The Art of Noise usually gets lumped into that U.K. '80s esoterica category that a lot of their early labelmates on ZTT (Frankie Goes to Hollywood, 808 State, The Buggles and so on) seem to be in. Their sound was hip, catchy and weird, they say, and maybe a bit too much so for their own good. This is kind of funny, particularly because it's kind of wrong. The Art of Noise were indeed hip, catchy and weird. Their early work on ZTT, like the sample-heavy "Close (To the Edit)" and "Beat Box," set
Good Enough for Me
The soundtrack community can take another "holy grail" off the list today. Varese Sarabande has announced their newest Soundtrack Club title to be the premiere release of Dave Grusin's score to The Goonies. The Steven Spielberg-produced comedy about a group of misfits who find a pirate treasure map has been a cult classic ever since its release in 1985. Grusin's score was grandiose, adventurous and sweet as needed, and was a highlight of the film. But the original LP release, on Epic Records,
Reissue Theory: Novelty Edition
One of the potential hazards of being a music collector is that sometimes, if you're feeling adventurous, you spring for an all-too-dangerous impulse buy. I'm guilty of this all the time, especially when the music in question is cheap. Put me within 25 yards of a garage sale or a cutout bin at a supermarket and I'm probably going to walk away having bought at least one disc. Sometimes this strategy works out in my favor: a random purchase of Squeeze's Singles 45 and Under from my local ShopRite
Stones Material Coming Out of "Exile"
NME reported today that The Rolling Stones have set a May 17 (that would be the 18th for us Americans) release date for a new deluxe edition of Exile on Main St. The 1972 double album, which confused critics upon release but is now seen as a Stones classic, will be released in a few formats: a single-disc reissue, a double-disc version with ten unreleased tracks and a deluxe box with both CDs, a vinyl copy, a new half-hour documentary on DVD and a 50-page collector's book. What the NME report
Back Tracks: Tears for Fears
Not many people dig music from the 1980s. To a degree, I understand why. Sandwiched between the monstrous artistry of album-oriented rock bands of the '70s and the mainstream-busting advances of grunge and rap in the '90s, most of the music of the '80s was characterized by an emphasis on image (i.e.: MTV) and artifice (why hire a drummer when you can buy a Linn LM-1?). But a good song - whether it's a hit or not - will transcend its labels and packaging and hopefully turn into something you'll
Release Round-Up: In Case You Missed Them
Here are a couple of catalogue release tidbits, one that I'm certain is fairly new and a few stragglers I've neglected to mention thus far: Rhino has started taking pre-orders for The Prague Sessions, a new Peter, Paul and Mary compilation. The set features previously unreleased live versions of the folk group's best-known songs, backed by the Czech National Symphony Orchestra. Should be an interesting new way to hear these songs. On March 23, Eagle Records is releasing Live at Knebworth, a
Reissue Theory: Was (Not Was), "What Up Dog?"
I've got to be the only twentysomething I know that's this excited over Pick of the Litter 1980-2010, the new compilation by pop-funk band Was (Not Was). Quirky aficionados may know them for left-field, late-'80s hits like "Walk the Dinosaur" and "Spy in the House of Love." Others may know them as the band that put producers Don Was and David Was on the map (they would, either separately or together, work on such albums as Cosmic Thing by The B-52's, Nick of Time by Bonnie Raitt and Bob Dylan's
Monoliths
I've been listening to Pet Sounds a lot lately. Maybe it's the dreary weather; whenever I put on some Beach Boys things feel a bit sunnier. But it's a heck of a record (as I'm sure most of you know) - one of those rarified few that's hard to chop down entirely. It's also fascinating that it's one on a rather short list of pop albums that have supported its own box set. The sprawling The Pet Sounds Sessions, released in 1997, chronicles the process of the album through alternate mixes, outtakes,
So Much to Give
Another late breaking release announcement: Hip-O Select has announced the reissue of I've Got So Much to Give, the first record by Barry White. Out of print for years, this remastered disc comes with new liner notes by BW collaborator Jack Perry (who also worked on last year's killer Unlimited box set) and two bonus cuts making their CD debut. And collector's rejoice: it's unlimited! Check out the tracks after the jump.
J is Indeed for Jackson 5
Awhile back I'd posted on the existence of a "new" Jackson 5 title, J is for Jackson 5. My guess was that, like the similarly titled B is for Bob set done for Bob Marley, the CD would be a kid-friendly compilation of J5 tunes (not that they really recorded that many kid-unfriendly tunes). Thanks to an Amazon listing, my beliefs have been proven correct. The tracklist offers nothing new for J5 acolytes, unless you don't have any of the officially-released, now out-of-print Motown karaoke CDs.
Reissue Theory: Peter Gabriel, "Deutsches"
On this day 42 years ago, Decca Records released a single, "Silent Sun," by a new band, Genesis. It was the first single off From Genesis to Revelation, an album that would not be released until nearly a year later. Neither the single nor any material from that first album would resemble anything near the forms of Genesis we know and love today. The sound was less prog and more psychedelia, and the teenaged band members - lead vocalist Peter Gabriel, keyboardist Tony Banks, guitarist Anthony
Reissue Theory: The Bangles
The other night, my radio happened upon "Manic Monday," one of the best pop songs of the 1980s. I'm sure you're all aware that the tune was written by Prince (under the pseudonym "Christopher," an effect from his Under the Cherry Moon days) and given to Susanna Hoffs and company after Apollonia 6 recorded a version that was never released. You may also know that the song itself hit No. 2 on the charts, kept from the top by none other than Prince and The Revolution's "Kiss." You might not know
And Don't It Feel Good
Some news is coming through the pipeline that a good chunk of the Katrina and The Waves discography is being reissued in honor of the 25th anniversary of "Walking on Sunshine," their biggest U.S. hit and one of those inescapable summer anthems. There's a lot of confusion surrounding these reissues (more on that in a minute), but these look pretty interesting, especially because of the material that's being released themselves. You see, before the smash success of Katrina and the Waves, the
A Genius Move?
Amazon has an April 6 date for a new reissue of Genius + Soul = Jazz, a 1961 instrumental album by Ray Charles. Backed by members of the Count Basie Orchestra, featuring orchestrations by Quincy Jones and propelled by a Top 10 hit, "One Mint Julep," the LP served as his first for Impulse! Records and is now owned and distributed by the Concord label (which owns the rights to all his Impulse and ABC/Paramount material, from 1960 to 1973). Concord's done quite a bit of stuff with this part of
Reissue Theory: Terence Trent D'Arby - "Introducing the Hardline According To..."
For many, one of the most salient points of reissuing and compiling popular music is to help listeners rediscover lost gems that may have fallen into the cracks. Ordinarily, one would not consider a debut record that sold 12 million copies, spun off three Top 40 hits and won a Grammy a "lost gem." And yet, it seems that at least one record, 1987's Introducing the Hardline According to Terence Trent D'Arby, has earned such a strange distinction. Terence Trent D'Arby has always been something of
On the Record
Much has been made about the communal nature of music by both those who create it and those who consume it. Millions of words, from Nick Hornby's High Fidelity to Stevie Wonder's "Sir Duke," have been spelled out on the subject. Sometimes it takes time for us to grasp and appreciate their true meanings, but when we connect through song, it's usually a wonderful thing. This is usually the kind of thought that runs through my head as I walk into that beautiful, endangered ground they call a
El Sonido de la Joven América
I've been waiting for this one for a long time: Hip-O Select is releasing a new compilation of classic Motown songs in a whole new way. Motown Around the World: The Classic Singles compiles 38 songs from the label as recorded in other languages for international markets. The Supremes, The Temptations, Stevie Wonder, The Four Tops, The Velvelettes, Smokey Robinson and Edwin Starr sing the songs you know and love (plus a few folk ballads native to other countries) in Italian, Spanish, French and
Reissue Theory: INXS, "Kick"
Take a look at the above image. It might not look too familiar if you live in the U.S. and have a working knowledge of the INXS catalogue. The famed Australian rockers have a vast three-decade career to their credit, most of which has appeared on subsidiaries of Warner Music Group through the years (notably Atco and Atlantic). Elsewhere, though, it's another story: in Europe, Mercury/Phonogram, owned by Universal Music Group, gets the rights to the work of Michael Hutchence and
Back Tracks: The Knack
Rock fans have had some sad news to cope with today: Doug Fieger, the unmistakable lead singer for The Knack, died today after a lengthy battle with cancer. While The Knack may be seen by some as a semi-sleazy one-hit wonder (or two-hit, if you count "Good Girls Don't"), their brand of power pop was emblematic of everything the genre should be: fun, catchy and not the least bit serious. In honor of Fieger's band and their contributions to the pop-rock scene, here's a special look back at the
Too Much Information
There's a few weeks to go until Legacy Recordings and Experience Hendrix LLC reprint the Jimi Hendrix catalogue. March 9 will see CD/DVD versions of four classic Hendrix albums as well as a new unreleased compilation, Valleys of Neptune, on store shelves. In preparation for the reissue, I've been acquainting myself with the ridiculously deep catalogue Hendrix left in his 27 short years on this Earth. And if music research could make me curl up and whimper, I'd have my arms around my knees by
Back Tracks: Marvin Gaye
Our Valentine's Day weekend preparation continues with a look back at the reissue prospects of Marvin Gaye, one of the finest soul voices of the century (and, in my opinion, one of the most heartbreaking losses in popular music). It's quite interesting that Gaye's catalogue, split about 90/10 between labels (Motown and Columbia), has been well-serviced by both. Chalk it up to the fact that one of his biggest hits, "Sexual Healing," was released on the latter label in 1983. Take a look at the
Voices, Another Sound
EDIT: Those who'd like to read the press release, which also has a neat note on the packaging of the reissues, can do so here. ORIGINAL POST: Duranies like me can breathe a sigh of relief: following the news that an April 13 release date has been confirmed for the deluxe reissue of Duran side-project Arcadia's lone album So Red the Rose (1985), our friends at Slicing Up Eyeballs have confirmed that EMI will release the other planned deluxe sets for Duran Duran (1981) and Seven and the Ragged
The (Aggravating) Sound of The Smiths
Today was the day that U.K. fans, elated from the grassroots success of making Rage Against the Machine's "Killing in the Name" the 2009 Christmas No. 1 single, attempted to make lightning strike twice with a campaign for The Smiths' immortal "How Soon is Now?" Call me a spoilsport, but I have my doubts that the campaign is going to make the same kind of headway. The "Killing in the Name" incident was just right-place, right-time and had suitable fire underneath it (people will buy a single so
"Raw Power" to Melt Faces in April
Fans of The Stooges, get ready for a rush: Legacy Recordings is reissuing Raw Power, one of the most iconic pre-punk rock records of the 1970s. And hardcore fans are going to drool over the goodies that are coming their way. The standard set is going to be a two-disc Legacy Edition (you know, the ones in a double digipak with a slip case). On the first disc is the original album as originally mixed by David Bowie. This is a really big deal, as the last time Legacy reissued the record in 1997,
Barry's B's
It may be winter outside (especially in my neck of the woods - I live in one of those places labeled as a "snowpocalypse" or "snowmageddon" in the news), but in my heart it's always spring. And why not? It's always a good time of year for catalogue music, whether you're listening to it, buying it or (oh you lucky ones) working on it. And Valentine's Day is just around the corner, making it a great time here at The Second Disc to pen a few features on some great romantic hitmakers. One of my