We at The Second Disc are not musicians. Well - I don't want to speak for Joe, but outside of an enthusiastic karaoke night every now and again, I am not a musician. But I obviously think of what it takes to mix brain power and artistic expression so brilliantly in the creation of a song, as well as the struggles that every artist faces when trying to "make it." Earning a living is one thing, sure, but so is the magic of connecting with a friend or a stranger through a song of your own creation.
In a winter tradition that's as reliable as any, UMe has released the latest in the annual copyright extension series, entitled Motown Unreleased: 1968. The two-part compilation will arrive to digital download and streaming services today, December 14. Between the two volumes, there's a whopping 88 tantalizing, previously unreleased gems from the Motown vault! Motown heavy-hitters, soul superstars, and fan favorites abound on these two collections. There's a wealth of Stevie Wonder rarities,
As has become a yearly tradition for the past several years, Motown released a "copyright extension" compilation of previously unreleased tracks at the very end of 2017, only a couple of weeks after last year's similar set got a physical release. Motown Unreleased: 1967 gathers 89 tracks across the equivalent of 4 CDs, all previously unheard treasures from the seemingly inexhaustible Motown vaults. Like the collections of the past couple of years, there is a wide range of Motown talent on
Given the speed and frequency with which the Motown label made recordings during its heyday, the company's vaults are known to be vast. Large amounts of unreleased material have been added to compilations and reissues over the years, while still other collections have been solely devoted to never-before-heard tracks from the label's superstars. Due to European copyright laws that allow unused recordings to enter the public domain, Motown has been releasing digital-only copyright-extension
Late in 2015, Ace Records released the compilation Jon Savage's 1966: The Year The Decade Exploded to coincide with the publication of the author-historian's book of the same name. Now, Ace and Savage have followed that CD release with another volume - 1967: The Year Pop Divided. The 2-CD collection's mission statement is clearly set out: "MOR ballads were rife in the U.K. charts in 1967, but thankfully not on this dynamic collection of rock, soul, pop, and incipient funk and psych the teenage
Here at Second Disc HQ, tomorrow is the biggest day of basketball season - because tomorrow is when we're unveiling Second Disc Records' first release of the year! Thom Bell's soulful, all-star soundtrack to The Fish That Saved Pittsburgh - featuring The Spinners, The Four Tops, Loretta Lynn, Phyllis Hyman, Doc Severinsen, Eubie Blake, and more - arrives from Second Disc Records and Real Gone Music for the very first time in a newly expanded, freshly remastered edition! Trust us: this is one
As has become commonplace over the past several years due to the copyright laws in the U.K. and Europe, a couple of "copyright extension" releases came out at the end of 2016 to come in right at the deadline for 1966 recordings. While sometimes these collections have taken physical form like the two large Bob Dylan box sets that have been released over the past couple of years, they are more often than not digital-only releases. And in keeping with the traditions of the past several years,
Real Gone Music and Second Disc Records are tipping off 2017 with a slam dunk release! On February 3, we will be bringing Thom Bell's soulful, all-star soundtrack to The Fish That Saved Pittsburgh - featuring The Spinners, The Four Tops, Loretta Lynn, Phyllis Hyman and more - to CD for the very first time in a newly expanded, remastered edition! The 1979 cult favorite film The Fish That Saved Pittsburgh featured an all-star team from the worlds of basketball and Hollywood - Julius "Dr. J"
If there was ever any doubt as to the versatility, adaptability and endurance of the songs of John Lennon, Paul McCartney, and George Harrison, it would certainly be dispelled by Ace’s new release of Let It Be: Black America Sings Lennon, McCartney and Harrison. The latest volume in the label’s Black America Sings series (also encompassing volumes dedicated to Sam Cooke, Bob Dylan, Otis Redding, and the team of Burt Bacharach and Hal David) and the second dedicated to the music of The Beatles,
The first volume of Ace/Kent's series dedicated to the male artists of Motown was entitled Satisfaction Guaranteed - but that title would be equally apt for the recent release One Track Mind: More Motown Guys, a second disc of rarities from the Sound of Young America. With 16 previously unissued cuts among this collection's 24 tracks, it proves that the treasures of the Motown vault are far from exhausted. This is also one volume sure to keep your foot tapping and your body moving, with each
1965 was a key year for The Sound of Young America. In a tumultuous twelve-month period which saw the Selma to Montgomery marches, the United States' escalation of military forces in South Vietnam, and the assassination of Malcolm X, the music of Motown was a cultural touchstone that spread unifying messages of love and togetherness. Berry Gordy's label scored five Pop chart-toppers in 1965: The Supremes' "Stop! In the Name of Love," "Back in My Arms Again" and "I Hear a Symphony," The
When it comes to rare soul, Ace Records never sleeps! The label has recently released a compilation celebrating the career of Sam Cooke not as a singer but as a songwriter, along with collections dedicated to excavating the vaults of two great Detroit labels: Westbound Records, and of course, Motown! Countless albums have anthologized the short but influential oeuvre of Sam Cooke, but Bring It on Home: Black America Sings Sam Cooke takes a different approach, featuring 24 versions of Cooke
On the evening of March 25, 1983, the Pasadena Civic Auditorium was alive with the sound of music – the Sound of Young America, to be more specific. Motown Records was celebrating its 25th anniversary, and producer Suzanne de Passe wasn’t pulling any stops. “Once in a lifetime” was as overused in 1983 as it is today, but the galaxy of stars assembled by de Passe couldn’t be described any other way: Diana Ross and the Supremes, Marvin Gaye, Lionel Richie and the Commodores, Smokey Robinson and
Dee Dee Warwick signed with Mercury Records’ Blue Rock imprint in 1964, the same year her sister Dionne solidified her place in the upper reaches of the charts with songs like “Walk on By,” “Reach Out for Me” and “You’ll Never Get to Heaven (If You Break My Heart).” Though Dee Dee never saw the same kind of commercial success as Dionne, she carved out a unique vocal identity with her dark, bluesy and intense tone. At Mercury, Dee Dee recorded two albums and a number of singles. In 2012, Soul
Motown aficionados have a lot of fun stuff to dig through on a number of formats, with the recent release of a box set collecting 14 rare cuts on vinyl and a new, copyright law-busting compilation of 52 previously unavailable outtakes from some of the label's biggest names. Recently issued in the U.K., The Motown 7s Box: Rare and Unreleased Vinyl seems to take more of a tack about "tracks unreleased to vinyl" than "never-before-released tracks on vinyl." Everything here has been made available
They did it. Nearly nine years after the first volume in Hip-O Select's The Complete Motown Singles box set series was released, the 14th and final entry in the series, Volume 12B: 1972, will be released on December 10, just in time for the holidays. The year 1972 marks, for many, the end of the "classic Motown" period. Label founder Berry Gordy moved label operations from Detroit to Los Angeles, and many of his most treasured acts were in periods of transition. Diana Ross was long a solo
“While I was layin’ in a hospital bed/A rock ‘n’ roll nurse went to my head/She says, ‘Hold out your arm, stick out yo’ tongue/I got some pills, boy, I’m ‘a give you one!” It was no surprise that The New York Dolls – crown princes of debauchery, seventies-style – would include a cover of Bo Diddley’s oddly jaunty 1961 single “Pills” on their 1973 debut album. While The Dolls – lead vocalist David Johansen, rhythm guitarist Sylvain Sylvain, bassist Arthur “Killer” Kane, lead guitarist Johnny
Were there a time capsule emblazoned with the word “MOTOWN,” meant to convey the sound and style of the once-and-always Sound of Young America to future generations, its central artifact just might be Gordy single G-7033, from 1964. Sure, The Supremes might have had more success, and The Temptations and The Four Tops might have had more endurance. But the ultimate Motor City anthem could very well be “Dancing in the Streets,” performed by Martha Reeves and the Vandellas. And that’s just one
Happy Friday! We've got a special double dose of Detroit for you today: reviews of two of Motown Select's latest releases - singles box sets devoted to The Four Tops and Martha & The Vandellas, respectively. First, Mike can't help himself when it comes to the Tops... Is it right to call one of Motown's most beloved vocal groups - with over a dozen Top 20 hits and production credits from three of the greatest names not only on the Detroit label, but in all of pop-soul music -
Let's dispense with the "Get Ready" puns: after a four-year wait, Hip-O Select's Complete Motown Singles series inches closer toward the finish line with Volume 12A: 1972. This five-disc set includes every single side released by Motown during the first half of 1972, a time of transition for the company. Berry Gordy had already moved his Detroit-based media empire westward to Los Angeles, leaving some of his flagship groups in a transitional period. The Jackson 5 still had their hits, but not
The S.O.S. Band / Cherrelle / Alexander O'Neal, "Tabu Reborn" Vinyl Editions (Wave 1) (Tabu/Edsel) The start of a lengthy reissue campaign from Demon Music Group, these are 180-gram vinyl reissues of The S.O.S. Band's III (1982), Cherrelle's 1984 debut Fragile, and Alexander O'Neal's self-titled debut from 1985. Expanded editions of these albums come out on CD next week, followed by a great many more waves of product throughout 2013 and into 2014! S.O.S. Band: Amazon U.S. / Amazon
We kick off the weekend with not one but two new Motown collections from Hip-O Select. This time, it's a pair of singles collections from two cornerstones of the classic Motown sound - and one is packed with rarities. The boutique label (which, if its Twitter feed is any indication, is due for a rebranding of sorts) is releasing two Singles Collection multi-disc sets from The Four Tops and Martha & The Vandellas. The classic lineup of Levi Stubbs, Obie Benson, Duke Fakir and Lawrence
When Motown: The Musical opens at Broadway’s Lunt-Fontanne Theatre on April 14, it will mark yet another career landmark for Berry Gordy, the songwriter-producer-entrepreneur who turned Detroit, Michigan into Hitsville, USA some fifty-five years ago. The musical, written by Gordy and directed by Charles Randolph-Wright, depicts the rise to prominence of the Sound of Young America, with Brandon Victor Dixon (The Color Purple, The Scottsboro Boys) starring as Gordy. He’s joined by a cast of
What you will see after the jump are eight more of Universal's generic ICON titles, released this past Tuesday. There are two country acts, two Motown acts, two Motown compilations, one from Dean Martin and one from pop/rock band Fall Out Boy. A stranger collection you'll rarely find. I'd give a halfhearted recommendation to the Motown ones if you want to spend a little money on someone who has the distinct displeasure of never having heard any Motown song, ever. If you have more money to spend,
Cherry Pop Records has a major treat next week for British club junkies of the '80s: a double-disc set of rare and unreleased remixes by noted engineer Phil Harding. If you're a British pop junkie who came of age in the '80s, you're doubtlessly familiar with three names: Mike Stock, Matt Aitken and Pete Waterman. The trio of producers hit it big with Hi-NRG pop, all clean beats and shimmering synths, from Bananarama's "Venus" to Rick Astley's "Never Gonna Give You Up." All told, the trio racked