When Fleetwood Mac entered the Château d’Hérouville studio outside Paris at the dawn of the 1980s, the band had one goal in mind: to create a commercial pop success in the mold of their record-breaking Rumours. Not everyone in the quintet was sold on this goal, necessarily, especially after the quantum leap forward from Rumours into the beautiful madness that was Tusk. But while Tusk sold four million copies, it couldn’t help but be viewed as a disappointment after the world domination of its ten million-selling predecessor. Mirage, released in June 1982,…
Review: Gerry Beckley, “Carousel”
Gerry Beckley celebrated his 64th birthday earlier this week, on Monday, September 12. We’re marking the occasion with a look at his new studio album! One hardly expects the first verse of the first song on a new album from America’s resident romantic troubadour, Gerry Beckley, to include the lines “Everything’s turned to shit/No matter how I look at it/And I am running out of time…” But while Beckley is happily defying convention on “Tokyo” – the taut, rocking opening cut of his new album Carousel on Blue Elan Records (and also…
Review: The Beatles, “Live at The Hollywood Bowl”
And now…here they are…The Beatles! The summers of 1964 and 1965 are now more than fifty years in the rearview mirror, yet the music made by four lads from Liverpool over three evenings at Los Angeles’ famous Hollywood Bowl now sounds so fresh and so immediate, you could believe it was recorded yesterday. Such is the work of the sonic wizards on Capitol/Apple/UMe’s first-time-on-CD, retitled, remixed and expanded reissue of The Beatles’ Live at the Hollywood Bowl (B0025451-02, 2016). Capitol Records first captured John, Paul, George and Ringo at the venerable Los…
Review: Judy Henske and Jerry Yester, “Farewell Aldebaran”
Hello, Aldebaran…or more accurately, welcome back! Farewell Aldebaran first arrived in 1969 on Frank Zappa’s Straight Records label from the duo of Judy Henske and Jerry Yester. Henske was the onetime “Queen of the Beatniks” whose distinctive, bluesy and big voice earned her legions of fans on the folk circuit. In 1963, Henske married Jerry Yester, a member of The Modern Folk Quartet and veteran of The New Christy Minstrels. When the MFQ broke up, Yester busied himself as a producer, helming albums by Tim Buckley and his brother Jim’s band The…
Review: The Beach Boys, “Becoming The Beach Boys: The Complete Hite and Dorinda Morgan Sessions”
Just shy of fifty years after the release of the single of the same name, the good vibrations of The Beach Boys continue to resonate far outside of the band’s native Southern California – in fact, they can be felt around the world. Mike Love, currently leading the group for another endless summer of touring with Bruce Johnston and longtime sideman Jeffrey Foskett, is about to release his autobiography on September 13. One month later, on October 11, I Am Brian Wilson: A Memoir arrives in stores from the Beach Boys’ leader,…
Steppin’ Out: Intervention Records Reissues Two From Joe Jackson
Look Sharp! Joe Jackson certainly did as nattily attired on his debut release of that name. Joined by Graham Maby on bass, Gary Sanford on guitar and Dave Houghton on drums, pianist-singer Jackson delivered a record for the ages. Both Look Sharp! and Night and Day, Jackson’s fifth album for A&M Records, have recently been reissued as deluxe audiophile vinyl editions by the team at Intervention Records. Happily, they’re sonically every bit the equal of the label’s stellar reissue earlier this year of the artist’s sophomore disc, I’m the Man. The jagged,…
Where The Good Times Are: Ace Collects “Beat Girls”
We recently filled you in on the ninth volume of Ace Records’ long-running series, Where the Girls Are. Today, we spotlight two companion volumes dedicated to Beat Girls of the 1960s! Pye Records, home of Petula Clark and The Kinks, practically defined the British “big beat” sound of girl-pop with its urbane, sophisticated productions. Scratch My Back! Pye Beat Girls 1963-1968 offers a cross section of the label’s brashest sounds with 24 well-selected nuggets from artists both familiar and lesser-known. The collection takes its title from a snarling, fuzz guitar-laden song by…
Review: The Turtles, “Complete Original Album Collection” and “All the Singles”
Prepare to be shell-shocked! Manifesto Records and FloEdCo have, at long last, given fans of The Turtles deluxe sets befitting the band’s happy (and happily subversive!) musical legacy. The 6-CD Complete Original Album Collection and 2-CD All the Singles round up, in truly definitive fashion, the original band’s recordings between 1965 and 1970 as first released on White Whale Records. Though The Turtles have long been recognized as top-flight purveyors of classic 45s, a journey through their compact six-album catalogue as presented in The Complete Original Album Collection unearths numerous riches beyond the big hits. …
You Keep Me Swinging: Parlophone Collects Matt Monro’s “The George Martin Years”
Earlier this year, George Martin passed away at the age of 90. Among the great producer’s most lasting associations was with vocalist Matt Monro. Martin and Monro’s professional partnership endured for more than fifteen years, while their friendship survived until the singer’s untimely death in 1985 at just 54 years old. Now, the joint Martin/Monro legacy has been celebrated on a wonderful new anthology. Matt Monro’s The George Martin Years is available now from Rhino and Parlophone U.K., containing 27 hits and rarities sung in Monro’s inimitably pristine style to Martin’s sublime…
You Remind Me Of The Sun: New Collections Arrive from Jeff Larson, Jeffrey Foskett
More than fifty years have passed since John Phillips so vividly encapsulated the California myth with The Mamas and the Papas’ “California Dreamin’,” but the Golden State continues to inspire artists with its promise of eternally sunny days. The strains of “California music” are as varied as the state’s regions, from surf to punk to psychedelia to country to metal. Despite changing times and changing tastes, however, richly melodic pop-rock has never gone out of fashion in California. Two recent anthologies from veteran artists (and collaborators) Jeff Larson and Jeffrey Foskett showcase…
When A Girl’s In Love: Ace Goes “Where The Girls Are”
Nine volumes in, and Ace’s Where the Girls Are series is still turning up hidden-gems from the girl group era! As is often the case with this series, the names behind-the-scenes are often more familiar than those headlining the record. Where the Girls Are Volume 9 , released earlier this year, features 25 more tracks from America in the 1960s – the golden age of girl groups and “girl pop” – in their original mono versions. Future Philly soul architect Leon Huff penned The Sweet Three’s effervescent “That’s the Way It Is (When…
Review: “The Monkees: The Complete Series”
2016 marks the 50th anniversary of The Monkees, yes – but it also marks the same milestone for The Monkees. Whether on the original NBC broadcasts, twenty years later on MTV or since then on home video, fans have fallen in love with The Monkees. The television sitcom launched Davy Jones, Micky Dolenz, Peter Tork and Michael Nesmith as household names (and faces!) and inspired some of the finest pop music to arrive from any group in the 1960s. Rhino first released The Monkees as a complete series on VHS in 1995,…
Now, Voyager: Big Break Collects Dexter Wansel’s “Philadelphia International Records Anthology”
Are you ready to blast off? With the August 5 release of Dexter Wansel’s Stargazer: The Philadelphia International Records Anthology 1976-1980, Big Break Records is headed for the stars. Wansel was one of the brightest lights of PIR’s “Mk. II” period, releasing four criminally underrated LPs on the label. His work as an artist, songwriter, arranger and producer pushed the envelope of Philly soul, bringing in elements of jazz fusion and even progressive rock. Stargazer brings together all of Wansel’s exhilarating tracks recorded for Philadelphia International in one 2-CD, imaginatively-sequenced compendium. Arriving…
Review: Rhonda Ross, “In Case You Didn’t Know”
In Case You Didn’t Know: Rhonda Ross has dropped a new release. The album of that title showcases the singer-songwriter on a set of fourteen potent, original tracks. Ross, a gifted vocalist with an expressive instrument, has written or co-written every song on the album, and though the CD’s exclusive retailer CD Baby categorizes the record as “Jazz Fusion” – calling to mind the liquid soundscapes of Return to Forever or Weather Report – that term only tells part of the artist’s story. The fresh sounds on In Case You Didn’t Know…
Above and Beyond: Varese Brings Papa John Phillips, Wynn Stewart to Vinyl
For his first solo album – and lone solo LP released during his lifetime – John Phillips was careful not to repeat himself. With The Mamas and the Papas in the rearview mirror at that moment in time, Papa John reinvented himself as John, The Wolfking of L.A. and surrounded himself with the day’s top musicians to craft a beguiling, mellow portrait of Los Angeles circa 1970. Varese Vintage expanded this one-of-a-kind record on CD in 2006, and has recently issued it on a new 180-gram vinyl edition. Rather than recreate the…
Review: Everclear’s First Two Capitol Releases on Audiophile LP from Intervention
Joining its sonically and visually beautiful releases from the likes of Stealers Wheel and Joe Jackson, Intervention Records has recently released deluxe 180-gram audiophile pressings of Everclear’s first two proper Capitol albums: Sparkle and Fade (1995) and So Much for the Afterglow (1997). These are the two albums that first put the trio of Art Alexakis (guitar and vocals), Greg Eklund (drums) and Craig Montoya (bass guitar) on the map and made Everclear a major part of the alternative rock movement that swept through popular music during the 1990s. While typically grouped…
It’s All Happening: “Charlie Faye and The Fayettes” Captures The Girl Group Sound
Summer is at last here, and leave it to New York native and Austin music mainstay Charlie Faye to have provided us with one of the first must-have, window-down soundtracks for the season! In shaping Charlie Faye and The Fayettes, her tribute to the girl-group sound, the singer-songwriter has clearly done her homework. This brisk and breezily enjoyable listen places Faye’s voice up front over sweet, honeyed group harmonies on eleven, new hook-filled tunes. Faye wrote or co-wrote every swaying, swooning song on the LP, with producer Dave Way conjuring a rich…
Review: Chicago, “Quadio”
Surround yourself with Chicago! With the recent release of Rhino’s immense – and immensely enjoyable – new box set Quadio, it’s possible to enjoy the Rock and Roll Hall of Fame-honored band’s classic 1969-1976 albums with added dimension: that of 4.0-channel quadraphonic sound. The nine Blu-ray Audio discs on Quadio (playable on all Blu-ray players) present every one of Chicago’s studio albums from Chicago Transit Authority through Chicago X, plus IX: Chicago’s Greatest Hits, in remastered high-resolution 192/24 DTS-HD Master Audio in both their original quadraphonic and stereo mixes. Hearing these classics…
Cash, Robbins, Jones, Arnold Feature On Ace’s “More Country Hits”
Ace Records has recently continued its Golden Age of American Popular Music Series with another volume dedicated to the sounds of country-and-western. More Country Hits follows The Country Hits, released in 2008, and like that volume, presents a collection of country classics that crossed over to the pop side on the Billboard Hot 100. Many familiar names from the first collection show up here, too, including Johnny Horton, Johnny Cash, Faron Young, Ray Price, George Jones, Skeeter Davis, Marty Robbins and an artist close to our hearts here at Second Disc HQ,…
Too Hot! Big Break Collects Heatwave On “Always and Forever”
Heatwave was a band like no other. American vocalists Johnnie Wilder Jr. and his brother Keith Wilder joined with British singer-songwriter-keyboardist Rod Temperton, Swiss bassist Mario Mantese, Czechoslovak drummer Ernest “Bilbo” Berger, and Jamaican guitarist Eric Johns to form this truly international cadre of first-class R&B purveyors. Thanks to a string of hits including “Boogie Nights,” “Always and Forever” and “The Groove Line,” the seductive grooves of Heatwave ruled both the dancefloor and the bedroom. Big Break Records has recently spotlighted the gently alluring side of the group with an irresistible new…
It’s Her Party: Ace Reissues Lesley Gore’s “Boys, Boys, Boys”
The teenaged Lesley Gore sure knew about boys. Among the titles in her era-defining catalogue include “Wonder Boy,” “Yeh, Yeh, Yeh (That Boy of Mine),” “Boys,” “Sometimes I Wish I Were a Boy,” and, of course, “That’s the Way Boys Are.” The latter opened the teen queen’s 1964 album Boys, Boys, Boys – a loose concept album of a sort dedicated to the precocious, talented singer’s most-visited theme of young love. The late artist’s third LP, it’s recently been reissued by Ace Records in a generously expanded edition more than doubling the…
Review: The Beach Boys, “Pet Sounds 50”
50 years have passed since the original release of The Beach Boys’ Pet Sounds, yet it still stands alone in the rock canon. The talents of Brian Wilson, Tony Asher, Mike Love, Al Jardine, Carl Wilson, Dennis Wilson and Bruce Johnston coalesced in one unforgettable place and time to create music’s most exquisite realization of both the exultant joy and beautiful melancholy of adolescence. It took until the compact disc era for Pet Sounds to be fully appreciated; the album wasn’t certified platinum until early 2000, and only rose as far as…
Moving On: Esoteric Expands The Move’s “Something Else” and “Looking On”
Esoteric Recordings has recently continued its series of Move reissues with expanded editions of the band’s 1968 EP Something Else from The Move, and its 1970 studio album Looking On. Something Else began life as a 5-track mono EP culled from performances at London’s Marquee Club on February 27 and May 5, 1968. Between those two gigs, bassist Chris “Ace” Kefford had departed the group’s roster, leaving it a four-piece consisting of Carl Wayne on vocals, Roy Wood on guitar/vocals, Trevor Burton on guitar/vocals (and newly, bass) and Bev Bevan on drums. …
People of the World, Rise: BBR Reissues “The Trammps III” and Gaynor’s “Glorious”
Today, we’re looking at two recent releases on Cherry Red’s Big Break Records label from two legends of disco (and so much more): The Trammps and Gloria Gaynor! “Where were you when the lights went out in New York City?” asked The Trammps in song on the opening track of 1977’s Trammps III. (The answer? Everyone was making love, naturally!) The urgent, atypically topical track by Allan Felder, Ron Tyson and arranger-producer Norman Harris is just one highlight on this underrated album, released after Disco Inferno but before that album and its…
Review: The Kinks, “Everybody’s in Show-Biz: Legacy Edition”
When Kinks bio-musical Sunny Afternoon took home the 2015 Olivier Award for Best Musical, it must surely have been a sweet moment for composer-lyricist and band frontman Ray Davies, whose concept albums and rock operas have long bore the hallmarks of strong theatrical storytelling. (He’s also written a handful of musicals over the years.) By the time of 1972’s Everybody’s In Show-Biz, Davies was already pushing the envelope of his quintessentially British sound, incorporating rootsy American country textures, Dixieland horns and even a dash of calypso into The Kinks’ heady, heavy rock-and-roll…
