Eighty-two years ago today, a Kansas City, Miss. couple named Bert and Irma Bacharach welcomed a son, Burt, into the world. In 1957, the young songwriter met a lyricist, Hal David, at a meeting in the Brill Building in New York City. The rest, as they say, was history, with some of the most enduring popular songs of century flowing from their pens. This is a difficult fact to grasp if you're a young person. Nowadays, people couldn't really care less who writes the songs that make the whole
Reissue Theory: "Stoney and Meatloaf"
This week sees the release of Hang Cool, Teddy Bear, the 11th studio offering from Meat Loaf. The outsized rock personality skyrocketed to fame with 1977's Bat Out of Hell, the theatrical rock opus penned by Jim Steinman and produced by Todd Rundgren. As Meat prepares to unleash his latest work (cheekily placing a roman numeral "IV" on the album's back cover, making it clear that he intends Hang Cool as another Steinman-less sequel to Bat), could there be a better time for a Reissue Theory-style
The Great Label Switch-Off
Last night, Vintage Vinyl News reported a story that could probably only happen in today's music industry: according to the Times of London, Queen is leaving their longtime label EMI for Universal later in the year. As of right now, a few details about the rumored switch remain unclear. For starters, the article never definitively says whether the band's voluminous back catalogue is moving with the members of Queen. Sure, they recorded one not-so-good LP with Paul Rodgers a year or two ago, but
And Don't It Feel Good (To Have an Update)
Way back in the early days of The Second Disc, we reported on a set of remasters from Katrina and The Waves due for an April release. Only somewhat recently did we realize the release date had passed - but unlike most reissues that get announced and forgotten about, these actually came out. Well, sort of, anyway. As of this writing, all four reissued LPs (Kimberley Rew's The Bible of Bop, featuring tracks from The Waves, The Soft Boys and The dB's; The Waves' debut EP, Shock Horror! and both
Better Tending to the Flock
The U.K.-based reissue label Cherry Pop Records announced an upcoming reissue of Listen, the sophomore LP by seminal New Wave band A Flock of Seagulls, for a June 22 release. The set features the original album plus two remixes and three B-sides. Now, a lot of catalogue fans have taken issue with Cherry Pop reissues - some of their reissues (as is regrettably the case with other smaller labels) don't sound like they're even mastered from the original tapes, and the bonus track situations
Back Tracks: Barry Manilow, Part 2 (1985-2010)
Back Tracks left Barry Manilow in 1984 after the release of his first genre-specific album, the jazz-inflected 2:00 a.m. Paradise Café. We pick up with him shifting gears in an attempt to once again court the pop market. He’s left his longtime label, Arista, and signed a new deal with RCA. This union would be a short-lived one, producing just four albums: two sets of his greatest hits as sung in Spanish and Portuguese, and the following two discs... Manilow (RCA, 1985 - reissued Legacy,
Release Round Up: More from Hip-o
A rare weekend post to keep you up on two new Hip-o Select titles readied for order yesterday. One's a singles compilation for an R&B great, and the other is a two-for-one set from a noted reggae act. Get the specs (and two more Hip-o titles you might not know about) after the jump.
Back Tracks: Barry Manilow, Part 1 (1973-1984)
Where Barry Manilow is concerned, it's best to let the facts speak for themselves. A Grammy, Emmy and Tony Award winner, Manilow scored his first Billboard No. 1 album in 1977, his most recent in 2006. His string of hit singles extended from 1974's chart-topping "Mandy" to 1983's Top 20 "Read 'Em and Weep," with 38 songs hitting the Top 40. He's recorded over 25 studio albums and released countless more live discs, compilations and soundtracks, and regularly plays to sell-out houses after over
Friday Feature: "Dirty Dancing"
Dirty Dancing is one of those movies that, on paper, should be a massive dud. It's a painfully by-the-numbers tale - rich girl becomes emotionally, culturally and sexually liberated by a dashing stranger and the art of (you guessed it) dirty dancing - but it is one of those movies that will not disappear from the public eye. And frankly, it's not hard to see why. Yes, as a story, Dirty Dancing is nothing special. But the production is something to behold. It immortalized its two young leads,
Long Live Live Music
It's going to be kind of a slow day at The Second Disc, as your roving reporter has tickets to see a-ha play to a sold-out crowd in New York City. Their Ending on a High Note Tour has been a top draw for '80s pop fans, but it's also led to a lot of thought concerning concerts and what they mean to us - not just as a reissue fan, but as a lover of music in general. While The Second Disc may be a haven for all the expanded and remastered news and commentary you can shake your SACD player at, I
Reissue Theory: Version Especial por Cinco de Mayo
Today is Cinco de Mayo, so The Second Disc is going to bring you two of the most unusual Spanish-oriented pop music endeavors in recent memory. These are two deluxe editions with very different sounds, but they're connected not only by record label group but their wacky reinterpretation for Spanish audiences. Viva la musica after the jump!
Review: "Batman - The Movie: Original Motion Picture Score"
It's somewhat ironic that a man so closely associated with the lush, timeless music of Frank Sinatra would find such great fame (or notoriety?) as a composer scoring one of the most over-the-top television series ever. Yet such was the case of Nelson Riddle, who as arranger and conductor was a chief sonic architect of Sinatra's unprecedented run of Capitol concept albums and beyond. His television credits included such groundbreaking programs as The Man from U.N.C.L.E., Naked City and Route
Review: Carole King, "The Essential Carole King"
“Will You Still Love Me Tomorrow.” “(You Make Me Feel Like a) Natural Woman.” “Up on the Roof.” “You’ve Got a Friend.” All of these songs have found a permanent home as part of The Great American Songbook, and all come from the pen of one Carole King. Her repertoire as both singer and songwriter is celebrated with this week’s release of Legacy’s The Essential Carole King (Ode/Epic/Legacy 88697 68257 2), the first set to focus on both aspects of King’s now 50-plus year career. Producers Lou
Boxed In
Reaction to the recently-released tracklist for John Mellencamp's On the Rural Route 7609 box set has been a bit mixed, and for good reason. It's hard to greet a four-disc box set full of album tracks and just over a dozen unreleased outtakes with a price tag of nearly $100. But it's becoming clear that there's a bigger issue here at stake than Mellencamp fans getting soaked. Friends, the entire concept of a box set is in a state of crisis. It's been a long two decades since compact disc box
Reissue Theory: System of a Down - "Toxicity"
Lots of coverage on The Second Disc deals with music that has stayed part of the collective consciousness for decades. But it's been stated before that fans and labels should always look into the recent past to find classics worth reissuing. Toxicity, the second LP by Armenian-American metal band System of a Down, is one of those records. Of all the five LPs SoaD released in their brief tenure before embarking on an indefinite hiatus, Toxicity hits the hardest. It's one of those
R-O-C-K in the B-O-X
Awesome! After what feels like years, Island Records and Universal Music Enterprises have finalized a release date and track listing for On the Rural Route 7609, a career-spanning box set from John Mellencamp. Drawing from more than 30 years of recordings, this four-disc set features 15 previously unreleased recordings, liner notes by Rolling Stone veteran Anthony DeCurtis, Mellencamp's track-by-track annotations and 72 pages of notes and photos, all packaged in a book-style case. Hit the jump
Back Tracks: Paul McCartney
Every now and then a catalogue-oriented story breaks into the mainstream. This week, we've had one of those moments: Paul McCartney is moving his back catalogue distribution to Concord Music Group from increasingly beleaguered EMI. Reissues will commence in August with a new pressing of Band on the Run, his high watermark with former band Wings. Of course, for someone of McCartney's caliber, this is not the first time his albums have been reissued. EMI did a massive remastering of 16
Friday Feature: "Licence to Kill"
Recent coverage of soundtracks on The Second Disc has been warmly received. To this end, we have added a the Friday Feature. Every Friday, you'll find some sort of article devoted to a soundtrack or film composer of merit. We hope you enjoy these trips through Hollywood's musical landscape! Our first Friday Feature deals with one of the oddest of the James Bond films. No, not Never Say Never Again (that's not really a Bond film, anyway). Licence to Kill was the second and final feature with
Not Quite What You Need
It might be seen as unfair to criticize the catalogue-oriented decisions of INXS. Since losing lead singer Michael Hutchence in 1997, they've tried hard to find their way - finding a new singer through a reality show, recording an album with him, prepping a new album with a rotating stable of lead singers and so on. Rhino, the label that controls their back catalogue in the U.S., has released a lot of compilations in the interim as well, plus a few reissues of their late '80s/early '90s work
On the Right (Sound)Track
Here at The Second Disc, there's a lot of coverage of soundtracks. (For proof, check Joe Marchese's recent exciting review of a few vault reissues by Henry Mancini.) Granted, not every fan of classic pop, rock and R&B catalogue releases is big on orchestral scores and whatnot, but it's an integral genre in the wide, wild world of reissues and worth covering from an artistic point of view. But recent revelations have shown that soundtrack catalogue comings and goings are worth covering from
Reissue Theory Three-Peat: The Stray Cats
Musical inspiration can come from anyone, anywhere - even if you're not a musician. Consider the notion of talking with friends about evolving musical tastes. The conversation shifts to music enjoyed during early adolescence - when suddenly, you discover a revelation: a friend secretly spent their early middle school years enamored of the swingin' sounds of The Brian Setzer Orchestra. You laugh and joke about it - because what pre-teen in the past decade could possibly jazzed by Setzer's swing
Back Tracks: Cheap Trick
In reading about Cheap Trick on Web sites like the All Music Guide, one keeps finding aspects of the band's work described as "perverse." That's a weird way of defining it - not in the sexual sense, mind you, but as a means of describing how unusual they are - but I guess it fits well enough, for a number of reasons. In the Rockford, Ill.-based band are, visually, one of the most arresting bands ever; vocalist Robin Zander and basist Tom Petersson look like your typical gorgeous rockers, while
Hot Fudge Sundae!
Their repertoire was pretty standard for the late 1960s: a Lennon/McCartney tune here, a Bacharach and David song there, a Motown cover for good measure, even "The Windmills of Your Mind." But similarities ended there between Vanilla Fudge and their MOR-covering contemporaries. Over the course of five albums for the Atco label, the Fudge brought a psychedelic touch to the gestating sound of so-called "heavy rock" with blues-drenched, extended takes on familiar songs. Shadow Morton, famed
Tommy and Gina Redux
If you're from New Jersey, chances are you are (or know someone who is) a Bon Jovi fan. They were perhaps the best of the big-haired arena-rockers in the late '80s and '90s, and still know how to pack 'em in to this day. And now, it looks like they're reaching the rarified ranks of solid catalogue artists, thanks to a pretty wide series of reissues from Island and Universal Music Enterprises. Amazon is listing reissues of ten Bon Jovi albums - everything from 1984's self-titled debut to 2007's
Reissue Theory: The Smiths - "The Smiths"
One of the books devoured by this author over the Easter break was The Smiths: Songs That Saved Your Life by Simon Goddard. If you're a fan of The Smiths, are thinking about being a fan of The Smiths or just like '80s alt-rock in general, you would do well to add this to your bookshelf. It provides an in-depth account of every song released or recorded by the band in their too-brief career and covers Morrissey, Johnny Marr, Andy Rourke and Mike Joyce through prose that's both artistic and