Cuts Like a Knife was Adams’ third effort, eschewing the stylistic presentation of his first two albums in favor of a melodic rock style that caught on with both listeners and radio
Review: Aretha Franklin, "Knew You Were Waiting: The Best of Aretha Franklin 1980-1998"
Aretha Franklin is serious about her royalty. Billed on her newly-activated Twitter account as "the undisputed Queen of Soul" (take that, Tina Turner!), Franklin doesn't take her title lightly. But for a brief period, the artist's credentials as reigning Queen of Pop were just as unimpeachable. When Aretha joined Arista Records in 1980, it was after five disappointing albums at Atlantic, none of which have ever seen the light of day on compact disc. On those LPs, producers as diverse as
Review: "Golden Gate Groove: The Sound of Philadelphia, Live in San Francisco 1973"
No love, no peace, no shoes on my feet…no home, just a shack where I sleep… In the fall of 1971, Philadelphia International Records launched its long-playing series with Billy Paul’s Going East, and the title opus in which the velvet-voiced crooner spins a slow-burning yarn of slavery. It was hardly Top 40 fare (Paul would have to wait till producers/songwriters/label entrepreneurs Kenneth Gamble and Leon Huff gifted him “Me and Mrs. Jones” the following year) but signaled the dramatic
Thank You M.C. 1969: Michael Chapman's Folk-Rock Classic "Rainmaker" Arrives From Light in the Attic
When the distinct green Harvest Records logo is remembered today, it’s often for Pink Floyd or early Electric Light Orchestra. But the label, created to stake a claim in the burgeoning rock market, boasted a deep, diverse roster, all the better to compete with other “alternative” labels like Decca’s Deram or Philips’ Vertigo. One of the artists who found early success on Harvest was Michael Chapman, a former art and photography instructor. Chapman’s greatest achievement was arguably 1970’s
Reissue Theory: Whitney Houston, "Whitney"
We remember Whitney Houston (1963-2012) and her timeless legacy of song. We're sharing this feature in her memory, and will return with a tribute to this musical legend, gone too soon. Welcome to another installment of Reissue Theory, where we focus on notable album and the reissues they could someday see. Today's entry: a 25th anniversary spotlight on one of the best dance-pop albums of any era, and a tribute to a powerhouse R&B voice. In a word: Whitney. Around this time in 2010,
Short Takes: "Meet Glen Campbell" and "Matter of Time" Reissued, A Rare Earth Curio and More From Impulse!
The legendary Glen Campbell has seen a number of his classic albums reissued this year by labels including BGO, Real Gone Music and New Haven. Our friends at Rockbeat Records have lined up the next Campbell release, revisiting his 1985 LP for the Atlantic label, It’s Just a Matter of Time. Produced by Harold Shedd, the album found Campbell revisiting some of his past triumphs. Longtime collaborator and friend Jimmy Webb contributed three songs: the oft-covered “Do What You Gotta Do,”
Review: A Real Gone January - Bill Medley, Jody Miller and The Tymes
Among the first releases of 2012 from newbie label Real Gone Music is a two-on-one collection offering the compact disc debut of Bill Medley’s 100% and Soft and Soulful. But those titles are apt to describe the entire Real Gone line-up for January, as the young label has given 100% to make available a wide variety of music: soft and soulful, yes, but also jazzy, twangy, and folky. There’s something for everyone in this array of once-neglected titles. As 1968 began, The Righteous Brothers were
Legacy Plans Artist Collections, Themed Sets for New "Playlist" Batch
Brace yourselves, compilation collectors: Legacy's got another batch of Playlist titles out next week. The latest batch of set, due out January 31, skew mainly toward modern country and rootsier rock (Gretchen Wilson, Montgomery Gentry, solo works by Gregg Allman) with some wild cards thrown in for good measure (R&B from Charlie Wilson of The Gap Band and Wyclef Jean, contemporary pop-rockers Augustana, a set from The Hooters that was delayed from the last batch). In a nice change of pace,
Happy Birthday Johnny! Film Legend Celebrates Milestone with Pair of Compilations
The music catalogue world is celebrating one of Hollywood's truest living legends with two, count 'em, two, compilations next month. Whether you're a die-hard film score collector or a mere appreciator of good movie music, John Williams has made a mark on your consciousness. His list of credits spans decades, first as a Juilliard-trained pianist working under the greatest batons in Tinseltown (that's him plunking the low notes in Henry Mancini's iconic Peter Gunn theme), then a light, jazzy
Ann-Margret, James' "Thurber Carnival" Enliven Masterworks Broadway's Upcoming Slate
James Thurber (1894-1961) once commented, ""[Humor is] a kind of emotional chaos told about calmly and quietly in retrospect." The celebrated writer, cartoonist and humorist, perhaps best-known for 1939's fanciful The Secret Life of Walter Mitty, recounted that kind of emotional chaos in his acclaimed short stories and drawings, a number of which have been successfully adapted to other media. Four years before Walter Mitty itself was musicalized, Broadway welcomed Thurber's works to the stage
Tomorrow Is A Long Ways Away: The Byrds' "Preflyte" Expanded For U.K. Reissue
On November 10, 1964, The Byrds inked a deal with Columbia Records. Or more accurately, Jim (later Roger) McGuinn, Gene Clark and David Crosby signed to Columbia Records, with Michael Clarke and Chris Hillman officially joining the roster later. But before that auspicious major label signing, The Byrds' bags were packed, pre-flyte, it was zero hour...and after that day, they were destined to be high as a kite...eight miles high. (Pardon the mixing of musical metaphors.) The band's
Who Is Tom Northcott? Rhino Handmade Clues You In with New Warner Bros. Anthology
Somewhere in rock's back pages, you might find the name of Tom Northcott, troubadour. After establishing himself as the folk-singing frontman of The Tom Northcott Trio in his native Canada, Northcott headed for California, and proved himself in the fertile musical ground of the San Francisco Bay Area, opening for acts like The Who, The Doors and Jefferson Airplane. Soon he found himself even further south, signed to Los Angeles' Warner Bros. Records. And between 1966 and1969, Northcott
Review: Hugh Martin, "Hidden Treasures: Songs for Stage and Screen 1941-2010"
Did a cork pop? Did the world stop? Am I just in love…with the music and lyrics of Hugh Martin? Even if you don’t know the name of the late Mr. Martin, you certainly know his songs: “Meet Me in St. Louis,” “The Trolley Song,” and a little song heard every season, year after year, by the name of “Have Yourself a Merry Little Christmas.” But these songs from the MGM musical Meet Me in St. Louis are just the tip of the iceberg of Hugh Martin’s catalogue, a few highlights of a career that lasted
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