Few figures have been as influential in the development of the acoustic guitar as British folk revival hero Bert Jansch. His 1965 self-titled debut brought him instant renown among other guitarists, including Jimmy Page, Neil Young, Paul Simon and more. He continued on as one-fifth of Pentangle and released a litany of stunning albums, both solo and with the likes of John Renbourn. But when the boundary-pushing guitarist recorded his 1979 album Avocet, he was creating something decidedly
Few figures were as instrumental to the British folk music revival as John Renbourn, whose guitar style incorporated influences from Celtic, jazz, pop, R&B, and beyond. As one-fifth of Pentangle, he and his bandmates expanded the possibilities of a folk-infused combo with odd time signatures, lengthy instrumental passages, and a repertoire that spanned decades, genres, and forms. But even before forming Pentangle, Renbourn had stunned audiences and listeners with his unique approach to the