Dusty Springfield, Faithful (Real Gone Music) (Amazon U.S. / Amazon U.K.) Faithful assembles for the first time on one CD all of the masters produced by Jeff Barry ("Chapel of Love," "Leader of the Pack," "Sugar, Sugar") for Dusty Springfield in 1971. From his home base at New York's Century Sound, Barry produced thirteen songs for Dusty - twelve intended for album release and one for a non-LP single. Four songs were released on two 45s, but when Dusty departed Atlantic Records, the
Beale Street in downtown Memphis, Tennessee runs approximately 1.8 miles from the Mississippi River to East Street. Created in 1841 and originally named Beale Avenue, it was immortalized in 1916 by composer, musician and bandleader W.C. Handy in his "Beale Street Blues." By the middle of the century, Louis Armstrong, B.B. King, Albert King, Muddy Waters and more had all played Beale Street, recognized as one of the nation's foremost cradles of the blues. But by the mid-1960s, the legendary
The songs of Carole King and Gerry Goffin have been enjoying a rather spectacular renaissance on both sides of the Atlantic thanks to the success of King’s biographical Broadway and West End musical Beautiful. Happily, Ace Records has returned to the duo’s catalogue for a fourth anthology. Hung on You: More from the Goffin and King Songbook follows three previous excursions: Goffin & King: A Gerry Goffin and Carole King Song Collection 1961-1967 (2007), Honey and Wine: Another Gerry Goffin
Since its inception in 2013, Cherry Red’s Croydon Municipal label has reliably shed light on some of the least illuminated corners of the pre-Beatles pop world. Two recent releases - Such a Much: R&B Girls of the ‘50s and ‘60s and TV is the Thing: Fifties and Sixties Television Themes – continue in this tradition. Like many of Croydon’s releases, Such a Much features a blend of names both familiar (LaVern Baker, Little Esther, Etta James, Ruth Brown) and less familiar (Paula Grimes,
Omnivore Recordings is going back to Memphis. The label has already preserved a number of classic records drawing on the city’s rich musical landscape by artists including Big Star, Alex Chilton, Sandra Rhodes, and Sid Selvidge. On April 14, Omnivore will add to that collection with the reissue of Beale Street Saturday Night, produced and curated in 1979 by the late Jim Dickinson in celebration of the city’s blues mecca Beale Street. Produced for The Memphis Development Foundation (and
On April 1, 1995, Starbucks launched its line of CDs with Blue Note Blend, a selection of thirteen tracks from the catalogue of the venerable jazz label and its sister labels. Available as a standalone release or bundled with a pound of Starbucks’ same-named coffee, the album was an unqualified success, selling over 75,000 copies and spawning sequel volumes. Twenty years later, the coffee house is returning to its roots for a new edition of Blue Note Blend which features many of the same
Here comes the night…again! Even if you don’t know the name of Bert Berns, chances are you know the songs he wrote (“Twist and Shout,” “I Want Candy,” “Hang On, Sloopy,” “Piece of My Heart”), produced (“Under the Boardwalk,” “Baby I’m Yours,” “Brown-Eyed Girl,” “Here Comes the Night”) and oversaw as head of Bang Records (“Cherry, Cherry,” “Solitary Man” and the rest of Neil Diamond’s earliest recordings). Though Berns died in the final days of 1967 at just 38 years of age, a year hasn’t gone by
Musical renaissance man Les Reed is responsible for some of the most beloved pop tunes of all time – “It’s Not Unusual,” “There’s a Kind of Hush,” and “The Last Waltz” among them. His songs have been recorded by Tom Jones, Elvis Presley, Shirley Bassey, Petula Clark and Bing Crosby. Less well known is that Reed also founded a record label. His Chapter One Records was formed in 1968 and lasted until 1973, releasing music by a diverse collection of artists including Episode Six (a proving
With the recently-released tenth volume of its year-by-year chronicle, Ace’s The London American Label series revisits 1965. Though America was swept up in the sounds of the British Invasion, Great Britain was still interested in the music from the United States – as evidenced by the 27 selections here drawn from 72 singles. That said, the tide was turning; London American issued 109 singles in 1964 and 177 in 1963. Hit-wise, though, the London American label yielded 11 chart records in 1965
Hot on the heels of the 2014 release of the film Northern Soul and its soundtrack, Demon Music Group’s Harmless Records imprint is celebrating the R&B subgenre with what’s likely its most exhaustive chronicle ever: the 8-CD/2-DVD box set The Odyssey: A Northern Soul Time Capsule. This massive set, due on February 16, has been co-compiled by Harmless’ chief and 1970s Northern Soul DJ Ian Dewhirst, and features diverse tracks from artists including The Spinners, Chuck Jackson, Gladys Knight
We'd like to extend a big welcome to the newest member of our Second Disc family, author Ted Frank. Ted, a self-described "power pop-a-holic," kicks off his contributions to The Second Disc with a review of the latest collection from the fine folks at The International Pop Overthrow Festival. The Festival's seventeenth volume (yes, seventeenth - congratulations, IPO!) of pure pop for now people is just the latest in a smashing line of releases designed to introduce you to the best bands you've
When it comes to rare soul, Ace Records never sleeps! The label has recently released a compilation celebrating the career of Sam Cooke not as a singer but as a songwriter, along with collections dedicated to excavating the vaults of two great Detroit labels: Westbound Records, and of course, Motown! Countless albums have anthologized the short but influential oeuvre of Sam Cooke, but Bring It on Home: Black America Sings Sam Cooke takes a different approach, featuring 24 versions of Cooke
Johnny Mathis. Frank Sinatra. Perry Como. Steve Vai? Menudo? When it comes to Christmas music, Legacy Recordings doesn’t pull its punches. The label’s series of Classic Christmas Album releases has become a bit of an annual tradition, and this year’s batch of single- and various-artist anthologies once again draws on names both expected and unexpected. While the packages are bare-bones, with no liner notes (but happily with full credits and discographical annotation), the music most certainly is
St. Etienne co-founder Bob Stanley’s Croydon Municipal imprint from the Cherry Red Group continues to have some of the most eclectic releases out there, emphasizing classic fifties and early sixties pop, R&B and beyond. The label’s latest offerings include a tribute to the pride of Bloomington, Indiana – Mr. Hoagy Carmichael – as well as a return to the realm of Popcorn, and a collection of cool, swinging film themes! Any songwriter would likely sell his soul to compose a song with the
That Jackie DeShannon is one of the most gifted singer-songwriters in popular music should come as no surprise to anybody reading this. Equally skilled at interpreting her own songs as well as those of others, the multi-talented Miss DeShannon was the concerned yet optimistic voice of “What the World Needs Now is Love,” the flower-power spokeswoman who implored you to “Put a Little Love in Your Heart,” one of the first Ladies of the Canyon, and one-half of the songwriting team behind the
When it comes to vintage soul, no stone is left unturned by the team at Ace and Kent Records. A number of recent releases hit points from Miami to Memphis, and just about everywhere in between. In today’s Part One of our Ace Soul Round-Up, we’ll look at releases from the Sounds of Memphis label and vocalist Mary Love! Memphis is a long way from Hollywood, but the famous MGM lion adorned the releases of the Sounds of Memphis label, subject of Kent’s new More Lost Soul Gems from Sounds of
The credit “Arranged and conducted by Jack Nitzsche” should be familiar to any collector of those little black vinyl platters we used to call 45s. Such a credit – or a similar one - graced records by Frankie Laine and Doris Day, The Paris Sisters and The Righteous Brothers, The Tubes and The Crystals, Graham Parker and Bobby Vee. Jack “Specs” Nitzsche (1973-2000) made his mark across multiple genres and many decades, the common factor being the quality of his work. Nitzsche the orchestrator
Ace Records began its Girls with Guitars CD series in 2004. That first volume took its inspiration from a 1989 LP issued by the label and featured 24 tracks from lesser-known American girl groups worthy of attention from garage-rock fans. The music of Girls with Guitars was diverse, encompassing a variety of sixties sounds from garage to pop and soul. A second volume, Destroy That Boy: More Girls with Guitars, followed in 2009 ramping up the star wattage with a couple of mind-blowing cuts by
Almost two years ago, we reported on Light in the Attic’s Country Funk, an anthology celebrating the hybrid genre of the title. Back then, LITA described country funk as an “inherently defiant genre” encompassing “the elation of gospel with the sexual thrust of the blues, country hoedown harmony with inner city grit. It is alternately playful and melancholic, slow jammin’ and booty shakin’. It is both studio slick and barroom raw.” Well, if the 16 nuggets on that 2012 release weren’t enough
Ace Records continues to mine the rich legacy of American R&B with recent releases dedicated to a trio of the finest independent labels in soul music: Fame, Music City, and Doré. Late in 2011, Ace curated the definitive chronicle of Rick Hall’s Fame Studios with The Fame Studios Story, a 3-CD box set including performances recorded at the storied Muscle Shoals, Alabama studio by artists including Wilson Pickett, Etta James, Otis Redding, Irma Thomas and Aretha Franklin. The label has also
What is success? For Allen Toussaint, it's been a career that's lasted for over fifty years in which he's created some of the most memorable music ever committed to tape: "Mother-in-Law." "Whipped Cream." Lady Marmalade." "Working in the Coal Mine." "Southern Nights." "Yes We Can Can." The latter song, a hit for the Pointer Sisters, took on added significance when it became associated with Barack Obama's 2008 U.S. Presidential campaign. As writer, producer, vocalist and arranger, Allen
Though they're located across the pond, the team at Ace Records literally has the entire map of the U.S. covered when it comes to celebrating classic soul sounds. Among the numerous titles recently issued by the Ace family are three geographically-attuned sets sure to pique your ears and interest. Ace's journey begins in the American northeast, and specifically in New York City, with a second volume of Manhattan Soul. Like the first volume in the series, it's drawn from the considerable
Though we've come to expect delightful and deeply soulful compilations from Ace's Kent label, one of Kent's latest is a particular trip: a trip, in fact, to the Cleethorpes Northern Soul Weekender. The 6Ts Rhythm and Soul Society has been throwing these bashes on a yearly basis since 1993, offering up plenty of dancing and some of the best names in soul music, among them Doris Troy, Barbara Lewis, Tommy Hunt, Bettye LaVette and Maxine Brown. Kent's The Cleethorpes Northern Soul Weekender,
The sound is familiar but different. The harmony is spellbinding if a bit woozy. You've only given me a flower/I wish I had the whole bouquet... The track, led by acoustic guitar and gently funky percussion, is spare and raw. If I should ask you for an hour/Is there a chance that you would stay/And maybe spend the day? The falsetto is recognizable but eerily haunting. The song is "You're A Song (That I Can't Sing)" performed by Frankie Valli and the Four Seasons for the album Chameleon, the
"I have been seeking P.F. Sloan/But no one knows where he has gone..." With those lyrics, Jimmy Webb immortalized the reclusive songwriter, admonishing listeners, "Don't sing this song, it belongs to P.F. Sloan." But when Webb wrote those words in 1971, Sloan had only been away from the music scene for three or four years; in fact, he was a quite prolific writer in the years between 1964 and 1967, often in collaboration with Steve Barri. Sloan, already an established writer of pure pop songs
- « Previous Page
- 1
- …
- 7
- 8
- 9