During Otto Preminger’s long and distinguished career, the director tackled virtually every genre of film: drama, thriller, musical, even absurdist comedy. For the musicals, Preminger had scores by George and Ira Gershwin and DuBose Heyward (Porgy and Bess) and Oscar Hammerstein II and 19th century composer Georges Bizet (Carmen Jones). His non-musical films also featured scores by illustrious talents, including David Raksin, Elmer Bernstein, Duke Ellington, and even Harry Nilsson! A number
Special Weekend Reissue Theory: Madonna, "Madonna: 30th Anniversary Edition"
Welcome to another installment of Reissue Theory, where we reflect on notable records and the reissues they could someday see. It's been three decades since one of the most popular and influential performers of the last 50 years released her first full-length album, and a new deluxe edition is long overdue. Here's a look back at the first album by Madonna. If you'll pardon the anachronism, it wouldn't have been unforgivable to look at Gary Heery's photograph for the cover of Madonna's first
Review: Otis Redding, "The Complete Stax/Volt Singles Collection"
Otis Redding was just 21 years of age when Volt Records issued his first single for the label, “These Arms of Mine” b/w “Hey Hey Baby,” in October 1962. The latter is a solid if unremarkable riff on rockabilly (“Hey, hey, pretty baby/Baby, you sure is fine...Every time I look at you/You drive me out of my mind!”) but the torrid, smoldering A-side reveals a singer-songwriter far older than his years. Otis Redding couldn’t have known then that he was living on borrowed time; he would, in fact,
Little River Band Is "Reminiscing" With New Reissues Of Four Classic Albums
Friday night I was late, I was walking you home, we got down to the gate, and I was dreaming of the night…would it turn out right? With those conversational lyrics to the song “Reminiscing,” The Little River Band finally saw their commercial breakthrough in 1978. The catchy, soft-rock track came from the Australian group’s fourth album, Sleeper Catcher; largely on the strength of the single, it also became the LRB’s first U.S. platinum selling LP. Cherry Red’s recent Lemon label is hoping
Review: The Buckaroos, "Play Buck and Merle" and Don Rich, "That Fiddlin' Man"
“Who’s going to want to listen to the band with Don [Rich] playing the melody line to the song, when you could hear Buck [Owens] doing the real deal?” queried drummer Willie Cantu of The Buckaroos when called upon to record 1965’s all-instrumental The Buck Owens Song Book. Capitol Records surely thought there would be an audience for the LP, proclaiming on its back cover that “you too can sing Buck’s country-western songs to the rousing, rhythmic playing of his buddy Don Rich and The
It's a Real Gone September with Jefferson Starship, The Paley Brothers, Joanie Sommers and More
While we await previously announced titles coming later this month from Dionne Warwick, Marilyn McCoo and Billy Davis, Jr., P-Funk offshoot Parlet and more, Real Gone Music is already looking forward to summer's end with a new release slate due on September 3. Real Gone is making a couple of very contemporary connections with releases from Claudia Lennear and Ponderosa Twins Plus One. Lennear, a longtime background singer, recently stepped to the fore as one of the artists featured in
No. 1 with a Bullet: Boston Hardcore Band Anthologized with New Digital Compilation
The world of rock and roll is littered with captivating tales of what-ifs and alternate routes that pushed a musician in one direction instead of another. One such captivating story of late is that of Jason Everman, a seemingly unassuming Army Ranger today who at one point was a member of the Seattle grunge scene, playing in both Nirvana and Soundgarden before both rocketed to success in 1991. What's particularly interesting about that New York Times piece on Everman, other than its subject, is
Hallejulah! It's (Still) Raining Men with The Weather Girls' Deluxe Reissue
Everything about The Weather Girls’ debut album, Success, was big. The 1983 LP was the brainchild of producer/songwriter Paul Jabara, who modestly noted on the LP’s back cover, “After working with Barbra, Donna and Diana – I began to get spoiled – I felt I could only work with ‘giants in the industry!’ I think I found them!” And so the “Last Dance” and “No More Tears (Enough is Enough)” auteur turned his attention to Two Tons o’ Fun. Izora Rhodes Armstead and Martha Wash had toured with the
Release Round-Up Special: James Taylor, CSN, "Blade Runner" Released by Audio Fidelity
In lieu of a standard Release Round-Up this week, here's a look at the major three titles that are out today: the latest gold discs and SACDs from Audio Fidelity. The titles released today are Crosby, Stills & Nash's CSN, James Taylor's Gorilla and Vangelis' soundtrack album to Blade Runner. The third studio album by the folk-rock supergroup Crosby, Stills and Nash, released in 1977, is crucially different from the ones before - this time, there's no contribution from Neil Young. (Young
There's "A Place in the Sun": Classic Hollywood Score Receives World Premiere Release
1951’s six-time Oscar winner A Place in the Sun wasn’t Hollywood’s first adaptation of Theodore Dreiser’s 1925 novel An American Tragedy. The very first film version of the haunting novel came from Paramount Pictures and director Josef von Sternberg in 1931. But the 1951 motion picture – starring Montgomery Clift, Elizabeth Taylor and Shelley Winters, directed by George Stevens – is the one most remembered by generations transfixed by Dreiser’s sad tale of desperation and ill-fated romance.
Mary Wells, Ben E. King, Johnnie Taylor Join Kent's Celebration of "The Phillip Mitchell Songbook"
“Prince” Phillip Mitchell is in some mighty good company. The Kentucky-born singer and songwriter, who rose to prominence composing songs for deeply soulful artists including Millie Jackson and Bobby Womack, is the latest to receive a career retrospective from Ace Records’ Songwriters and Producers series. With the Ace/Kent release of Something New to Do: The Phillip Mitchell Songbook (CDKEND 394), he joins such illustrious talents as Dan Penn, Burt Bacharach, Randy Newman, Jerry Leiber and
Review: Hackamore Brick, "One Kiss Leads to Another"
For the title of their 1970 album on the Kama Sutra label, the members of Hackamore Brick opined that One Kiss Leads to Another. One album clearly didn’t lead to another, though, as the four-man Brooklyn band didn’t release more music until 2009 – and even then, with only two of the founding members. Yet Hackamore Brick’s one and only record has grown in stature over the years, well-regarded in cult circles for its proto-punk, Velvet Underground-like mood. Real Gone has just reissued One Kiss
"You Came," You Saw, You Conquered: Universal U.K. Gets "Close" to Kim Wilde Classic for Its 25th Anniversary
Universal's U.K. arm will expand Kim Wilde's Close (1988) for its 25th anniversary with a two-disc set full of rare and unreleased remixes on September 2. Wilde's sixth album was her biggest success to date, a U.K. Top 10 album with four huge hits to its name in "Hey Mister Heartache" and Top 10 singles "You Came," "Never Trust a Stranger" and "Four Letter Word." (The record was a Top 20 album in the U.S., though only "You Came" charted Stateside, landing at No. 41.) Close remains one of
Lookin' for a Love: Bobby Womack's Singles Compiled on New 2CD Set
Often unfairly slighted in the pantheon of great soul musicians in the 1970s, a new U.K. compilation gives Bobby Womack his due, anthologizing every one of his single sides from the first nine years of his solo career. Womack and his brothers, Friendly, Curtis, Harry and Cecil, started from the small clubs of Cleveland before being discovered by Sam Cooke, who signed them to his SAR label. The classic "Lookin' for a Love," which he produced, earned them a spot on James Brown's tour; a
Heart and Salsoul: BBR Reissues First Choice, Loleatta Holloway, Baker-Harris-Young and Love Committee
One could call bassist Ronnie Baker, guitarist Norman Harris and drummer Earl Young unsung heroes, but it’s not quite accurate to describe the triumvirate of musicians, songwriters, producers and arrangers as unsung. Individually or collectively, Baker, Harris and Young helmed productions by Blue Magic, The Trammps, First Choice, Ben E. King, Eddie Kendricks, The Whispers, The Persuaders, and so many more. As part of its ongoing series restoring the Salsoul Records catalogue to R&B
Review: Merry Clayton, "The Best of Merry Clayton"
Say “yes” to Merry Clayton! It takes a certain kind of talent to exercise restraint, to be able to generously support another artist while maintaining your own high standard of art, expression and individuality. That’s the story of the background singer, and the story told by director Morgan Neville in his new film 20 Feet from Stardom. Merry Clayton is seen in the film, both savoring and gently ribbing her role as the “diva” of the background singing clique – as the “lead background singer,”
Have a Cuppa "Muswell Hillbillies": Deluxe Reissue of Kinks Klassic Slated for October
For The Kinks’ first album with RCA Records, Ray Davies didn’t stray too far from the style which he had perfected. Muswell Hillbillies, the band’s ninth studio album, was named after Muswell Hill, the area of North London that Davies and brother Dave once called home. Like The Kinks’ classic Village Green Preservation Society before it, Muswell concerned itself with themes relevant to British life, wryly addressing working-class conditions and the changes affecting the populace. Sanctuary
Ring Ring! ABBA's Debut Album Gets the CD/DVD Treatment This Fall
It's been four decades since Agnetha Fälksog, Benny Andersson, Björn Ulvaeus and Anni-Frid Lyngstad came together to change the face of pop music. This fall, the first album by the group the world now knows as ABBA is getting an expanded CD/DVD treatment - and those who are interested as to how the quartet came together will have a lot of bonus tracks to discover and enjoy. When the single "People Need Love" was released in 1972, it was intended as a one-off collaboration between three
Review: Big Star, "Nothing Can Hurt Me: Original Soundtrack"
The feature-length documentary Big Star: Nothing Can Hurt Me opens today at New York’s IFC Center and on Friday at Los Angeles’ Nuart Theatre. In conjunction with its release, Omnivore Recordings has recently unveiled a soundtrack album collecting 21 previously unissued songs from the legendary Memphis band. Rare is the cult band that actually lives up to its legend. Yet, with each listen - time after time, year after year - Big Star not only meets the hype, but surpasses it. Chances are, if
Trip on the Sunset Strip: Kim Fowley's "Complete Imperial Recordings" Arrive From Tune In Records
It’s never been easy to describe Kim Fowley in just a word or two. Fowley is a producer, a songwriter, an actor, a manager, a publisher, a raconteur, and a promoter – both of himself and of various other acts. Gray Newell, writing the liner notes for Tune In Records’ new Fowley anthology, adds a few more words: “musical maverick, Svengali of Sunset Strip, Son of Frankenstein, Lord of Garbage, King of the Creeps, Underground animal, rock ‘n’ roll survivor, Living Legend.” Fowley’s career has
Move It On Over: Rounder to Reissue First Two Albums by George Thorogood and The Destroyers
Even before "Bad to the Bone" solidified his place in the pop culture canon, George Thorogood was a journeyman rocker with a distinctive voice and a knack for good old-fashioned blues. This month, fans will have a chance to rediscover the earliest part of his career, when Rounder Records remasters and reissues the first two albums by George Thorogood and The Destroyers. When the Destroyers' self-titled album was released by Rounder in 1977, Thorogood was a Delaware-born guitarist making a name
If Music Be The Food Of Love: Fleetwood Mac's "Then Play On" Joins "1969-1972" Box Set In August
For many, the story of Fleetwood Mac begins with 1975’s self-titled album. But that album, which introduced Lindsey Buckingham and Stevie Nicks to the group’s line-up, was in fact the band’s tenth. Long before locking into the L.A. pop-rock sound epitomized by “Say You Love Me” or “Over My Head,” the Mac had already experienced a number of transformations, from its blues-based roots to folk, rock and even a retro rockabilly style. On August 20, Reprise Records will revisit that early period
Isn't It Rich: Masterworks Broadway Reissues Sondheim's "A Little Night Music" Soundtrack, Plus Rare Monk, Coward
Where are the clowns? Following the release last month of Clownaround, one of the rarest cast recordings of all time, Masterworks Broadway is again sending in the clowns. In August, the label will deliver the long-awaited reissue of the film soundtrack to Stephen Sondheim’s A Little Night Music with Elizabeth Taylor following in the footsteps of Glynis Johns, Frank Sinatra and Judy Collins and singing “Send in the Clowns.” A Little Night Music will be expanded with previously unreleased
Fire In Her Heart: Madleen Kane's Disco Classic Returns From Gold Legion
Madleen Kane’s 1978 debut albums played on words for its title, Rough Diamond. But there was nothing too rough about the album’s sleek disco grooves or about the fashion model-turned-singer at its center. In 2011, the Gold Legion label reissued Rough Diamond on CD with three bonus tracks. Its follow-up, 1979’s Cheri, has just recently been given the Gold Legion treatment with one bonus cut of its own. Born in Sweden to a Swedish mother and American father, Madleen Kane found her first
Review: The Three O'Clock, "The Hidden World Revealed"
Could it be time, once again, for The Three O’Clock? The California group took its place alongside the likes of The Bangles and Dream Syndicate as part of the “Paisley Underground” movement of eighties rockers who looked to the sixties’ psychedelic pop and folk-rock scenes for inspiration. In fact, the band’s bassist/lead vocalist Michael Quercio is said to have even coined that evocative name. Between 1982 and 1988, The Three O’Clock recorded one LP for Frontier Records, two for I.R.S., and
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