Welcome back to our Rundgren Round-Up, spotlighting the final installments in Edsel’s series of the complete Bearsville Todd Rundgren and Utopia reissues! On 1978’s Back to the Bars, Todd Rundgren was in gentle, intimate mode, feeding off audiences in New York, Los Angeles and Cleveland eager to hear his most accessible tunes on a “retrospective” tour. For this look back at a near-decade’s worth of music making, Rundgren enlisted the classic Utopia line-up of Kasim Sulton, Willie Wilcox and
Todd Rundgren’s tenure at Albert Grossman’s Bearsville Records label took him from his days as a singer/songwriter/self-described Runt in 1970 through his cutting-edge avant garde experiments, both solo and with his band Utopia, culminating in 1985’s A Cappella, rejected by the label and eventually released on Warner Bros. instead. The U.K.’s Edsel label has recently completed its catalogue overhaul for Rundgren, including the entirety of his tenures at Bearsville and Warner. The most recent
Mark Lindsay, The Complete Columbia Singles (Real Gone) Joe calls this collection of the Paul Revere and The Raiders frontman's solo single sides "one of (Real Gone's) finest and most consistently enjoyable releases to date." If that doesn't get your catalogue muscles moving, it may be time to check your pulse! Clannad, Timeless / The Essential Clannad (RCA/Legacy) Alternately given both titles (the package has the latter while the sticker atop the disc has the former), this double-disc
Bearsville is back! Even as Edsel Records has been tackling Todd Rundgren's catalogue, both solo and with Utopia, the enterprising label hasn’t stopped there. This month has brought two releases related to the Rundgren mystique but still capable of standing on their own considerable merits. Roger Powell may be the most well-known of Utopia’s keyboard/synthesizer players, but he was actually preceded in the band by Jean Yves “M. Frog” Labat. Both Labat and Powell recorded solo albums at
Longtime Todd Rundgren fans are familiar with the renaissance man’s numerous genre excursions, from pop to rock and everywhere in between: psychedelia, soul, electronica, even metal. But comparatively fewer fans have heard Rundgren’s one and only full-blown excursion into disco. Shortly after completing 1976’s Faithful LP, the iconoclastic producer took the members of Utopia into the studio to create the album known as Disco Jets. Yet the album crafted by Willie Wilcox (drums), Roger Powell
By the time 1993 rolled around, devotees of the musical wizardry of Todd Rundgren only knew to expect the unexpected. Warner Bros. Records had rescued 1985’s A Cappella after the album had been rejected by Rundgren’s longtime home, Bearsville. The maverick artist followed that with two efforts recorded expressly for the label, Nearly Human (1989) and 2nd Wind (1991). These two albums showed the artist as a supreme pop craftsman with would-be classics like “The Want of a Nail” and “Parallel
Ben Folds, The Best Imitation of Myself: A Retrospective (Epic/Legacy) Ben Folds-mania - at least around Second Disc HQ - hits a fever pitch with the first compilation from everyone's favorite piano-playing smartass. You have your single-disc version, the excellent three-disc version and the digital vault, featuring another 55 tracks at 320 kbps MP3s. (Five of those tracks are yours free when you buy the three-disc set.) (Official site) James Brown, The Singles Vol. 11 (1979-1981) (Hip-o
He's been called a wizard, a true star, even God. But by any name, Todd Rundgren is one of music's most enduring iconoclasts. Not merely content to rest on his early career laurels as a purveyor of top-tier AM pop ("Hello, It's Me," "I Saw the Light") the restless musician has followed his muse from one direction to another over 40+-years, taking in soul (of the Philadelphia and blue-eyed varieties), pop, prog rock, jazz, funk, arena rock, avant-garde experimentalism, a cappella, musical