Few figures were as instrumental to the British folk music revival as John Renbourn, whose guitar style incorporated influences from Celtic, jazz, pop, R&B, and beyond. As one-fifth of Pentangle, he and his bandmates expanded the possibilities of a folk-infused combo with odd time signatures, lengthy instrumental passages, and a repertoire that spanned decades, genres, and forms. But even before forming Pentangle, Renbourn had stunned audiences and listeners with his unique approach to the
February promises to be a packed month for music fans, as Esoteric brings listeners a new, expanded reissue of Renaissance's 1973 classic, Ashes Are Burning, as well as a reissue of The Byrds, the reunion album by the legendary folk-rock group. Also on the way are reissues of Tear Gas's self-titled album, an expanded edition of Greenslade's Time and Tide, and a new 3-CD set called Revolution: Underground Sounds of 1968. Meanwhile, Esoteric's Reactive imprint will issue a 4-CD set
Real Gone Music has announced three more reissues hitting shelves on September 7, joining previously-announced titles from Alice Coltrane, The Munsters, and more! First up is a vinyl reissue of Pentangle's 1968 double-album Sweet Child, celebrating its 50th anniversary. The British folk-jazz group came together in 1967 and consisted of Jacqui McShee (vocals), John Renbourn (guitar and vocals), Bert Jansch (guitar and vocals), Danny Thompson (double bass) and Terry Cox (drums). Their first