When they took the stage at Largo, Maryland’s Capital Centre in June, 1975, nostalgia was foremost on the minds of the members of Chicago. Early in the set so immaculately preserved by Rhino on the new Live in ’75 (Rhino Handmade RHM2 526436, 2011), comments are made from the stage with a great deal of surprise: “[Here’s] another blast from the past!” “Nostalgia is in nowadays.” “We would like to be nostalgic.” Would the Robert Lamm, Walter Parazaider, Lee Loughnane and James Pankow of 1975 been able to conceive that they’d be…
Where Are All The “Magic Colors”: Lesley Gore’s Lost Album Arrives on CD
Lesley Gore epitomized the sound of American pop in the early-to-mid 1960s with hits like “It’s My Party” and its answer/follow-up, “Judy’s Turn to Cry.” For my money, there may never have been a greater one-two punch in pop than that pair, produced by Quincy Jones and arranged by Claus Ogerman. But where was the teen pop queen by the Summer of Love? The U.K.’s Ace label answers that question with the June release of Magic Colors: The Lost Album with Bonus Tracks 1967-1969, unearthing a lost LP and a full complement…
Six John Barry Scores Boxed Digitally By Silva Screen
John Barry may have passed away in January, but the film score titan has hardly been forgotten. Kritzerland just scored a quick sell-out on its new edition of Barry’s score to Until September, while Quartet Records has reissued The Knack…and How to Get It on CD. The Classic Brit Awards has announced that Barry will be the first-ever posthumous recipient of an award, while a June 20 concert at London’s Royal Albert Hall will celebrate his legacy with performances and remembrances from Sir George Martin, Michael Caine, David Arnold, Don Black, Timothy…
Dusty Springfield’s Lana Sisters Years Compiled By RPM
At last, the remaining piece of the Dusty Springfield puzzle hits CD. On May 23, Cherry Red label RPM will reissue the complete recordings of The Lana Sisters, the late-fifties girl group formed by Ris Chantelle, Lynne Abrams and Mary Catherine O’Brien, later to find fame as soul queen Dusty Springfield. Between 1958 and 1960, The Lana Sisters released seven singles on the U.K.’s Fontana label, all of which are included on RPM’s Chantelly Lace: Complete Singles Plus Bonus Tracks. Despite their brief time in the limelight, The Lana Sisters had an…
We’re Into Something Good: ABKCO Reissues Two From Herman’s Hermits In May
“Mrs. Brown, You’ve Got a Lovely Daughter.” “There’s a Kind of Hush (All Over the World).” “A Must to Avoid.” These chart hits from Herman’s Hermits have stood the test of time, but how many reading this remember the films in which those songs were featured? Upon signing to MGM Records in the U.S., Herman’s Hermits were groomed for a Hollywood film career, and why not? At the height of the group’s fame, they rivaled the Beatles for popularity, even topping them as the biggest-selling pop act in the U.S. in 1965. …
That’s Amore: Capitol Releases More from Dean Martin in June
Dean Martin once implored in song, “Please don’t talk about me when I’m gone.” Dino has been gone since 1995, but I doubt he’d mind that fans and collectors alike haven’t stopped talking about him since. Part of this is due to the seemingly endless stream of repackaged “greatest hits” collections – and guess what? Not one, not two, but three such sets are on the way this June, just in time for Father’s Day. Now ain’t that a kick in the head! Back in February, we reported on Hip-o’s two-CD, 28-track…
Rhino Knows What Time It Is: Chicago “Live in ’75” Coming from Handmade (UPDATED 4/11)
UPDATE 4/11: The link just before the jump takes you directly to the order page for this set. Original post: Billboard has certified them as the second-most successful American rock band in music history, only following The Beach Boys. The RIAA places them handily in the Top Ten of all-time album sales from an American group. So it’s fair to say that Chicago is still perhaps the most successful American rock band to have been wholly ignored by the Rock and Roll Hall of Fame. The band has endured a variety of personnel…
Review: Leon Russell, “The Best of Leon Russell”
There wasn’t a dry eye in the house when Leon Russell, upon accepting his induction to the Rock and Roll Hall of Fame, thanked Elton John for rescuing him from “a ditch beside the highway of life.” Thanks to the success of The Union, the collaborative album between John and his early idol, Leon Russell’s profile has been considerably high of late. It’s been so high, in fact, that one member of the Steve Hoffman Music Forums even queried of the community, “Is Leon Russell getting too much exposure?” Judging by the…
Rhino Resurrects “L.A. Woman” This Fall
It was hard not to worry about Rhino for awhile. Since the new year kicked off, things have been eerily quiet from the venerable label and catalogue arm of Warner Music Group (currently prepping for a major reorganization). Outside of the largesse of the Europe ’72 box set from The Grateful Dead and a few soundtrack selections, all was quiet. Now, one of Warner’s most enduring catalogue artists looks to be getting another reissue: hot off the presses, Rhino’s announced a 40th anniversary campaign for L.A. Woman, the final album released in…
He’s Got What It Takes: Marv Johnson’s Motown Years Coming from Kent
Had Marv Johnson (1938-1993) accomplished nothing else, he would still go down in history as the first artist heard on a Motown single. The very first release to come out of Berry Gordy’s mighty empire in January 1959, Tamla 101, was Johnson’s “Come to Me” b/w “Whisper,” both sides of which were written by Gordy and the artist. Thankfully, Johnson did accomplish much more musically, and as a testament to his legacy, Ace’s Kent label will release I’ll Pick a Rose for My Rose: The Complete Marv Johnson at Motown 1964-1971 as…
Review: Neil Diamond, “The Bang Years 1966-1968”
When it comes to Neil Diamond, I’m a believer. There’s not a trace of doubt in my mind that Diamond burst onto the scene at the right time – not necessarily the night time, though I, too, thank the lord for it. No, Diamond made a big noise in the corridors of Bang Records in the period between 1966 and 1968, an era when the music business was experiencing change more rapidly than anyone could have predicted. And it was far from predictable that the somber and intense young man pictured on…
Review: Jackie DeShannon and Doris Troy, Anthologized by Ace
It may have been sheer coincidence that Ace dropped I’ll Do Anything: The Doris Troy Anthology 1960-1996 and Jackie DeShannon’s Come and Get Me: The Complete Liberty and Imperial Singles Volume 2 on the same day. But different though these two singers may be, their similarities are striking. Both were pioneering female songwriters, with Troy penning her biggest hit, “Just One Look,” and DeShannon offering up the likes of “When You Walk in the Room” and “Put a Little Love in Your Heart.” Both had great success recording in England and both…
Masterworks Jazz Continues “Cool Revolution” with a Quartet from CTI
Chances are, if you think of a jazz artist, it wouldn’t take many degrees of separation to reach Creed Taylor. The esteemed producer began his career at Bethlehem Records overseeing a roster including Herbie Mann, Charles Mingus, Carmen McRae, J.J. Johnson and Kai Winding. In 1956, he departed Bethlehem for ABC-Paramount, where in 1960 he launched the Impulse! label with artists like Johnson, Winding, Ray Charles and John Coltrane. It was at Impulse! that Taylor came into his own, emphasizing that jazz and popular music could indeed co-exist and overlap, and seeing…
The Man Who Sang “Liberty Valance”: RPM Continues Gene Pitney Reissues
With one of the most resonant and recognizable voices in rock and roll, Gene Pitney (1940-2006) was the rare American talent to be able to withstand the British Invasion and continue to thrive. He collaborated with Phil Spector and The Rolling Stones, wrote hit songs for Roy Orbison, Bobby Vee, Ricky Nelson and the Crystals, and brought to life the songs of others, too. Among the recipients of the Pitney treatment were Burt Bacharach and Hal David, Carole King and Gerry Goffin, Barry Mann and Cynthia Weil and even (two-time Oscar winner)…
Angel Air Revisits a Series of Tommy James Classics
Shondells frontman Tommy James has been fairly well-represented on CD, with reissues from both Collectors’ Choice and Collectables compiling most of his classic oeuvre. Now, the U.K.’s Angel Air label takes its turn filling in more gaps in James’ catalogue with a trio of reissues. First up are a pair of two-fers, In Touch (1976) with Midnight Rider (1977), and Three Times in Love (1980) with Hi-Fi (1990), followed by an expanded edition of A Night in…Big City: An Audio Movie (1995). In Touch and Midnight Rider were recorded for San Francisco-based…
Reissue Theory: Bobby Darin, Compiled: “The Motown Years”
Welcome to another installment of Reissue Theory, where we reflect on great albums and the reissues they could someday see. At the time of his untimely death in 1973, Bobby Darin was signed to Motown Records, where he recorded one solo LP and enough material for a posthumous second LP. Despite their high quality, Darin’s Motown recordings have long been unavailable. Today’s Reissue Theory takes us back to 1970 and the final chapter in the life of the great Bobby Darin. Bobby Darin was so much more than just “Mack the Knife.”…
King, Taylor and Fellow “Troubadours” Arrive on DVD with Bonus CD
Morgan Neville’s 2010 film Troubadours: The Rise of the Singer-Songwriter is nothing if not ambitious. A participant in the Sundance U.S. Documentary Competition, Troubadours functions as a dual biography of Carole King and James Taylor, as well as the story of Doug Weston’s club on Los Angeles’ Santa Monica Boulevard that gave rise to King, Taylor and so many others. Their 2007 reunion and subsequent tour in 2010 provides the framework for the film. Yet moreover, it touches on the entire singer-songwriter ethos that rose out of the turbulent last days of…
More Gerhardt LPs Coming from Masterworks in March
In October, to the delight of film score fans everywhere, Sony Masterworks reissued a portion of the Classic Film Scores series, vintage RCA LPs of great soundtracks as recorded by Charles Gerhardt and The National Philharmonic Orchestra. In March, the second installment of the reissue series is happening, covering some of the greatest composers in motion picture history, including Hermann, Waxman, Korngold and Steiner. Masterworks’ reissue campaign, announced today, covers compilations devoted to soundtracks by Max Steiner, Erich Wolfgand Korngold, Franz Waxman, Bernard Hermann, Miklós Rózsa and David Raskin (the last of which…
How “Cool” Is New Dean Martin Box Set?
A preview of the upcoming double-disc box with book devoted to the King of Cool, Dean Martin, coming from Hip-O Records June 7.
When Matt Met Hoagy: Rare Monro LP Reissued in U.K.
The success story of Matt Monro is one unlike any other. The singer, born Terence Edward Parsons in London in 1930, had recorded for both Decca and Fontana, and sang regularly on the BBC, but the brass ring eluded him. Then, in 1960, EMI producer George Martin was seeking a voice to spoof Frank Sinatra’s on a Peter Sellers comedy album cheekily titled Songs for Swinging Sellers. Martin hired Matt Monro, and billed him under the very Sellers-esque pseudonym of “Fred Flange.” Well, the “Flange” recording of “You Keep Me Swingin’” was…
Reissue Theory: George Michael’s Different Corners
Welcome to another installment of Reissue Theory, where we reflect on well-known albums of the past and the reissues they could someday see. With the reissue of George Michael’s most flawless pop album, today’s installment takes you into the corners of the world pop music scene to prove how part of the musical culture he really was. The reissue of George Michael’s iconic Faith album has your humble catalogue correspondent excited. Really excited. So excited that today’s Reissue Theory talks about two albums from the same time period he managed to contribute…
Review: George Michael, “Faith: Legacy Edition”
It won’t make any sense in today’s media-saturated world, but in 1987 and 1988, George Michael was inescapable. The idea that one single artist could grab multiple genders, races, cliques and generations by the shoulders with his or her music is all but impossible today, but the man born Georgios Kyriacos Panayiotou did just that. Faith, released by Epic Records in the fall of 1987, put six tracks in Billboard‘s Top 5 (two-thirds of them No. 1 hits), netted him a Grammy Award for Album of the Year, sold in excess of…
Dionne, Natalie, Nancy Reissues Coming from Soulmusic Label
Cherry Red’s got soul. Mike and I reported last week on the impressive slate planned by Cherry Red’s Big Break Records label. A smaller yet equally rich line-up is on the way from another Cherry Red division, Soulmusic.com Records.On February 14 in the U.K. and one week later stateside, the label will reissue five classic albums from a trio of accomplished vocalists: Nancy Wilson, Dionne Warwick and Natalie Cole. Perhaps most exciting is the two-on-one CD release of Wilson’s 1974 Capitol LP All in Love is Fair and its follow-up, 1975’s Come Get to This….
Reissue Theory: Sammy Davis, Jr., Compiled: “Sammy in the Seventies”
Welcome to another installment of Reissue Theory, here we reflect on well-known albums of the past and the reissues they could someday see. Today, we look at a beloved American icon and one of the least anthologized periods of his lengthy career. There may be no figure in American popular culture more maligned in death than Sammy Davis, Jr. The image of the diminutive entertainer, clad in open shirts and bell-bottoms, wearing beads and gold chains, and with an ever-present cigarette dangling from his mouth has superseded that of the incendiary talent,…
Come and Get Them: Upcoming Releases Due from DeShannon, Nelson and More
Britain’s Ace family of labels is kicking off 2011 in a big way! Mike filled you in Tuesday about Kent’s upcoming I’ll Do Anything: The Doris Troy Anthology 1960-1996, and today we turn the spotlight on three more releases due in the U.K. on January 31. Jackie DeShannon remains one of the most beloved voices of the 1960s. DeShannon not only broke barriers as a rare female songwriter in an era when it simply wasn’t common, but she was equally comfortable in front of the microphone as a first-class interpreter of others’…
