We music fans live for that moment when a song comes from nowhere - through a radio, perhaps, or more likely through your computer speakers nowadays - grabs us and doesn't let go. That was undoubtedly the case with "Fast Car," the first single by singer-songwriter Tracy Chapman. The song - for the ten or so of you who might have missed it over the better part of 20 years - is an achingly bittersweet, first-person ballad about a woman planning to escape her impoverished, broken family only to
Reissue Theory: a-ha - "Scoundrel Days"
The Ending on a High Note Tour, the farewell trek by synthpop legends a-ha, has been in full swing for some time now. In about a month, the band takes their show to the U.S.A., a country that knows them for that first great hit "Take on Me," but little else. Readers of The Second Disc, however, likely know that the band continued to succeed (particularly in Europe and South America) through the mid-1990s and again in 2000, when comeback album Minor Earth, Major Sky earned them a new generation
No-Brainers
One of the biggest unasked or unanswered questions about The Second Disc is: why catalogue stuff? Is the site meant to conjure up memories of musical generations past? Is it trying to remind labels that their back catalogues should be treated with the utmost care in conjunction with their burgeoning new acts? Is there something else about it? The answers are maybe, yes and yes. At heart, though, The Second Disc has more to do with journalism than anything. Journalism, they say, is the first
Reissue Theory: More Novelties
It's almost the weekend, which hopefully means for you, the reader, a few days of fun and frolic. To that end, let's get the fun started early with a few particularly goofy Reissue Theory novelties. One is a one-hit wonder who managed to combine New Wave and a slightly older generation of music, and the other is an inexplicably house-oriented companion piece to a popular video game. Bet you won't find that combination anywhere else on the Internet today! Hit the jump to see which red-letter
Lena Horne Soars, The Lion Roars
As previously mentioned, Hip-O Select had yet another release up their sleeve: Lena Horne Sings: The M-G-M Singles Collection. It's a set of 16 early Lena Horne classics cut for M-G-M Records in the '40s and '50s and largely unavailable on CD until now. There's a heap of standards, including "'Deed I Do," "Where or When," "I've Got the World on a String" and "The Lady is a Tramp," plus liner notes from Horne biographer James Gavin. Pre-order it here and hit the jump for some specs (culled
Labelled with Love
It might not mean as much now in an era dominated by digital files (not to mention a music business that is more or less split between four major labels), but there's a certain beauty in looking at the label on a piece of vinyl. Next to a picture sleeve, it's the prettiest art you could get in the early days of buying music. With that label, there would be an image, not only literally but spiritually as well; the image a label projected onto its LPs and singles usually called a certain emotion
Never Gonna Give You Up. No, Really.
In a move that proves that any reissue is possible, or at least probable, the Edsel label has set an April 13 release date for expanded reissues of Rick Astley's Whenever You Need Somebody and Hold Me in Your Arms. Yes, you are reading this right. You are also reading correctly that each reissue will be two discs with expanded liner notes by Pete Waterman Entertainment, Ltd. expert Tom Parker. More info is here, here and here and a detailed tracklisting for each is after the jump.
Back Tracks: Alex Chilton
A potentially embarassing confession: it took the death of Big Star frontman Alex Chilton for me to realize just what I knew about him. I knew his name was the title of a Replacements song (thanks, Rock Band), I'd known of Big Star thanks to the justifiable hype over last year's box set from Rhino and I'd known a handful of his most famous, very solid compositions that he either wrote or popularized ("Thirteen," "The Letter," "In the Street") through inevitable cultural osmosis (thanks, That
Reissue Theory: Howard Jones, "Dream Into Action"
[youtube=http://www.youtube.com/watch?gl=IT&hl=it&v=ZZEGHnAxEpo] Predicting the future is a tough game. While the above video - a possibly-not-entirely-live performance by Howard Jones, Herbie Hancock, Thomas Dolby and Stevie Wonder at the 1985 Grammys - probably looked like the future of music some 25 years ago, it seems a little, shall we say, overdone in hindsight. But nobody will ever stop predicting the future - certainly not here at The Second Disc, where (ideally) every day
Back Tracks: U2
Is it inherently lazy to do a U2 post on a music blog for St. Patrick's Day? Whether it is or not, it's done for two reasons. First, since The Second Disc is all about reissues, it's worth tipping a hat to Universal's ongoing series of U2 reissues. They have been some of the best on the market in recent years. The packaging is nice, the content is comprehensive and groundbreaking (in other words, the fan gets all those hard-to-find tracks he or she is looking for plus a score of vault material)
Reissue Theory: - Public Enemy, "Fear of a Black Planet"
Yesterday was the 20th anniversary of Fear of a Black Planet, the third album by hip-hop legends Public Enemy. Billboard did a great write-up about the album's impact after two decades, which dovetails rather interestingly into a highly-recommended recent documentary I had the pleasure to see last week. The film, Copyright Criminals, is a thought-provoking look into the rise of sampling in music and the ongoing legal challenges faced by samplers. Public Enemy frontman Chuck D, as well as
Reissue Theory x2: Phil Collins - "No Jacket Required" and Peter Gabriel - "So"
It has been encouraging to see, in light of Genesis' impending induction into the Rock and Roll Hall of Fame, a number of commenters showing their respect for the Phil Collins-led, pop-savvy incarnation of the band. The group's output was always listenable - one could argue the 1990s was largely an exception - but it always seemed popular opinion was against them around the Invisible Touch era. This is ironic, since the same year Invisible Touch was released, former Genesis frontman Peter
Channel One
There's a lot of older music fans out there who would give anything to "bring things back" - whatever that might mean to them. Bring it back to the days of radio hits, record stores and so on. Optimistic though we may be, we're pretty much resigned to the fact that most things aren't going to revert back to the way they were. One notable exception exists in the catalogue world, though: it's a simple four-letter word that is quite literally changing the way we listen to our older music. It's
Reissue Theory: Various Artists, "Miami Vice"
Two days of nice weather in a row - especially after the kind of winter the northeast U.S. has had - will make you think of warmer climates really quickly. Music always seems to go well with higher temperatures (i.e.: barbecues, school dances, anything The Beach Boys sang about) - and one of the best pop cultural examples of this idea would be Miami Vice. The genesis behind the 1980s police show is the stuff of legend; NBC exec Brandon Tartikoff allegedly penned a memo that simply said "MTV
Back Tracks: James Horner
As this post is being written, the Oscars have wrapped up. Exciting, right? Of course not. The Oscars are perhaps as ridiculous as the Grammys, and usually don't have a heck of a lot to offer fans of any music in general. Perhaps this year was a bit of an exception - it was very exciting to see Michael Giacchino score his first Oscar for the excellent score to Up - but for someone raised on ultra-thematic scores such as John Williams' work for Star Wars, Jaws and others, there's usually not much
Order in the Court
The artist-specific compilation almost seems like a useless gesture in the digital age. Now that anyone can buy a song for around a dollar, there's seemingly no need to buy a CD full of singles for more than pocket change. That's simply not true, though; such discs represent more than just songs everyone loves. It's ideally the chronicle of hard-earned success within a lengthy body of work. It's sometimes a chance to visit a catalogue unified by certain musical or lyrical themes. And for
Release Round-Up: From Chicago to the White House
Rhino Handmade has announced its latest title, the first-ever true quadraphonic release of The Chicago Transit Authority, the 1969 debut LP by Chicago. Featuring hits like "Does Anybody Really Know What Time It Is?" and "Questions 67 and 68," this DVD release includes the entire album presented in four discrete channels of sound. Order it here and have a go at a demo of "quadio" over here. A couple of soundtrack tidbits coming up. First up, new releases from La La Land Records have been
There They Go Again
Thanks to the ICE boards (where I'd read this a bit ago but foolishly forgot to post here) for pointing out the upcoming release of Callin' All, an enormous 4-disc box set from indie-pop favorites The La's. Despite recording only one LP and a handful of singles in the late 1980s and early 1990s, the band has earned cult immortality thanks to the irresistible "There She Goes." Their other material is pretty neat too, and even though they've had their share of reissues and repackagings over the
The Paradox
If you're an avid follower of the music business at large, you know the common narrative that defines the industry: once, record labels signed great talents and earned lots of money and influence off the back of that art. Gradually, that art became secondary to business and excess, and as labels became absorbed into bigger corporations and followed trends instead of setting them, music fans got increasingly put off by the product. By the time rapid technological advances changed the way we
Reissue Theory: The Art of Noise, "In Visible Silence"
The Art of Noise usually gets lumped into that U.K. '80s esoterica category that a lot of their early labelmates on ZTT (Frankie Goes to Hollywood, 808 State, The Buggles and so on) seem to be in. Their sound was hip, catchy and weird, they say, and maybe a bit too much so for their own good. This is kind of funny, particularly because it's kind of wrong. The Art of Noise were indeed hip, catchy and weird. Their early work on ZTT, like the sample-heavy "Close (To the Edit)" and "Beat Box," set
News Roundup: However Far Away, Banshees Banished and Intrada Releases
A pair of sour notes from our friends over at Slicing Up Eyeballs. First, a source from Universal Music Group tells Cure fan site Chain of Flowers that the planned triple-disc reissue of Disintegration has been delayed a third time. The set - which features the original LP, a disc of demos and outtakes and an expanded version of the live album Entreat - was originally slated for a Feb. 16 release before being pushed back to April 6. In the U.S., where distribution is being dealt with by Rhino
Reissue Theory: Novelty Edition
One of the potential hazards of being a music collector is that sometimes, if you're feeling adventurous, you spring for an all-too-dangerous impulse buy. I'm guilty of this all the time, especially when the music in question is cheap. Put me within 25 yards of a garage sale or a cutout bin at a supermarket and I'm probably going to walk away having bought at least one disc. Sometimes this strategy works out in my favor: a random purchase of Squeeze's Singles 45 and Under from my local ShopRite
Reissue Theory: Was (Not Was), "What Up Dog?"
I've got to be the only twentysomething I know that's this excited over Pick of the Litter 1980-2010, the new compilation by pop-funk band Was (Not Was). Quirky aficionados may know them for left-field, late-'80s hits like "Walk the Dinosaur" and "Spy in the House of Love." Others may know them as the band that put producers Don Was and David Was on the map (they would, either separately or together, work on such albums as Cosmic Thing by The B-52's, Nick of Time by Bonnie Raitt and Bob Dylan's
Monoliths
I've been listening to Pet Sounds a lot lately. Maybe it's the dreary weather; whenever I put on some Beach Boys things feel a bit sunnier. But it's a heck of a record (as I'm sure most of you know) - one of those rarified few that's hard to chop down entirely. It's also fascinating that it's one on a rather short list of pop albums that have supported its own box set. The sprawling The Pet Sounds Sessions, released in 1997, chronicles the process of the album through alternate mixes, outtakes,
Reissue Theory: The Bangles
The other night, my radio happened upon "Manic Monday," one of the best pop songs of the 1980s. I'm sure you're all aware that the tune was written by Prince (under the pseudonym "Christopher," an effect from his Under the Cherry Moon days) and given to Susanna Hoffs and company after Apollonia 6 recorded a version that was never released. You may also know that the song itself hit No. 2 on the charts, kept from the top by none other than Prince and The Revolution's "Kiss." You might not know