While The Second Disc prides itself on connecting people to reissues and box sets they can keep on their shelves, it's no secret that listening audiences are also digital - catalogue music lovers, too - and our passion is connecting people to music from the past that they might adore. So we've introduced a new feature: The Weekend Stream, which focuses on hidden gems that recently made it to digital channels that might make your playlists a little brighter! Aaliyah, Aaliyah
In recent weeks, Cherry Red's SoulMusic Records imprint has launched a series of mini-box sets drawn from the Atlantic vaults including titles available now from Solomon Burke, Esther Phillips, Barbara Lewis, and Carla Thomas. Yesterday we explored the releases from Burke and Phillips, and today's spotlight is on Lewis and Thomas! If she had only recorded "Hello, Stranger" and "Baby I'm Yours," Barbara Lewis' place in the pop pantheon would have been assured. But there's much more to her
Craft Recordings has announced the next phase of its campaign to honor one of the great labels of soul - Stax Records. Entitled "Soul Explosion," the campaign began with their Record Store Day releases of Boy Meets Girl: Classic Stax Duets, Stax Does The Beatles and the first-ever mono reissue of Albert King's Born Under A Bad Sign. The next phase begins on May 31 and will see new vinyl and digital reissues of classics from 1969, which proved to be a watershed year for the label, and
Otis Redding's "Sittin' on the Dock of the Bay," the first Stax single of 1968, should have been a new beginning for the artist and label. Instead, the posthumous release ushered in a tumultuous year for the Memphis institution. The death of Redding and members of The Bar-Kays on December 10, 1967 was a tremendous loss for Stax and popular culture, but no one could have predicted the upheaval that would affect Stax and the city of Memphis in the following twelve months. That time has just
Stax Records is rightfully renowned for its catalogue of deep southern soul straight from the heart of Memphis. But, like its famous Detroit competitor Motown, the label founded by Jim Stewart and Estelle Axton released music in a variety of sounds and styles. The Complete Stax-Volt Singles 1959-1968 (released in 1991 and reissued by Rhino in 2016 was the first major archival box to begin to address the Stax legacy in record-by-record fashion. It was followed by The Complete Stax-Volt Soul
Welcome to Part Two of our Ace Records Round-Up! If you missed Part One's spotlight on releases from Clarence Carter and James Carr, just click here! Abe Tilmon, Iry Tilmon, and James Mitchell, a.k.a. The Emeralds, hailed from Little Rock, Arkansas, but once the vocal trio moved to the Motor City in 1967, they rechristened themselves The Detroit Emeralds and signed to Ed Wingate's waning Ric-Tic label. It proved an auspicious start when their debut single, "Show Time," made No. 22 on the
When it comes to Stax Records' 60th anniversary celebration, why should CDs have all the fun? The vinyl release of The Stax Vinyl 7s Box from Concord and UMC (STX 00252) brings fourteen rare tracks from across the Stax family of labels to seven 45 RPM singles, all emblazoned with the familiar yellow, finger-snapping logo. Compiler Richard Searling's raison d'etre is a simple one, as he sets forth in the liner notes: "I've selected the content based on my experience of featuring these songs in
Craft Recordings has been doing great things with the Stax Records catalogue in honor of its 60th anniversary (check out our most recent review of the new Isaac Hayes box set for proof!) - and now, they're continuing a beloved box set series with a new collection of the label's singles. Continuing the trend established by The Complete Stax-Volt Singles 1959-1968 (released in 1991 and reissued by Rhino in 2016), The Complete Stax-Volt Soul Singles, Vol. 2: 1968-1971 (1993, reissued 2014) and
Having just announced a John Lee Hooker box set, Craft Recordings shows no sign of slowdown, yesterday announcing The Sprit Of Memphis (1962-1976) a 4CD box set devoted to the legendary Isaac Hayes. It's impossible to think about the Stax Records sound--or soul music in the '60s and '70s, really--without considering Isaac Hayes. He helped shape the soul-pop sound of Memphis as a writer and producer, involved with smash hits and immortal cuts like "Hold On! I'm A Comin'," "B-A-B-Y" (a recent
From deep within the heart of Memphis to your stereo, the rich legacy of Stax Records will be honored this year as two label partners join forces to commemorate the label's 60th anniversary. Rolling Stone reported yesterday a massive campaign to celebrate Stax artists and albums across physical and digital formats. Notably, this initiative will be carried out by both owners of the Stax catalogue: Rhino/Warner Music Group, which controls much of the label's Atlantic-distributed output from
Bring on the B-sides! Despite its title, the massive, indispensable box set The Complete Stax/Volt Singles 1964-1968 concentrated on A-sides, presenting only a fraction of the labels' valuable flips. The box left many worthy B-sides overlooked in the CD era, but Ace Records' Kent imprint has redressed that situation with the release of The Other Side of the Trax: Stax-Volt 45 RPM Rarities 1964-1968. All but one of the 24 tracks on this new compilation are all making their official CD