Clive Davis had made his mind up. According to his autobiography, he considered Tony Bennett’s career “in jeopardy” by the late 1960s and felt that “new vitality was needed.” As recently-appointed head of the venerable Columbia Records, Davis brought that new vitality to the label, but at what price? In actuality, Tony Bennett's contributions to the storied label were more vital than ever as the 1960s came to an end. He was carrying the torch for unassailable adult pop with sophisticated
Review: The Left Banke, "Walk Away Renee/Pretty Ballerina" and "The Left Banke Too"
After listening to The Left Banke's two original albums, just reissued by Sundazed, I have only one question: what took so long? The group's recorded output was collected back in 1992 by Mercury on There's Gonna Be A Storm: The Complete Recordings 1966-1969. Besides getting my vote for Best Rhino Album Not Actually Produced By Rhino (Bill Inglot produced and Andrew Sandoval annotated...'nuff said!), the single disc compilation offers a remarkable view of the group that soared with 1966's
Review: Sam Cooke, "The RCA Albums Collection"
In 1963, RCA Victor dubbed its young star Sam Cooke “Mr. Soul” as the title of his latest LP. Today, few would argue with that appellation as we remember the roof- (and consciousness-) raising “A Change is Gonna Come,” the ultimate festive anthem “Havin’ a Party” or the bluesy R&B “Chain Gang.” But Mr. Soul, the album, offered a more complex portrait of the artist, offering “These Foolish Things,” “I Wish You Love” and “Cry Me a River” alongside Ahmet Ertegun’s “Chains of Love,” Johnny
Review: Two By Richard Rodgers, "On Your Toes" (1952) and "Carousel" (1955)
June is busting out all over, and so is the music of Richard Rodgers. Then again, the work of the composer (1902-1979) is always busting out all over. Even in 2010, Rodgers had the third most-covered song of the year, according to ASCAP. The song was "My Funny Valentine," with lyrics by Lorenz Hart, and it was written in 1937, proving that Richard Rodgers' music is, indeed, timeless. Masterworks Broadway, drawing from Sony Music Entertainment's Columbia and RCA Victor vaults, has been a leading
Review: Ozzy Osbourne, "Blizzard of Ozz: Expanded Edition" and "Diary of a Madman: Legacy Edition"
There's something wonderful about seeing things in a different light than before. Some of us go through our lives thinking certain things are one way, when others might see the same thing in a totally opposite way. If those two sides see eye-to-eye, though? It's a beautiful thing. I'd like to think that there's a bit of that eye-to-eye business with Epic/Legacy's new reissues of the first two Ozzy Osbourne albums. New fans who pick these packages up will learn that there is so much more to the
Review: Paul Simon, "Live Rhymin'" and Expanded, Remastered Studio Works (1972-1975)
Paul Simon may have titled his latest studio album So Beautiful or So What, but the same name could apply to his catalogue relaunch at Legacy Recordings. So Beautiful has been hailed as a return to form for Simon, writing with a guitar for the first time in many years. A timely reminder of that form and of the style Simon both recalls and updates on the new disc can be rediscovered on these four reissued titles. Paul Simon, There Goes Rhymin’ Simon, Live Rhymin’ and Still Crazy After All
Review: Paul McCartney, "The Paul McCartney Archive Collection: McCartney and McCartney II"
Paul McCartney is still on the run, as his just-announced concert tour of the same name attests. But one thing the former Beatle doesn’t have to run from is his own legacy. Last year he inaugurated The Paul McCartney Archive Collection with his 1973 Band on the Run, making the title available in multiple platforms and prices. The next two releases in the non-chronological series have just arrived, and though the formats are slightly tweaked, the same hallmark of quality is evident on the
Review: "Our Lives Are Shaped By What We Love: Motown's Mowest Story 1971-1973"
The sound is familiar but different. The harmony is spellbinding if a bit woozy. You've only given me a flower/I wish I had the whole bouquet... The track, led by acoustic guitar and gently funky percussion, is spare and raw. If I should ask you for an hour/Is there a chance that you would stay/And maybe spend the day? The falsetto is recognizable but eerily haunting. The song is "You're A Song (That I Can't Sing)" performed by Frankie Valli and the Four Seasons for the album Chameleon, the
Review: Frank Sinatra, "Ring-a-Ding Ding!: Expanded Edition"
Ring-a-ding ding! It can be used as an adjective or an interjection. But when Frank Sinatra chose the expression to title his very first album for his very own label, it was simply an ecstatic expression of pure joy. Sinatra was no longer tethered to Capitol Records, the label at which he'd made history with a series of "concept" albums. He had the freedom to make some new history, his way, when he launched Reprise. And Ring-a-Ding Ding!, now reissued and remastered for its 50th anniversary
Review: "The Belle of New York: Original Soundtrack Recording"
Film Score Monthly has established a top-notch reputation for restoration, but the label can carve a notch on its belt for resuscitation, too. With the release of the Original Soundtrack Recording of The Belle of New York, FSM has resuscitated the line of expanded MGM musical soundtracks, once the province of Turner Classic Movies Music and Rhino, later Rhino Handmade. Under the aegis of George Feltenstein, the Rhino/Turner affiliation produced definitive editions of classic musical
Review: Rosanne Cash, "The Essential Rosanne Cash"
It should come as no surprise to fans of Rosanne Cash that she believes “at the heart of all country music lies family, lies a devotion to exploring the boundaries of blood ties, both in performance and songwriting.” In her revealing 2010 memoir Composed, Cash acutely puts her finger on the qualities missing from modern country, finding it lacking in “desperate loss” with even the stories of family fading from sight. Where are the stories of grievous loss, dead babies, even dead dogs that
Review: Chicago, "Live in '75"
When they took the stage at Largo, Maryland’s Capital Centre in June, 1975, nostalgia was foremost on the minds of the members of Chicago. Early in the set so immaculately preserved by Rhino on the new Live in ’75 (Rhino Handmade RHM2 526436, 2011), comments are made from the stage with a great deal of surprise: “[Here’s] another blast from the past!” “Nostalgia is in nowadays.” “We would like to be nostalgic.” Would the Robert Lamm, Walter Parazaider, Lee Loughnane and James Pankow of 1975
Review: Jimi Hendrix, "South Saturn Delta" and "Band of Gypsys: Live at the Fillmore East"
When Jimi Hendrix wrote the lyrics, "Well, she's walking through the clouds, with a circus mind that's running 'round?," is it possible that he was writing about himself? Hendrix isn't generally considered part of the school of autobiographical singer/songwriters, and appreciation of his lyrical and melodic craft usually takes a backseat to his dazzling virtuosity as a musician. So while "Little Wing" isn't precisely about Hendrix, the vivid lyrical imagery of a dreamer with a "circus mind"
Review: Derek and the Dominos, "Layla and Other Assorted Love Songs: 40th Anniversary Edition"
Size isn’t everything. Though Universal’s new super-deluxe box set of Derek and the Dominos’ Layla and Other Assorted Love Songs (Polydor/Universal 0600753314326) is about as hefty as these packages come, the best of the box set could fit into a standard jewel case. The 40th anniversary collection includes (drum roll, please) 4 CDs, an audio DVD (though not DVD-Audio – more on that later), 2 LPs, a 48-page hardcover book, an art print, badges, pop-up artwork and a scratch-plate sticker. But
Greater Hits, Volume I: The Sweetest Sade Set
The Second Disc has always meant to be a source of decently-reported news and discussion on the goings-on of the music catalogue world, as well as a resource to the new fan on what catalogue product is out there. With that in mind, today introduces a new feature that looks at one of the most common catalogue items: the greatest hits collection. It's perhaps been outmoded by the ability to pick and choose tracks to download online, but when you're a new fan of an artist, the compilation is
Review: Loudon Wainwright III, "40 Odd Years"
Lucky for us, Loudon Wainwright III is only "so damn happy" on an infrequent basis. The singer-songwriter-humorist-satirist-actor (is that enough of a multi-hyphenate for you?) posited the question "Is it necessary to feel like shit in order to be creative?" He arrived at the final answer "yes!" but prefaced it with "unless you're J.S. Bach." Over the course of 91 songs on four CDs and another 38-plus on DVD, Shout! Factory's new box set 40 Odd Years (82663-12189, 2011) - dig the double
Review: Roy Orbison, "The Monument Singles Collection (1960-1964)"
It's frequently been said that image is everything in the music business. And surely one of the most recognizable images in all of music is that of Roy Orbison, the loner behind dark sunglasses, clad in black. If one could see his eyes, wouldn't they surely betray his lifetime of heartache? His wife Claudette (the inspiration behind the song) was killed at his side in a motorcycle accident, his two young sons perished in a fire at his home. There was more than meets the eye to Roy Orbison,
Review: Howard Jones, "The 12" Album/Action Replay: Remastered Editions"
Less is more, they tell you. If a song like "Yesterday" was done with a full band, would it have retained its emotional impact than its original, heartrending arrangement? Now, that argument often rings true, but sometimes a little more is pretty fun, too. Anyone who enjoys the music of the 1980s can attest to this. Some of the best hits of that decade were flush with production techniques and overdubs that would have been shunned in decades past. The synthesizer and the drum machine became the
Review: Bob Dylan, "In Concert: Brandeis University 1963"
Will the real Bob Dylan please stand up? Sunday, May 12, 1963. A 21-year old Bob Dylan is scheduled to appear on The Ed Sullivan Show, America’s favorite variety program. The young singer plans to perform his satirical “Talking John Birch Paranoid Blues,” taking sharp aim at the radical anti-Communist John Birch Society. In the song, Dylan’s narrator joins the group, walking off with his “secret membership card," ready to hunt for reds. “Now we all agree with Hitler’s views, although he killed
Review: Leon Russell, "The Best of Leon Russell"
There wasn't a dry eye in the house when Leon Russell, upon accepting his induction to the Rock and Roll Hall of Fame, thanked Elton John for rescuing him from "a ditch beside the highway of life." Thanks to the success of The Union, the collaborative album between John and his early idol, Leon Russell's profile has been considerably high of late. It's been so high, in fact, that one member of the Steve Hoffman Music Forums even queried of the community, "Is Leon Russell getting too much
Review: Aretha Franklin, "Take a Look: Aretha Franklin Complete on Columbia"
Some legends are repeated so often that they’ve come to be accepted as the truth. One such legend has it that the suits at Columbia Records, circa 1960-1965, were a chain of fools who kept Aretha Franklin from reaching her potential. After all, the record states that one year and one record after being released from Columbia, a superstar was born. But what if that notion was completely incorrect, and Aretha Franklin’s talent was already fully formed and on display at Columbia? Listen to the
Review: "Inner City: The Original Broadway Cast Recording"
"I look around and what do I see? Nothing's the way it used to be..." In 1969, Eve Merriam bluntly took aim at violence, racism, corruption and poverty in her ironic collection of verse, Inner City Mother Goose. Controversial from the outset, Merriam's Mother Goose became one of the most banned books in the country. Enter visionary theatre director Tom O'Horgan. Having replaced Gerald Freedman for Hair's move uptown in 1968, O'Horgan was well known for his experimental flair. Julian Barry's
Review: Various Artists, "Manhattan Soul: Scepter, Wand and Musicor"
Tomorrow evening, New York’s Broadhurst Theatre will be filled with the sounds of soul. The new Broadway musical Baby, It’s You! will begin previews on March 26, bringing to the stage the story of New Jersey housewife Florence Greenberg (portrayed by Tony Award winner Beth Leavel) and her mighty musical empire founded in 1959. Greenberg, a pioneering woman in a field then dominated by men, nurtured the careers of The Shirelles and Dionne Warwick, among others, shepherding the songs of Carole
Review: "It's a Mad, Mad, Mad, Mad World: Original MGM Motion Picture Soundtrack"
Close your eyes for a moment and pretend you're on Jeopardy! The answer: "This 1963 widescreen epic opened Hollywood's Cinerama Dome." The question: "What is It's a Mad, Mad, Mad, Mad World?" Raise your hand if you got it right! Yes, Mad World, as we'll abbreviate it for expediency's sake, is this author's epic film to end all epic films (sorry, Ben-Hur!) and certainly one of the only Hollywood epic comedies! While the designation "all-star" has been applied before and since, perhaps no film
Review: Simon and Garfunkel, "Bridge Over Troubled Water: 40th Anniversary Edition"
"What's the point of [making] this album?," an impossibly youthful Paul Simon asks in the 1969 television special Songs of America. "The world is crumbling." If Simon didn't know then why he was "just" recording an album despite all of the tumult around him, he almost certainly knows now. After all, he and partner Art Garfunkel have seen Bridge Over Troubled Water make it to 40 years (actually, 41!), and have even participated in the celebration. The duo have also seen the accompanying album and
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